“There’s a thesis at play in the game that is connecting the high and low arts and is going, look, ‘There is actually a huge similarity between the puzzle-box mansion of a Resident Evil and an art installation"
2 Comments
at the cost of being essentially ignored by formal scholarship, games as an art form in has always enjoyed an environment without a solid line between the high and low. kojima has always been heralded as a master of both the high brow and the low brow, but i think his greatest talent in this regard is his ability to, for moments at a time, thread the needle and get you seriously pondering about like Wet Dryman or whatever
this quote in particular is deeply reminiscent of something kojima said w/r/t the whole "games as art" debate. instead of relating his creative process to that of the artist, he said "art is the stuff you find in the museum, whether it be a painting or a statue. What I'm doing, what videogame creators are doing, is running the museum - how do we light up things, where do we place things, how do we sell tickets?"
this idea of game design as a profoundly compositional creative process feels especially apt to me when looking at lorelei, in the way that it iterates on its myriad of disparate influences in order to illuminate new ways in which they all shine new light on each other. very reminiscent of the way that suda would, say, combine and iterate on late-stage postmodernism, the burgeoning internet, and y2kism to produce the silver case, to great thematic and experiential success. lorelei feels similarly uncompromising in how deep it's willing to dive into its influences, but it's able to cash that hefty check on the game design front- the game is often confounding, but never offputtingly so
this quote in particular is deeply reminiscent of something kojima said w/r/t the whole "games as art" debate. instead of relating his creative process to that of the artist, he said "art is the stuff you find in the museum, whether it be a painting or a statue. What I'm doing, what videogame creators are doing, is running the museum - how do we light up things, where do we place things, how do we sell tickets?"
this idea of game design as a profoundly compositional creative process feels especially apt to me when looking at lorelei, in the way that it iterates on its myriad of disparate influences in order to illuminate new ways in which they all shine new light on each other. very reminiscent of the way that suda would, say, combine and iterate on late-stage postmodernism, the burgeoning internet, and y2kism to produce the silver case, to great thematic and experiential success. lorelei feels similarly uncompromising in how deep it's willing to dive into its influences, but it's able to cash that hefty check on the game design front- the game is often confounding, but never offputtingly so
ludzu
16 days ago