In this game of adventure and enigmas where ancient languages are both the lock and the key, travel the endless steps of a prodigious labyrinth, multiply unexpected encounters and unveil the mysteries of a fantastic world inspired by the myth of Babel.
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The deduction of icons feels perfectly balanced between not being too spelled out and not being too vague, and I love how each distinct culture is efficiently evoked through their language. Which concepts are core to their culture and common enough that you learn them first? How does their language frame concepts they share with other cultures (e.g. devotees vs impure ones)? Which concepts are so inessential that their language seems to omit them entirely?
Beyond the slow accumulation of understanding, I was impressed by the meta-challenge of forming cultural links, and the eventual ending sequence itself. A lot of similar games feel the need to have a big climactic gameplay sequence to drive home the combined emotion of the story and the full robustness of their puzzle design, but the difference with Chants of Sennarr is that it’s the rare example that actually imagines and executes it well, so I wasn’t distracted with frustration at any point.
Also, what a simple but visually stunning game.
Beyond the slow accumulation of understanding, I was impressed by the meta-challenge of forming cultural links, and the eventual ending sequence itself. A lot of similar games feel the need to have a big climactic gameplay sequence to drive home the combined emotion of the story and the full robustness of their puzzle design, but the difference with Chants of Sennarr is that it’s the rare example that actually imagines and executes it well, so I wasn’t distracted with frustration at any point.
Also, what a simple but visually stunning game.
A game of wonderfully engaging language deduction puzzles. Loved the art style, and the mixture of different languages across the hierarchy of the different societies made for an engaging narrative. I found the maths sections a bit too tricky (but that's a me problem) and the last 20 minutes of the game felt like it was forced to provide a dramatic finale, but otherwise this game was a treat to play and I hope its success makes room for more like it.
Hmmm does this word perhaps mean 'apple'?
Correct! The word was 'to exercise!'
Okay.
P.S. fuck the bard people.
Correct! The word was 'to exercise!'
Okay.
P.S. fuck the bard people.
Interesting experience, beatiful game
A wonderfully unique puzzle game that will test your brain like a puzzle game has never done before.
A language deduction puzzle game. Beautiful art. I can't wait to see what these developers do next.
A language deduction puzzle game. Beautiful art. I can't wait to see what these developers do next.
tl:dr a very satisfying language puzzle game that, in the desire to expand the game's length, begins to focus less on what makes the idea so good and more on what pads the runtime.
This was a less positive review than I was expecting to write halfway through. I really enjoyed the linguistic mechanics and the varying languages. They had visual and sentence structure quirks that made learning them feel like a new puzzle each time. Some of these being a good challenge too. The visuals and the color palette were also a delight. Unlike some other reviews, I, for the most part, enjoyed the puzzles, and the early usage of stealth was good. Backtracking could be a little tedious, but the gameplay cycle was only about an hour to 90 minutes for each floor, so it didn't bother me too much.
My qualms about the game fall into two categories. Some spoilers coming up.
The first one is that the world would have been much more interesting if it felt more reactive to the player. The terminal communication that is encouraged to be left towards the end was a great set of puzzles that had me wondering why this wasn't seeded more into the level design. After all, the heart of the game is visual and verbal translation, so why shouldn't it be emphasized more? I also think that a similar system could have been used when solving language puzzles. People asking for responses you have to try to cobble together instead of everything being one-sided would have made the world feel more alive rather than you being a ghost that no one pays much mind to besides a couple of words. As the levels progressed, the game tried to diversify gameplay. Yet, the language mechanics stayed largely static when they should have been the primary focus (not counting that largely superfluous minigame on the 5th floor that wanted you to get through that floor as fast as possible). Language is ultimately a two-way agreement, and yet chants of sennaar was so one-sided. I may have forgiven this if the puzzles were more than just gameplay. Outside of the immediate puzzles, you're not using what you learned to engage with the world. This is a lean game for better or worse, usually for better, but I don't think it would have hurt to have some optional dialogue/language puzzles to learn more about the world of each floor. I will say the game does have good visual storytelling that carries some of this slack.
My second issue is that the further the game continues, the more it feels like a second game was smashed on top of Chants of Sennaar and shoddily bolted on. The game's overt usage of the Tower of Babel and its own caste system gives the vibe of a mythical era story, which it faithfully follows up on in the first 3 floors and the 4th one flexibly. Then you get to the final floor, and we're now in the matrix... fighting an evil supercomputer that wants to prevent people from talking to each other because it was programmed to be racist? It's described that each civilization is doomed to collapse without help when all you see is one isolated issue per floor that, in a couple regards, feels tacked on. The story elements are so backloaded and under incorporated that I can't help but wonder if there was a big pivot in development late on.
Humans have, for thousands of years and still today, struggle to come to terms with differences in language, culture, hierarchy, and desires. There's enough conflict right there to make a compelling storyline without turning the world into a cyberpunk dystopia.
This was a less positive review than I was expecting to write halfway through. I really enjoyed the linguistic mechanics and the varying languages. They had visual and sentence structure quirks that made learning them feel like a new puzzle each time. Some of these being a good challenge too. The visuals and the color palette were also a delight. Unlike some other reviews, I, for the most part, enjoyed the puzzles, and the early usage of stealth was good. Backtracking could be a little tedious, but the gameplay cycle was only about an hour to 90 minutes for each floor, so it didn't bother me too much.
My qualms about the game fall into two categories. Some spoilers coming up.
The first one is that the world would have been much more interesting if it felt more reactive to the player. The terminal communication that is encouraged to be left towards the end was a great set of puzzles that had me wondering why this wasn't seeded more into the level design. After all, the heart of the game is visual and verbal translation, so why shouldn't it be emphasized more? I also think that a similar system could have been used when solving language puzzles. People asking for responses you have to try to cobble together instead of everything being one-sided would have made the world feel more alive rather than you being a ghost that no one pays much mind to besides a couple of words. As the levels progressed, the game tried to diversify gameplay. Yet, the language mechanics stayed largely static when they should have been the primary focus (not counting that largely superfluous minigame on the 5th floor that wanted you to get through that floor as fast as possible). Language is ultimately a two-way agreement, and yet chants of sennaar was so one-sided. I may have forgiven this if the puzzles were more than just gameplay. Outside of the immediate puzzles, you're not using what you learned to engage with the world. This is a lean game for better or worse, usually for better, but I don't think it would have hurt to have some optional dialogue/language puzzles to learn more about the world of each floor. I will say the game does have good visual storytelling that carries some of this slack.
My second issue is that the further the game continues, the more it feels like a second game was smashed on top of Chants of Sennaar and shoddily bolted on. The game's overt usage of the Tower of Babel and its own caste system gives the vibe of a mythical era story, which it faithfully follows up on in the first 3 floors and the 4th one flexibly. Then you get to the final floor, and we're now in the matrix... fighting an evil supercomputer that wants to prevent people from talking to each other because it was programmed to be racist? It's described that each civilization is doomed to collapse without help when all you see is one isolated issue per floor that, in a couple regards, feels tacked on. The story elements are so backloaded and under incorporated that I can't help but wonder if there was a big pivot in development late on.
Humans have, for thousands of years and still today, struggle to come to terms with differences in language, culture, hierarchy, and desires. There's enough conflict right there to make a compelling storyline without turning the world into a cyberpunk dystopia.