Somehow the exact perfect midpoint between Insomniac's two other prime offerings, Ratchet & Clank and Marvel's Spider-Man, and it definitely feels like a necessary stepping stone for the latter's development in particular.

Has a great aesthetic and soundtrack, but somehow the game just kinda feels undercooked all throughout. Like, this is probably the least polished Insomniac game I've ever played. The moments where the game leans into how stupid and manic and frenetic it all is are where the game truly shines, but in between those moments (usually Insomniac's trademark Mega Set Pieces and Absurd Corporate Satire), the game is strangely... I wanna say "rizzless"? Despite being ostensibly My Shit, it never fully clicked with me.

Yuri Lowenthal was basically carrying this game on his shoulders too: without his charismatic performance, I would find it hard to care at all about anything narrative-wise. Don't think I'll be able to name a single memorable character from this in about a week. I will certainly remember the bizarre surprise celebrity cameo that occurs near the end of the game for seemingly no reason, though.

Anyway, don't mythologize this one like I did due to its elusive platform exclusivity: it's entirely skippable.

Reviewed on Oct 20, 2023


1 Comment


6 months ago

"Least polished Insomniac game" is probably the best way to describe this yea. I know it has some shooters but every time I get reminded of it I think of how milquetoast it is in nearly every regard. Not even their charming writing routine was enough to salvage it!

Movement was pretty cool though, I'll give it that