Already halfway through my adventure in Final Fantasy VII Rebirth I understood that this game is a true JRPG, a true 100+ hours colossal game, a true Final Fantasy.
The supporting structure is that of an open-map full of collectibles, enemies to defeat and secondary quests.
Although towards the end of the main campaign it starts to feel repetitive, I must say that the exploration was well balanced, and never becomes too heavy. The level design is always good or excellent, without ever becoming frustrating except for a few exceptions (chapter 1 is so messed-up).
There is no point in dwelling on the combat system: perfect, as in the previous game, perhaps my favorite combat system of recent years; all enemies, from common ones to bosses, prevent you from smashing buttons at random: you have to analyze them, understand their weaknesses and make the most of the combat mechanics.
And one of the most wonderful things of all is precisely the quantity of secondary activities, including minigames and quests, which allow, as in a true respectable JRPG, to obtain unique bonuses, weapons and set-ups. Obviously the levels of the past are not reached, but the equipment system is so eclectic that the request for strategy from the player is decidedly satisfying.
The narrative, just like in its predecessor, is the ambiguous point of the title. Starting from the aspects that I didn't like, in my opinion the biggest problem is the authors' need to complicate rather simple underlying concepts more than necessary: I don't criticize the choice to change the plot compared to the original, but I criticize the staging, which i think is too tacky and exaggerated, and builds to a final climax that is not at all engaging. But, as in Remake, these problems only affect the last chapter of the story, which is strange: it's as if the director suddenly changed.
I say this because for 95% of the main campaign the direction, the staging, the dialogues, the animations, the cutscene models are nothing short of excellent. To say that there is high level film direction is an understatement. Each cutscene is beautiful to follow and admire, and obviously this leads to top-notch storytelling.
The final point I would like to talk about is the music: the best soundtrack of recent years. There are hundreds and hundreds of different songs, many different musical genres, many new entries and not just rearrangements: a true masterpiece.
There's a strong possibility we've just witnessed this year's goty.
The supporting structure is that of an open-map full of collectibles, enemies to defeat and secondary quests.
Although towards the end of the main campaign it starts to feel repetitive, I must say that the exploration was well balanced, and never becomes too heavy. The level design is always good or excellent, without ever becoming frustrating except for a few exceptions (chapter 1 is so messed-up).
There is no point in dwelling on the combat system: perfect, as in the previous game, perhaps my favorite combat system of recent years; all enemies, from common ones to bosses, prevent you from smashing buttons at random: you have to analyze them, understand their weaknesses and make the most of the combat mechanics.
And one of the most wonderful things of all is precisely the quantity of secondary activities, including minigames and quests, which allow, as in a true respectable JRPG, to obtain unique bonuses, weapons and set-ups. Obviously the levels of the past are not reached, but the equipment system is so eclectic that the request for strategy from the player is decidedly satisfying.
The narrative, just like in its predecessor, is the ambiguous point of the title. Starting from the aspects that I didn't like, in my opinion the biggest problem is the authors' need to complicate rather simple underlying concepts more than necessary: I don't criticize the choice to change the plot compared to the original, but I criticize the staging, which i think is too tacky and exaggerated, and builds to a final climax that is not at all engaging. But, as in Remake, these problems only affect the last chapter of the story, which is strange: it's as if the director suddenly changed.
I say this because for 95% of the main campaign the direction, the staging, the dialogues, the animations, the cutscene models are nothing short of excellent. To say that there is high level film direction is an understatement. Each cutscene is beautiful to follow and admire, and obviously this leads to top-notch storytelling.
The final point I would like to talk about is the music: the best soundtrack of recent years. There are hundreds and hundreds of different songs, many different musical genres, many new entries and not just rearrangements: a true masterpiece.
There's a strong possibility we've just witnessed this year's goty.
OfficialDanMay
1 month ago