Conker's is more of an elaborate lowbrow comedy sketch than a real video game. The "game" part works well enough, but the selling point of Conker's Bad Fur Day was always the degenerate humor of its cutscenes. The multiplayer also deserves some credit for being a lot better than it has any right to be.
I really wanted to like this game when I played it because it does a lot right. Probably the best looking game on the N64, and the soundtrack is one of Rare's best. But a lot of the second half of the game is full of annoying segments that are just unfun to play, mostly because they stop focusing on platforming and exploration for other mechanics and genres that are executed poorly. It starts off promising, but eventually just lost me.
i love rare as much as the next 90s kid but man this game has not aged gracefully at all
conker's bad fur day is the drakengard of n64 platformers, but replace everything that made drakengard so intriguing with dated film parodies and humor on par with south park and newgrounds. also the literal shit monster that sings that's the only reason people ever remember this game.
multiplayer kicks ass though!
conker's bad fur day is the drakengard of n64 platformers, but replace everything that made drakengard so intriguing with dated film parodies and humor on par with south park and newgrounds. also the literal shit monster that sings that's the only reason people ever remember this game.
multiplayer kicks ass though!
This is probably one of the funniest games that I've ever played, surprisingly where the humour is way more black and emotional than you'd expect from a title like this. The gameplay is overall decent and inventive, but the main draw of this game comes from its humour, storyline and characters - where it does so many little inventive things with it, and especially with how it satirises tropes associated with the platform genre.
I think that the novelty of this game has worn off a bit since when it was released back in 2001, but surprisingly there's a lot of structure to the humour that keeps it really enjoyable - particularly with the cinematic cutscenes and the visual gags which prop up throughout the game. Beyond the vulgarity of the story lies a genuinely well-written story about late adolescence or your early 20s and falling into self-destructive tendencies as the whole world just seems to becoming more and more corrupt, and I especially like how much this game interrogates this idea.
It's really aimless and vignettey, which captures the same tone as a Robert Crumb comic or movies such as Fritz the Cat - all the while it's building towards this conclusion which is about as darkly funny as it is tragic. Really, one of the most powerful visuals in this game comes from when Conker is walking home at night - only that it comes back much later in the game in a slightly revised form.
Simply, the designers knew what they were going for with this game. The only real flaw I could think of comes from how the cutscenes are often unskippable and sometimes it can be grinding with how the humour can often take the form of elongated conversation scenes - which are funny, but sort of lose their edge a bit once you've already seen it for the first time.
I've written way more about this game somewhere else, although it's pretty much a near-masterpiece - probably one of my favourite games from Rareware outside of maybe Perfect Dark.
I think that the novelty of this game has worn off a bit since when it was released back in 2001, but surprisingly there's a lot of structure to the humour that keeps it really enjoyable - particularly with the cinematic cutscenes and the visual gags which prop up throughout the game. Beyond the vulgarity of the story lies a genuinely well-written story about late adolescence or your early 20s and falling into self-destructive tendencies as the whole world just seems to becoming more and more corrupt, and I especially like how much this game interrogates this idea.
It's really aimless and vignettey, which captures the same tone as a Robert Crumb comic or movies such as Fritz the Cat - all the while it's building towards this conclusion which is about as darkly funny as it is tragic. Really, one of the most powerful visuals in this game comes from when Conker is walking home at night - only that it comes back much later in the game in a slightly revised form.
Simply, the designers knew what they were going for with this game. The only real flaw I could think of comes from how the cutscenes are often unskippable and sometimes it can be grinding with how the humour can often take the form of elongated conversation scenes - which are funny, but sort of lose their edge a bit once you've already seen it for the first time.
I've written way more about this game somewhere else, although it's pretty much a near-masterpiece - probably one of my favourite games from Rareware outside of maybe Perfect Dark.
Conker's does a good job at making all of the boss fights fairly enjoyable and the humor is still pretty on point. Some parts of the zombie + WW2 worlds are slogs to get through, but overall, I really enjoyed the variety of gameplay and spot on parodies presented throughout. I would be quite pleased if this got rereleased on PC with better controls.