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Look, there's a lot of "KOJIMA, NO" moments.

But there's also "Shining Lights, Even in Death," so.

I have no idea if I want to rate this 5 stars or 2, because it's flawed as hell. We have here maybe the apex of Kojima's weird uncomfortable sexism. We also have the apex of his gamecraft. It has sequences that are unearned and dreadful and make me frustrated, because Kojima, you asshole, I know you can do better! You gave us the Boss for god's sake, I know you got it in you!

But it also has maybe one of The Actual More Affecting Sequences In Metal Gear, with The Hospital Sequence. Not the opening one, the other one. Yeah.

There is so much here. To me, this feels like the final draft to MGS4's original conceit. The hugeness, the refinement, the emotional growth, the maturity of the themes. I said that MGS4 was like a creator tantrum. With MGSV, I feel like I'm in perfect sync with Kojima and the pathos he wants to lay out. In the same way MGS4 made me rolls my dang eyes out of my head, MGSV works. For someone who has been influences by Metal Gear for most of my life, MGSV feels like... a moment of mutual respect.

Screw it, five stars.