Like its predecessor, the craft here is undeniable. The way the semi-open levels of suburban wasteland gradually fade into delirious hellscapes and blistering set pieces. The last half-hour is revelatory, a clear example of how intercuts and strong sense of pacing can elevate hackneyed and predictable writing.

I do prefer the first one, despite the sequel being a much more even experience. The pitch fever of The Evil Within's haunted house is just too potent and it does get lost in the mix here.