The residents of the city are drafted one by one into a new play. It's the hit of the season and applause rings out night after night. But why do all the people that come to see it disappear? What does "immersive theatre" mean... and will BB survive to tell anybody else?
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The closest game thus far to the old style, 50 Short Games-era thecatamites and a little rote as a result, but damn dude video games are like being forced to be a terrible actor. Found the first-person opening sequence to be the strongest part of it, the deep black surrounding flat, brightly-colored surfaces reminds of the best parts of Thief: The Dark Project. The allusions to futurism felt a little less purposeful than they did in Hands, but do work to give the series a Brand Identity: remains to be seen if it'll do anything funny with that. Cop encounter had the best punchline in the series thus far.
Contemplating whether BB and ZZ should be read as they're written or like CC from Code Geass.
Contemplating whether BB and ZZ should be read as they're written or like CC from Code Geass.
Of The Killer continues to be great (especially with friends! i can run away from the baddies while receiving the narration from my buddies). I especially love the intro of this one.
I really liked this one! The camera work is very effective and makes for some interesting shots. The dialogue yet again stands out in these games.
I was therefore eternally consumed in liminal spaces by the superficiality of the consumer
Really loved this one, even among the others I've played in the series thus far. The use of multiple player perspectives was a nice shift, the art, as usual, really popped, and the less focused, narrative-skewing within this one made it a blast to play through. It provides answers and questions to things posed by previous entries and makes sure you don't have any idea which is which. Also god the Prisonman set sequence was astonishing.
The immersive play idea behind this is so so fantastic put it up for my boy prisonman