We all have 2nd chances.

Infinite wealth is a game with a pretty messy plot, honestly. Some due to common Yakuza-isms (constantly undercutting its own villains with a never-ending hierarchy, over-complicating the plot without much reason) and some due to pacing (The majority of the middle of the story is faffing around and accomplishing nothing, thinly-disguised enemy gauntlets) and some unique to this game (the major antagonists are both thematically fitting but ultimately lame as hell) but none of that can detract from an incredible cast and strong ideals.

Yakuza 8 is a game about the forgotten. The chances that we missed, the regrets that we have. The things that we, time, and society, leave behind as the days, months and years move on. Everyone has them. Some people have tons of them. We all shoulder these, and we too often tell ourselves that the time to make it right has long since past.

At large, this is a work about trying to turn back the clock, figuratively. It's about righting wrongs, living with a clear head. Many works talk of how the past can't impact the future, and that we have to live moving on from it. Yakuza 8 thinks that notion is unrealistic. Our burdens stack too high. It's a game that talks of the thing that's too often forgotten but so necessary in life; closure.

Kiryu shoulders the burdens of all the Yakuza, bemoaning what he could've done, what he could've changed. He melancholically walks through the steps of his life with the bucket list, seeing what he's done and the lives his touched, trying to regain the spirit that propelled him.

Ichiban searches for his lost mother, seeking closure not as much for himself, but for his dead father figure. Ichiban, as he always does, dying to help others, even the deceased. He also can't get his shitty proposal out of his head, wonderful dork that he is.

Away from the thematics, the banter of this game is just a delight. Listening to kiryu talk about his favorite food on the street, listening to how competitive Zhao is, Saeko's work at the bar... it's great. I could listen to them forever.

Also, about the gameplay: It's... better than Y7's, but it falls prey to the exact same problems, namely 2, both tied to the same issue.

1: The scaling of the game is such that as you go further, every fight can end with high mana dumps that do alot of damage and wipe the field instantly. All the mechanics you learn through-out the journey become more and more useless as the game gets later. Just press the big button.

2: Buffs and debuffs are pitifully weak in 90% of the encounters. Damage is such that pressing anything that doesn't do damage is a huge opportunity cost; there's very little in the way of hp sponges. This is a good thing in theory for the games pacing, but it means that I simply walked through the game and engaged very little in alot of buffs/debuffs outside of experimentation (and a little but for kunoichi and samurai which gain immediate damage for there being buffs/debuffs respectively). This system... needs balancing.

Anyways, the main reason I don't rate this game higher than 7 itself is because I find the actual plot itself pretty weak. 7's wasn't super great either, but the final conversation with the main antagonist in 7 outshines anything done in the story of this game.

But again, 8 is a game of subtext. And in that space, it deserves accolades.

Reviewed on Feb 07, 2024


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