A very fine example of turning shit into gold. Where The Darkness comic mostly sucks ass, the game simplifies the concept to such a perfect balance, and provides a very endearing story with charming characters.

This feels like one of the last non-complacent FPS games out there during this period of video games, where it did not really understand what would be considered the most optimal design document at this point, something being wholly sharpened by the big shooter franchises during this time.

Yeah, it's clunky and slow, yeah the scenes are awkward with stilted acting, yeah the hubworld is kind of just a weird time sink, and ya know what? I fucking love it. I love the action, the darkness powers, the characters, and especially the music. It's all so fucking good, and didn't care how rickety it felt. And long-haired caveman Jackie spoke to me as an edgy teenager.

This game is peak in so many regards but also fumbles in so many ways when it comes to combat, quest design and level design. This is probably the highest I’ve rated a game that i have so many complaints with that’s how good the peaks of this game are.

Combat is restrictive, barebones and often plain unfun. 4 hit combo and that’s it? Really? Launcher tied to another character? 6 ability slots while having 30+ abilities and they have cooldowns? Large enemies that don’t reach to you, can’t be juggled and are just wet noodle sponges slap fests to fight? Why would you make an action game like this?

Any time your abilities are on cooldown vs a larger enemy with a stamina bar you can only mash square and do the same 4 attacks over and over. Or weave in some bad feeling magic follow ups to increase it to an samey 8 hit combo. Enemies have too much HP for how boring they are to fight and how little variety they have.

I understand the game can’t be at an 11 of hype at all times or else it would lose its impact but the rise actions of its structure are so BORING. Gotta get margret her 7 shit potatoes for 3 hours before we can actually move the plot forward. There are these little arcs when you get to a new town that has a roadblock preventing you from getting to a bosses’ palace that you must get around and they get so fucking old after the 2nd time they do this. The game could have easily 15 hours shorter with all these boring repetitive shit cut out

85% of the side quest are the shit quests from FF14 you ignore and walk past unless you are an absolute fiend that should be locked in a cage and need something left to do after playing it for 7000 hours. They sprinkle you with some good ones every once in a while and it isn’t until the literal final hour do you get all the good side quests with your friends.

The open world is barren and has zero reason to traverse. The game is an assortment of hallways they tried to obfuscate by putting them in empty warehouses. I’d rather it just have Stranger of Paradise’s level structure because that was too the point.

The music to this game is incredible. People finally getting a taste of some of the best FF music now that it isn’t locked behind 300+ hours into an mmo. The performances are great and the sound design for the main villain is really cool. I wished they stuck speaking gibberish like they did at the start.

I was really engaged with the story even if it blue balls you a bit too much in areas and there is one character that may as well be a talking map because all they do is show up to give the game of thrones opening styled map cutscenes of the world.

The scale of boss fights and set pieces are insane. Normies got baited thinking they were buying game of thrones only to find out square secretly made the sequel to asura’s wrath and the hypest kaiju/toku game on the market. Holy fuck those behomet and titan fights. I’ll be thinking about those for a while