Fun little clue solving visual novel. Never overstayed its welcome and while the puzzles to summon each demon aren't exactly headscratchers it's nice that there are sometimes multiple solutions, and that there are elements of story and characters that can change depending on your actions during each ritual.

Not a lot here for crank fans though - you can scroll through the demon encyclopedia pages with it but nothing else.

2022

Throws a concept at you, explores it in a few different ways (interacting with other ideas you've been introduced to beforehand) and then moves on to the next one. I think even just an extra level for each puzzle element would have been beneficial but I do appreciate a game that doesn't repeat itself too much.

Also the first Playdate game I've played that makes docking and undocking the crank a gameplay feature, which was pretty neat.

A Coc 'n' Ball story

A neat little puzzle game with a great atmosphere and some really interesting ideas thanks to its ball-hopping, world jumping puzzles. I actually think its really well designed for newcomers to the genre, or those who are more familiar with the puzzle design of 2D platformers (which the game's director was responsible for with Limbo and Inside). It was a shame for me that these ideas weren't explored much further than surface level as there seemed to be so much promise for the kinds of puzzle possible, but it's hard to be too critical in that regard as it's not something the game ever really sets out to do.

I was probably more disappointed that Cocoon lacks much of a narrative hook - as mentioned the atmosphere is great but I was really playing more for the puzzles than any kind of world building which felt a bit perfunctory at times.

I feel like the crank usage in this could have been quite interesting but all it really involved was spinning it forward or backward enough to hear the music snippet correctly.

The second I came across a 16-speaker puzzle I just gave up. Overall just a bit boring and inanely repetitive.

Lots of cranking involved but didn't really work for me overall. Everything felt just a little bit too slow - penguin movement, the amount of time for them to enter and exit the lift, the speed of the lift itself (even when cranking hard) - for the high score game it's aiming to be.

I'm not super into Match-3 titles so when I saw what genre Pick Pack Pup was I didn't think I'd get much out of it but thanks to the game leaning more into puzzle than time limit (for the most part anyway) I was able to sit back and enjoy this way more than I expected.

Pup's tale was also quite enjoyable with the obvious real world analogies to certain giant corporation warehouse packing centres - a bit on the nose but no less accurate for it.

Crank usage - I think it would have been pretty hard to get it working with the core match-3 mechanics so only really using it to unfurl the comic strip story was fair enough.

Despite not having a game in the franchise released for around 20 years, this almost seemed like an inevitability since Tetris 99, as F-Zero fits the battle royale style really quite well. Races are short and sweet, and if you fail then you can get right back into another game almost immediately (at least around launch).

I think releasing with a couple more tracks in the game's standard 99 mode (others are available but only in a sporadic 'expert courses' event) would have been a better idea than everyone choosing the same two tracks constantly in voting - I just want to play Sand Ocean for once, dammit

I also encountered a few online hiccups during tournaments that ate entry tickets and spat me out with online comms issues almost immediately despite other modes working fine but generally it's good pick up and play fun. We'll see how this progresses when more tracks are added and if we see any themed events incoming a solid start for now, and a great reintroduction to the F-Zero series for the modern audience despite its retro styling.

Decent combination of visual novel and marble gravity gameplay (with pretty good crank usage) on the first playthrough but a rather laboured on replay if looking for one of the many alternate routes.

MTV Music Generator this is not - a super basic sequencer which has already shown you everything it and you can do within 5 minutes. Even as a sideshow toy on the device it feels aimless and perfunctory.

I also know not every game needs to use the crank but it's just weird to me there's nothing mapped to it here. Feels like it'd be perfect for adjusting speed of what have you but nope, nothing.

It's a neat little crank & click adventure game. Inventory management is a bit of a chore thanks to said crank but otherwise it was a good chunk of charming fun.

I never really minded Sackboy's floaty and slightly sluggish movement in his 2D outings, but there's something about moving across the Z-axis that feels like you're wading through thick soup. Maybe it's the perspective from the camera angles being used but I was never really able to build up any momentum on those kinds of levels which for me is a hallmark of an enjoyable platformer. Not to say I disliked every 3D level, but I found the game a lot more enjoyable when it returned to LBP's sidescrolling roots.

Even with the movement issues I found some things to like in the later level designs and challenge trials - this outing really does follow the Mario formula of starting easy and then throwing the hardest levels at you as optional content or once you've finished the main story which is a sensible way of doing things, but the majority of those early levels feel rather uninteresting as a result, something especially noticeable given the speed at which Sackboy can move.

Also a final note of praise for the audio team for how well implemented the music is to each world you're dashing about in, whether it's an original piece or a remix of licensed music.

Not much to this one, but still a fun little score attack game. The use of the crank does add an extra layer of precision to rotation and landing in the absence of other mechanics

'Look at me I'm so random' in video game form. Maybe we're dead inside but this couldn't even raise a smile when playing a few rounds of multiplayer.

While finishing off some of the Menus in single player it really stood out how bad the races against the AI are in this. Enforcing rolling starts means you're always 30-40 seconds behind the leader, which means you need a substantially faster car than the ones at the front to progress, which you can do just by applying upgrades up to the specific race limit. I wouldn't mind this so much for an arcade racer but GT is meant to be more focused on realism and it really takes you out of it.

Being so fast removes any on track battling as you whizz past on the straight as the game becomes a glorified time trial, and even then the game doesn't punish you for basically cheating and heavily cutting chicanes. This removes any nuance in the process, meaning you don't have to learn the car or track to progress.

Online is still fun though.

It's more Supraland, but more focused and with less perfunctory combat (though what is there is still rather unsatisying).

Unfortunately I didn't quite enjoy it as much as the first one and I think it's because the game gave me quite an acute case of motion sickness. I didn't feel great when playing the first game but I was ill at the time so thought it might be that - now I'm wondering if the game was actually making me feel slightly worse.

Anyway, the puzzle ideas are good but some of the signposting and level design leave something to be desired and felt like a bit of a step down compared to the previous game. Also wasn't a fan of the pickaxe as one of your main on-hand tools, destroying little blocks never really felt great and the puzzles it allowed weren't very interesting at all.