bullfrog
2020
Kind of a big fan of the atmosphere here. It mimicks some of the best cyberpunk by making the world feel dead, inhabited by soulless killing machines and only a few "real boys". In other narratives (like idk blade runner or inception) it would focus on a few of those "real boys" who are interesting and lonely characters. But here it's just a videogame plot. Oh well.
2016
Sean Vanaman has gotta be one of our best capital W writers we have right now. He understands the rhythms of writers guide to writing ass storytelling so well (respect thine audience, make every character different and give them all arcs, that type of stuff) that even a mumblecore game about 2 park rangers eventually feels massive and can connect with such a broad audience. So excited to play half life alyx now(he wrote for it!!!!!)
2012
Makes me yearn for a world where all big stories like this are made with the sturdiest of storytelling (every character that's in it for more than 3 episodes getting an arc, the indulging in common cliches that just work) and escalation. Reminds me also how hard sturdy storytelling like this is to do which is why it was such a hit when it came out.
2010
2023
kind of really crazy that this just isn't good in basic non-politically offensive if you truly dive into ways. Just an utter bore lacking any sense of character or style whatsoever, we have gotten this game like at least 30 times, and have hated it for the past 2 years but since now there's a wand and things we know its really good? idk its confusing
2017
2014
2004
2013
2015
2014