[This section in brackets is the only human-written text in this entire review. I got high, asked ChatGPT to "generate an extremely pretentious and poorly-written review of Bayonetta that analyzes its queer subtext and mentions dodge offset" and thought it'd be a good bit to put it on the site proper. I will never do this again. Seeing it get six likes overnight terrifies me and leaves me feeling intense shame about myself and this website. May god have mercy on us all.]

My dear readers, allow me to delve deep into the subtext of Bayonetta, a game that brims with queer sensibilities and tantalizing eroticism. At its core lies a narrative that challenges conventional notions of gender and sexuality, subverting tropes and expectations at every turn.

And what better way to embody this subversive spirit than through the gameplay mechanic of dodge offset? With this masterful mechanic, Bayonetta defies traditional notions of combat and deftly sidesteps the norms of heteronormative game design.

As we explore the rich tapestry of Bayonetta's world, we are treated to a veritable smorgasbord of queer delights. From the suggestive phallic imagery of Bayonetta's hair-based attacks to the homoerotic subtext of her battles with rival Jeanne, this game positively brims with subversive energy.

And at the heart of it all lies Bayonetta herself, a character who defies traditional gender roles and embraces her own sensuality with unapologetic abandon. With her sultry voice and confident swagger, she commands attention and admiration from all who cross her path.

In short, Bayonetta is a triumph of queer subtext, a game that challenges the very foundations of our assumptions and leaves us breathless with its subversive power. And with dodge offset as its guiding force, it stands as a testament to the very essence of queer creativity and innovation.

Reviewed on Mar 08, 2023


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