it's not as good as teenagers try make it seem, but it's still better than danganronpa and the plot is interesting, so it's worth playing. some deaths are just stupidly forced into the plot and sometimes you'll find yourself retrying the same part again and again because the solution to a puzzle is something completely random and nonsense. still, midori is an excellent character who keeps the game going and he's so much more interesting than the main character and some others, i found myself playing only for the encounters with him at a certain point.

Un juego donde desconfiarás de cualquier personaje porque aquí se aplica a la perfección las frases de 'nunca terminas de conocer a nadie' y 'las apariencias engañan'. Encontrarás personalidades marcadas que te harán disfrutar, giros de guion apasionantes y que las interacciones con cada uno, lleguen a que tengas un cariño afectivo, que te pongas en su piel; las típicas sensaciones de miedo, de soledad, de sufrimiento por la pérdida de alguien a quien quieres, a que a veces nos debemos aferrar a un clavo ardiendo porque no hay mas cojones...se representan a las mil maravillas en esta obra (sin acabar, de momento.)

Merece cada segundo de vuestro tiempo.

To be fair, you need a high IQ to understand "Your Turn to Die: Death Game by Majority." The game's narrative is incredibly nuanced, with subtle twists and turns that require a solid understanding of human psychology and moral dilemmas. The humor, while not overt, is deeply woven into the characters' interactions and the game's overarching themes. Fans of the game appreciate its complexity and how it delves into deep philosophical questions about life and morality. Those who dismiss it as just another game fail to grasp its true depth and meaning. As someone who appreciates the intellectual challenges posed by "Your Turn to Die," I can't help but feel sorry for those who don't understand its brilliance.

Score: 9/10

One of the most entertaining mystery vns ive played. As the chapters go on the creativity of the dev really shines through. I particularly enjoy all the minigames. They arent anything too special, but they break up the pace nicely.
The art direction is actually so good too. Incredibly unique and confident in it's insane designs.
The game doesnt wear it's influences on it's sleeve, it wears them on it's ita bag as huge holographic buttons and you know what? It's kind of awesome. It never steals or outright reuses things from the genre, the person who made this is clearly a huge fan of these typse of games and used their knowledge.
The atmosphere is surprisingly good, especially early on, the game is scary. Not in a jumpscare yikes typa way, more in a "this is really fucked" way.
The problems I do have are twists being slightly more convoluted than they need to be, ending up ruining motifs established early on. And whatever Keiji has going on. Him as a partner and foil to sara's personality is really good. Over the course of the game he becomes a mentor father figure to her and i really really like that. But they hit you with his flirtying???? or whatever the fuck so much that its hard to ignore what the actual intention behind his character is, which makes me insane.

Very much looking forward to the last chapter.