Comparando los juegos antiguos de Sokpop con los más recientes, siento que están pasando por una especie de normativización de sus obras. Recuerdo claramente jugar a Moeras hace años, sabiendo de los juegos Souls poco más que lo que había visto de Demon's, y me sentí muy cautivado no porque esto fuera una experiencia fiel a su estética, sino porque conseguía evocar un mundo entero con muy poco. Cierto es que, en aquél entonces, apenas podías hacer nada con ese mundo. Pero luego juegas a Brume, y sientes que ese más hacer no se traduce necesariamente en conocer mejor ese mundo.
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Comparing Sokpop's older games to their more recent ones, I feel like they're going through a sort of normativization process. I distinctly remember playing Moeras years ago, knowing little more about Souls games than what I had seen of Demon's, and I was captivated. Not because this was a faithful adaptation of their aesthetic, but because it managed to evoke an entire world with so little. It's true that, back then, you could barely do anything in that world. But then you play Brume, and I get the feeling that being able to do more doesn't necessarily translate into knowing that world better.
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Comparing Sokpop's older games to their more recent ones, I feel like they're going through a sort of normativization process. I distinctly remember playing Moeras years ago, knowing little more about Souls games than what I had seen of Demon's, and I was captivated. Not because this was a faithful adaptation of their aesthetic, but because it managed to evoke an entire world with so little. It's true that, back then, you could barely do anything in that world. But then you play Brume, and I get the feeling that being able to do more doesn't necessarily translate into knowing that world better.