In a land far away, the two princes—Richard (of the Custard Kingdom) and the game's main protagonist (prince of the Sablé Kingdom)—have shared a friendly rivalry since they were small children. They often compete, although it usually ends in a tie or close win. In Fencing however, Prince Richard is always the victor. One day a messenger arrives from a small neighboring kingdom, warning the princes that the evil King Delarin has invaded the Mille-Feuille Kingdom and captured the beautiful princess Tiramisu. In yet another boastful attempt to best the Sablé Prince, Richard grabs a boat and rushes towards the kingdom. The Sablé Prince is left trying to catch up. While on his journey, he and Richard (and many others) are transformed into frogs in an attempt to reveal the true happenings in this kingdom. The game and its characters were mentioned many times in the Super Smash Bros. series as trophies, stickers, spirits and as the Assist Trophy of the Sablé Prince. In these series, the game was officially romanized as "Kaeru no Tame ni Kane wa Naru".
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All I knew about this game was the Assist trophy in smash bros and the passion a friend of mine had fot it. Out of curiosity I tried in and...... Legit I don't get why nintendo never ported this game to the west.
One of the best Game Boy titles, that can rival Link's awakening in terms of charm and quality.
It's a goofier adventure compared to the one in Koholint Island, but it's able to entertain and make you laugh despite the limitations of the hardware it was made for.
It doesn't have the cleanest gameplay and combat ever made, but honestly.... it doesn't have to. The way the story of this dumb prince unfolds leads to some of the wackiest shenanigans.
A big pleasant surprise. Nintendo, bring it back!
One of the best Game Boy titles, that can rival Link's awakening in terms of charm and quality.
It's a goofier adventure compared to the one in Koholint Island, but it's able to entertain and make you laugh despite the limitations of the hardware it was made for.
It doesn't have the cleanest gameplay and combat ever made, but honestly.... it doesn't have to. The way the story of this dumb prince unfolds leads to some of the wackiest shenanigans.
A big pleasant surprise. Nintendo, bring it back!
Played for a little while using mGBA on my modded Wii. I see a potentially good game in here, so I will return to it someday.
Also known as "For Frog the Bell Tolls," AJ convinced me to check out this 1992 Japan-Exclusive Nintendo release whose engine would go on to be used for Link's Awakening. He said it was a neat adventure game with lots of very silly humor, and he was right! I got it for 400 yen on the Japanese 3DS eShop and played through it over a weekend, and it took me about 7 hours all together. While it was a game whose engine would go to be used for a Zelda game, the game itself is a pretty far cry from a typical Zelda game, and is much more a straight-up adventure game with a surface-coating of action and a big heaping pile of platforming on top of that.
The story sees you as the Prince of Sablé, who chases after his rival Prince Richard of the Custard Kingdom to save Princess Tiramisu from the dreaded Keronian Army attacking her kingdom of Mille-Feuille. Over the course of the game, you gain the ability to turn into a snake as well as a frog to get past all means of obstacles, and meet all sorts of colorful characters in all manner of locations. My personal favorites being the extremely stereotyped and eccentric "Japanese Businessman" Junbei (whose speaking style indicates he's a foreigner despite being in a Japanese game made for a Japanese audience) and Professor Arewo Stein, the eccentric wasabi-loving president of the Nantendo Company which you go visit (who actually would make cameo appearances in games all the way up to Wario Land 4!). The game has all sorts of silly fourth-wall breaking jokes and Junbei especially just sorta had my mouth agape whenever he was on screen because he's SUCH an odd character. I can't speak to the English fan translation's style of humor, but I really enjoyed the silly writing in the Japanese original ^w^
The overall design of the game is mostly adventure with platforming elements as well. It's VERY linear, with small sub-areas to explore for treasure, but a LOT of the game is talking, puzzle solving, and platforming. And I mean a LOT of talking, probably more than any other Nintendo game of the 8- or 16-bit eras I can think of that isn't Mario RPG. The signposting is excellent, and there was never a single time I was lost. The game always makes very explicit points of telling you where to go (even occasionally saving you the walk and teleporting you there via a cutscene), and there are literally signposts in the case of giant billboards in each town that have a "news bulletin" of what you just did and what you should be expected to do next. It's a fairly easy, relaxing game to spend a day or a weekend with.
The game has no actual combat, per se. Combat is decided by touching an enemy, and that initiates a kind of scuffle where you each take turns hitting each other until one of you dies. There is (almost) never any active element to the combat aside from just dodging enemies, and combat serves more as a puzzle barrier than anything else. Almost every boss battle relies on you having explored the map/dungeon to the point where you've found all the new weapons, stat boosts (attack, speed, max health) to the point where you can kill that boss with one heart remaining. If you can't kill a boss, you haven't explored enough, or there's an item you should be using.
