Honestly I hear a lot of people trash the shit out of overwatch 2 but I really enjoyed what I played. Now this is coming from someone who never played the original overwatch and I can definitely see where the haters of overwatch 2 are coming from. Blizzard promised a lot of stuff including a campaign mode that they just gave up on which led to the games not so favourable reputation. It does now seem though that Blizzard is trying to turn the game around now with the most recent updates though. Putting all that aside, overwatch 2 still finds a way to be an incredibly fun and engaging team based shooter.

A fucking weird game. And that's coming from a series that is overall weird to begin with.

Some of the most unhinged heart events in the whole series.
A surpringly high amount of those focus on your DVD player (???)

Weird ass game. A fun take on the world of A Wonderful Life.

I'm reading some of the negative reviews on here and I feel like I played a completely different game than y'all? I went through two routes on here, Mat and Brian, and intend to go back and do more later. I found the writing to be very charming and funny, and the core gimmick of everyone being a single parent to be an interesting dynamic between the characters.

I really like how all the different characters explore their own theme, such as Brian's toxic competitiveness or Mat's social anxiety. If you're going to play this game I would go in expecting to deal with things more along these lines, rather than expecting the game to tackle the myriad of ways homophobia effects gay men in the real world. The game sets itself in a sort of unrealistic but optimistic fantasy, in which you can be gay or trans and find love free of discrimination, and it's one of the things I liked about it.

I think taking the extra step from "this game doesn't portray anything too specific to gay culture" to "this is actively one of the most homophobic games I've played" is an extremely exaggerative critique. I do see the argument that it could be viewed as erasure, and I'm not trying to invalidate anyone for whom that's a deal breaker. However, due to how well I thought it did at dealing with the things it did choose to focus on, as well as laughing out loud at multiple points during my playthroughs, I loved this game overall. I look forward to playing more of this in the future.

Mat is the dreamiest daddy, and I have a band called the Skammunist Manifesto!

The love that older men share together is so desirable to me. I’ve always longed to grow older with another man, with our storgic, companionate love maturing with age. I wish I could say Dream Daddy fits a niche that would appeal greatly to me, but the extremely tacky humor and manufactured conflicts straight out of a family sitcom destroy any genuineness that could be gleamed from this depiction of love. Yes, it’s done on purpose, but ironic shitposting is still shitposting and this desperate effort to create a “safe space” game works against it to feel like some sort of cynical joke with queer men at the butt of it. I know the writers (a straight man and a queer woman) claimed they wanted to avoid writing about experiences they didn’t know, but I honestly would have much preferred they did consult queer men and gave it their best shot instead of this neutered garbage designed to be as straight-ally-friendly as possible at our own expense.

I want to talk about Joseph’s route because it’s the only one that attempts to confront any sort of complicated relationship dynamic, and even its best ending is intentionally dissatisfying. There’s actually a sense of artistic ambition to it in theory, even if it still suffers from horribly stilted writing like the rest of the VN. Yet, the route was torn to shreds even by many fans: it was cruel, it was homophobic, it was bad representation, et cetera. On one hand, I can’t entirely fault people for being unable to recognize this as a commentary on a specific sub-set of queer men that exist when the rest of the game does so much to distance itself from any sense of reality. But, it’s also just so disheartening when people use a fixation on optics and surface-level representation analysis to shout down any story that so much as gestures towards uniquely queer pain.