This review contains spoilers

A piece of interactive fiction, seeped and seething in the complicated rawness and ugliness of grief. Everything is an anchoring point created by the dead, that still tars us even in their passing. There is a tension that lingers, an unescapable heaviness, even with the visual design. The parasite acting as both the device in which to drive this narrative and also, an apt metaphor, both for the otherness of a person created after death. And, the complexities of grief regarding abuse. Inez here, is able to pick at the scabs of her trauma in an attempt to get deserved answers from a resource that was callous even before its reanimation. A coarse and unflinching look at grief, that feels weighted and harrowing.

There is an idea that to grieve is to show love and care. To feel such emotions must demonstrate a great love for the individual that passed, that despite things, you must have loved them. Grief in no way offers a quantifiable tally of how much you loved a person or how much they may have hurt you. Forgiveness is not the pairing of grief.

This narrative covers this trauma and the complex non-linear healing of grief in a very unflinching way.

Like the tar of grief, this will stick with you.

Everything is everything, is everything is everything. A Katamari Damacy-like box lined with philosophy and sincerity. There is an innate pleasure in sitting back and watching the environment ebb and flow as elephants become traffic cones, as hadrons are swapped with nebula, as scales shift quickly like static between television stations. It may possess one trick, but the trick is to let go and experience the natural order of things. A delightfully surreal meditation of a game.

Life is fleeting, memory even moreso. Under a Star Called Sun, is a funeral dirge, an elegy to entropy and the final moments before someone's image starts to fade. A short, and bittersweet interactive poem / lyric.

Alan Wake sits at his typewriter and writes like Garth Marenghi [𝘯𝘰𝘯-𝘥𝘦𝘳𝘰𝘨𝘢𝘵𝘰𝘳𝘺] and I love him and this all the more for it. A metatextual narrative that continuously folds in on itself over, and over, again. A monumental Lynchian pastiche, that although not perfect. Stands out as something that no other AAA publisher would attempt to create. For me this is an ode to creativity, writing, and a celebration of Remedy itself.

A digital collection of poetry presented in a wonderful analog collage aesthetic. A great portrayal of the guilt and shame of a religious upbring when you no longer appear to fit the archetypal definition of Christian. A wholly personal, creatively exhibited and relatable collection of pieces. Wonderful and haunting.

Cute little frog guy, on silly inconsequential little mysteries. Harmless, playful and quaint. Wouldn't say it sticks every joke it makes but, when little frog guy gets a solving, I ain't gettin' in his way. 🐸