The game also has a lot of side-scrolling sections which do a good job of breaking up the pace of walking around in a bird's eye view of the overworld. The overworld map and the side-scrolling sections should be immediately familiar to anyone who has spent time with any of the GB/GBC Zelda games, but the side-scrolling sections here are far longer, more numerous, and a lot harder. They're probably the hardest part of the game by a significant margin, as there are multiple points in the game where if you don't make a jump quite right, you'll fall in lava and be sent back to the hospital where you'll need to walk back to the dungeon and do the whooole thing over again. This is where playing it on the 3DS Virtual Console with save states was a real patience-saving godsend for me. It's honestly a bit of a shame they are so hard (and often at odd difficulty spikes in the game as well, as one will often be easier than the last and vice versa), because they make what's otherwise a fairly chilled out, silly adventure game have a much higher skill ceiling to enjoy than the lighthearted adventure portions would imply.
You solve many puzzles by talking to people to learn information or by changing form into a frog or snake. The frog can jump high, talk to frogs, and not die in water; the snake can talk to snakes, turn some enemies into blocks, and get small to fit in snake-sized holes; and human Prince (whom you name at the start) has average jumping, can talk to humans, and is by far the best at fighting. It sounds like a gimmick, but it really never felt like that. Never once did I find myself thinking "oh well now it's time for the obligatory frog bit of this dungeon," as I so often do with these types of games. Some later dungeons even make the dungeons a little more open and you are encouraged to try out two of the forms to progress, as each may be able to reach different treasure or a different way forward.
The main fault I'd say the game has, and it's a tiiiiny one, is how these transformations are handled though. You just enter water to turn into a frog, which is fine, but to turn back into a human, or to turn into a snake, you need to eat a consumable item, and if you didn't bring enough of those to the dungeon, you gotta warp out (which the game gives you an item to do) and go buy some at the town and do the whole dungeon over again. the game is pretty good about giving you a few of these consumables in dungeons, but it's never enough to do the dungeon. You'll need to have brought some. Money is really quick and easy to earn and you can carry a TON of those items at once, so it's a mistake you'll only make once, but it's still annoying to be worrying about whether you should just exit now or hope you have enough to finish the dungeon.
Verdict: Highly Recommended. This is definitely one of my all-time favorite Japan-exclusive games that I've played. I imagine it was for translation reasons (very text-heavy game with some awkward elements to translate adequately) that it was never brought over to the States, but it's a really fantastic game that's well worth playing with the fan translation patch. There really aren't any other adventure/side-scrolling games quite like this I can think of off the top of my head, but this has to be one of the best out there by a fair margin.
The story sees you as the Prince of Sablé, who chases after his rival Prince Richard of the Custard Kingdom to save Princess Tiramisu from the dreaded Keronian Army attacking her kingdom of Mille-Feuille. Over the course of the game, you gain the ability to turn into a snake as well as a frog to get past all means of obstacles, and meet all sorts of colorful characters in all manner of locations. My personal favorites being the extremely stereotyped and eccentric "Japanese Businessman" Junbei (whose speaking style indicates he's a foreigner despite being in a Japanese game made for a Japanese audience) and Professor Arewo Stein, the eccentric wasabi-loving president of the Nantendo Company which you go visit (who actually would make cameo appearances in games all the way up to Wario Land 4!). The game has all sorts of silly fourth-wall breaking jokes and Junbei especially just sorta had my mouth agape whenever he was on screen because he's SUCH an odd character. I can't speak to the English fan translation's style of humor, but I really enjoyed the silly writing in the Japanese original ^w^
The overall design of the game is mostly adventure with platforming elements as well. It's VERY linear, with small sub-areas to explore for treasure, but a LOT of the game is talking, puzzle solving, and platforming. And I mean a LOT of talking, probably more than any other Nintendo game of the 8- or 16-bit eras I can think of that isn't Mario RPG. The signposting is excellent, and there was never a single time I was lost. The game always makes very explicit points of telling you where to go (even occasionally saving you the walk and teleporting you there via a cutscene), and there are literally signposts in the case of giant billboards in each town that have a "news bulletin" of what you just did and what you should be expected to do next. It's a fairly easy, relaxing game to spend a day or a weekend with.
