Omori is probably the deepest an RPG Maker game will ever be. It takes what was so special about those early 2000s horror games creates something so unique, yet polarizing. This game has main two tones that are constantly clashing and taking over. One side is whimsical, quirky, and admittedly less interesting. The other is dark, depressing, and genuinely scary at points. What stops me from making this a fault of the game is that its on purpose. The game uses these clashing tones to characterize and develop your main character. It all feels deliberate, which is why I never really felt all that bored by the headspace segments. You're playing through the delusions of a fucked up kid. After a certain point, you can literally kill yourself in your bedroom if you want to.

Blackspace is fucking peak and Redspace made me shit myself.