My left nut thinks this is a very clumsy game. I tend to disregard that nut but I can see the merit in what it said. The cast features Hat Kid, and I think it needs to be said first and foremost, surely this is for a much needed trivalization of token white people and not using women to sell your game to gamers! Grossly exagerated, I find the inclusion very funny, and I bought the game solely to judge it and, if the stars align just right, enjoy it! There's been something of an obstacle in that regard, however.

If the catchy music, warm artstyle and straightforward mechanics try to clue us in, it doesn't take long to realize we've been played like fools. Beating up mobs is enjoyable, there's talks of bloated HP and whatnot but I allow some padding in indie games. These bosses? They're not padding, they're far beyond saving! The one with a fugly design is the first one, so it's already a barrier of entry because his ugly self is gonna show up first chance he gets. But be decisive dammit. Shield and bloated HP? You want to eat ur cake and eat my cake too, huh? Just the shield and changing phases once it runs out would be better. The surprise second boss fight in world 3 wasn't bad enough until I was completely stuck and lost a whole 200 HP in 2 seconds with no way of doing anything. This my post-work workout?

The comics used to tell the backstories of the characters are refreshing. The visual art part is, as briefly touched upon before, great! Animations and allat. The literary art is definitely there, somewhere in what I assume is a janky translation. The interactive part is... not there, and it's the most important art of a game as a piece of art. Satisfying aerial control can't be the core of the game. My co-op partner would tend to agree, since revival is limited and she becomes a spectator to my aerial prowess. I'd rather she just play with me because I start feeling lonely in these small samey hallways full of enemies overtime.