The game has no actual combat, per se. Combat is decided by touching an enemy, and that initiates a kind of scuffle where you each take turns hitting each other until one of you dies. There is (almost) never any active element to the combat aside from just dodging enemies, and combat serves more as a puzzle barrier than anything else. Almost every boss battle relies on you having explored the map/dungeon to the point where you've found all the new weapons, stat boosts (attack, speed, max health) to the point where you can kill that boss with one heart remaining. If you can't kill a boss, you haven't explored enough, or there's an item you should be using.
The game also has a lot of side-scrolling sections which do a good job of breaking up the pace of walking around in a bird's eye view of the overworld. The overworld map and the side-scrolling sections should be immediately familiar to anyone who has spent time with any of the GB/GBC Zelda games, but the side-scrolling sections here are far longer, more numerous, and a lot harder. They're probably the hardest part of the game by a significant margin, as there are multiple points in the game where if you don't make a jump quite right, you'll fall in lava and be sent back to the hospital where you'll need to walk back to the dungeon and do the whooole thing over again. This is where playing it on the 3DS Virtual Console with save states was a real patience-saving godsend for me. It's honestly a bit of a shame they are so hard (and often at odd difficulty spikes in the game as well, as one will often be easier than the last and vice versa), because they make what's otherwise a fairly chilled out, silly adventure game have a much higher skill ceiling to enjoy than the lighthearted adventure portions would imply.
You solve many puzzles by talking to people to learn information or by changing form into a frog or snake. The frog can jump high, talk to frogs, and not die in water; the snake can talk to snakes, turn some enemies into blocks, and get small to fit in snake-sized holes; and human Prince (whom you name at the start) has average jumping, can talk to humans, and is by far the best at fighting. It sounds like a gimmick, but it really never felt like that. Never once did I find myself thinking "oh well now it's time for the obligatory frog bit of this dungeon," as I so often do with these types of games. Some later dungeons even make the dungeons a little more open and you are encouraged to try out two of the forms to progress, as each may be able to reach different treasure or a different way forward.
The main fault I'd say the game has, and it's a tiiiiny one, is how these transformations are handled though. You just enter water to turn into a frog, which is fine, but to turn back into a human, or to turn into a snake, you need to eat a consumable item, and if you didn't bring enough of those to the dungeon, you gotta warp out (which the game gives you an item to do) and go buy some at the town and do the whole dungeon over again. the game is pretty good about giving you a few of these consumables in dungeons, but it's never enough to do the dungeon. You'll need to have brought some. Money is really quick and easy to earn and you can carry a TON of those items at once, so it's a mistake you'll only make once, but it's still annoying to be worrying about whether you should just exit now or hope you have enough to finish the dungeon.
Verdict: Highly Recommended. This is definitely one of my all-time favorite Japan-exclusive games that I've played. I imagine it was for translation reasons (very text-heavy game with some awkward elements to translate adequately) that it was never brought over to the States, but it's a really fantastic game that's well worth playing with the fan translation patch. There really aren't any other adventure/side-scrolling games quite like this I can think of off the top of my head, but this has to be one of the best out there by a fair margin.
I hate patrolling!
-Loved the simplicity of everything while still making it fun.
-Story was fun and quirky and I was always interested in seeing where it would go next.
-Characters followed stereotypical tropes but were still interesting with strong personalities.
-Platforming was unexpectedly smooth.
-Usually played in 15~45 minute increments as there was a lot of Japanese that was above my level and I had to take my time looking up and researching words.
-Played on Analogue Pocket using a ROM.
-Story was fun and quirky and I was always interested in seeing where it would go next.
-Characters followed stereotypical tropes but were still interesting with strong personalities.
-Platforming was unexpectedly smooth.
-Usually played in 15~45 minute increments as there was a lot of Japanese that was above my level and I had to take my time looking up and researching words.
-Played on Analogue Pocket using a ROM.
Unironically one of the best Game Boy games ever. A shame Nintendo barely remembers this. Sadly it won't ever see the light of day outside of Japan, but thankfully the fan translation patch that tributed Link's Awakening font was the best way to enjoy this.
It's an amazing mix of platform and RPG but losely based on explorintg and collect power-ups both on snake/frog abilities and statistic (attack and defense). Automatic battles are basically a judgement from the game to see if you actually progressed right or missed something.
For a Game Boy game it's impressive and a breath of fresh air.
It's an amazing mix of platform and RPG but losely based on explorintg and collect power-ups both on snake/frog abilities and statistic (attack and defense). Automatic battles are basically a judgement from the game to see if you actually progressed right or missed something.
For a Game Boy game it's impressive and a breath of fresh air.