The fact that Akira Yamaoka got artists he liked to contribute tracks to the OST and had all their songs named "Let it Die" is genius.
Other than that, the game has a solid premise and gameplay loop that suffers from its free-to-play model, and that's a shame.
Other than that, the game has a solid premise and gameplay loop that suffers from its free-to-play model, and that's a shame.
Like every Suda51 game, the writing is funny and juvenile. Uncle Death is amazing. It's fine to play, but if it wasn't designed around being a live service game I'd have played more of it.