Still the perfect example of a litmus test for people who can't parse a story all these years later
A product made with so much love,care and understanding,that it knew full when it was time to close the book on the series. You can see it everywhere,from the immaculate presentation and soundtrack,to the extremely well thought-out cast,whose interactions are still so goddamn entertaining and most of all,heartfelt.
There's really no other way to say it: there's no other game,outside Umineko,that truly loves stories as much as this one. Sometimes,those very lies are what keep you going through all the suffering. And that's exactly what will make me float on too.
Plus,this is the second game in which Kodaka just fellates Metal Gear Solid 2 to completion. How can you not love something so unabashedly celebratory of everything that inspired it?
A product made with so much love,care and understanding,that it knew full when it was time to close the book on the series. You can see it everywhere,from the immaculate presentation and soundtrack,to the extremely well thought-out cast,whose interactions are still so goddamn entertaining and most of all,heartfelt.
There's really no other way to say it: there's no other game,outside Umineko,that truly loves stories as much as this one. Sometimes,those very lies are what keep you going through all the suffering. And that's exactly what will make me float on too.
Plus,this is the second game in which Kodaka just fellates Metal Gear Solid 2 to completion. How can you not love something so unabashedly celebratory of everything that inspired it?
2 Comments
Honestly the thematic pararells between V3 and Umineko was something that I very much noticed while playing through the latter, so I wasn't at all surprised when I found out that the reaction to the ending of both games was similarly (and undeservedly) divisive to say the least.
Bekenshi
7 months ago