An insane amount of insane new mechanics thrown at you constantly for how unengaging all of them are – the first half an hour must average somewhere around one tutorial screen per minute. It's like the someone wanted to make a game based on rescuing people from disasters, had lots of ideas about little mechanics based on disaster rescues but no idea how to make any of it fun. Most perilous situations you get into have one (1) correct response on the player's end, so you press the correct button and you move on. Every time.

Your lungs meter fills up with smoke when you go through it, unless you sprint, in which case it will basically never fill up. If it does fill up, you have to press the "take deep breath of fresh air" button and if you time the Gears of War perfect reload meter perfectly, you get a Perfect Breath that empties your whole lung meter in one go and the character does a little celebratory animation. This also gives you Survival Points (SP). You can use these to level up one of your five Survival Skills. One of these is Metabolism. There is an entire separate gameplay mode that kicks in during combat sections, which plays like a terrible rail shooter and we turned the game off about 10 minutes into it.

Interesting for an hour or two as a novelty, I suppose? The story seems like it'll get fucking bizarre later on based on the opening cutscene that spoils what seems like half of it. I really don't want to risk suffering through the dull shooting bits just to see it, though.

holy shit this game. Banger. It's extremely campy and stupid, but in all the ways that I like. The gameplay is this incredibly mixed bag of random things that the devs thought you could do with a wii remote, with some time crisis shooting and wii wheel driving thrown in there for good measure. The game basically involves you going through levels as a bunch of natural disasters occur around you and you gotta deal with em. The plot is this absolutely wild metal-gear esque cinematic nonsense that I loved every single second of. The unneccessary wii remote gimmicks keeping me constantly guessing what's gonna come next and the insane plot usually delivered with whatever wild expectations I had. It's a crime this was never released in america. Definitely a must play if you enjoy campiness.

I played this for the Together Retro theme this month of games that came out in Europe and Japan but not America. I didn't think I had any games that fit that bill, at first, until I remembered that I picked this game up AGES ago (when I first moved into this apartment!). I didn't know a ton about it other than it was a Nintendo thing, and I was kinda surprised to see it was a Monolith Software game as well. AJ first described to me as a mixed bag, and that is a sentiment I agree with, albeit I did not enjoy the contents nearly as much as him XP. It took me around 8 hours (and that's with one level being replayed) to beat the story mode on normal mode while rescuing every person possible.

This game is about the "one heck of a day" of Raymond Bryce (aka Ray), a former rescue team member who quit when his partner died in a mission gone wrong. He's called back into action by the FBI to stop a terrorist organization known as STORM (yes, really) who have taken hostage a famous seismologist as well as Ray's partner's little sister (who blames Ray for killing her brother). Over the next 24 hours, Ray goes through a flame tornado, a 9.0+ earthquake, a mega tsunami, a hurricane, a massive flood, and a supervolcanic eruption in his mission to save the girl and save AMERICA.

It's a super cheesy homage to old disaster and action movies, and the VA isn't half bad (it's exactly good enough to fit the tone of what they're doing). Despite this being the Japanese version of the game, there is only an English dub available, which leads me to believe no Japanese dub exists (it's just Japanese subtitles), so even though you couldn't read the instructions on how to do anything, it's somewhat import-friendly in that way. The narrative is definitely the strongest point in the game and ties the rest of the action together, even if some cutscenes can go on for what feels like ages (in a very Monolith Software way). What IS the rest of the action? Well, that's where the mixed bag's uglier bits start to come full center.

Disaster came out in 2008, and as with a lot of early Nintendo-published Wii games, its mechanics are pretty focused around showing off as many Wii gimmicks as possible. As a result, there are four main modes of gameplay: Adventure, Driving, Light Gun, and what I'll just call "Rescue" events. They each deserve their own specific elaborations, so I'll try and give each its dues.

- Adventure: This is composed of running around as Ray with no real action happening. It's largely an activity that fills up the spaces in between the other activities and cutscenes. You can run around and look for people to save and boxes to crush for goodies, and you only need to worry about the occasional quicktime event/next activity starting. Occasionally there will be some active danger you need to get through, like getting through fire that'll burn you, or smoke that'll suffocate you, or getting through an area before a timer runs out, but those are all pretty well done. The camera even has an auto mode in addition to re-positioning it behind you, which is a nice feature. The only seriously clunky parts of this are the platforming. Ray can jump, but he's no Super Mario. The jumping and even the running are stiff and do not feel good, although actual platforming sections are mercifully few and far between, not to mention the hardest ones are always optional. The very first level has a fair bit of platforming in it, which gave me a bit of a worry that the whole game would be like that, but it's luckily fairly unrepresentative of the full product.

- Driving: Driving is (usually) first-person driving sections where you hold the Wiimote like a steering wheel (because of course you do). The controls are acceptable, and the addition of using A as a handbreak to drift is neat, but that's more or less where the positives end. The driving sections are easily the worst parts of the game, as they don't control as well as they need to, visibility is usually either poor or even non-existent (I'm looking at you tsunami level!!!), and they can be (or at least feel) pretty frustratingly long. These sections are utterly dreadful, and it really sucks that you can't skip them at all. The requirement to have to push through the driving sections is easily the #1 thing that would keep me from recommending this game to someone.

- Light Gun: This is one of the game's stronger action elements for sure. Ray very routinely needs to fight STORM soldiers in guided light gun shooting gallery segments done by pointing the Wiimote at the screen. You shoot with B, hide behind cover by holding Z, shake the nunchuk to reload, and even zoom in for better aim and damage by holding C. You can even earn points for doing well at them, and then use those to purchase new guns and upgrade the ones you have. You can even find a special NPC around some maps who will give you tickets to the shooting range that you have access to between levels, and clearing those gives you access to special super weapons! I personally mostly just used the pistols, since they have great range, infinite ammo, and perfectly fine damage if you're doing headshots. That said, I'm sure the other guns are much more useful on hard mode. Some of the boss encounters can drag on a bit and have irksome difficulty spikes (glares at two-jeep battle), but I had a fair bit of fun with this mode even if it can get a bit repetitive after a while.

- Rescue Activities: These are activities you do to save people in peril throughout the game, and they can range from ALL sorts of stuff that you'll do with the Wiimote. Pointing it at areas on their bodies to bandage them if they're hurt, pumping it in time with a rhythm to do CPR to them, waving it out at just the right moment to catch their hand to save them from a fall. They're fun diversions, and some of the better quicktime events.

Speaking of quicktime events, the game does have a LOT that pop up during Adventure points, but they're alright and work well for the most part. Some seemed very unreasonably temperamental with how I needed to waggle the Wiimote. Gestures that had been totally fine an hour ago were suddenly giving me failed results, and that can get really irritating in things like in the last level, where one of the last sections is a long series of quicktime events you can only miss one or two of before you need to restart the section. The game is thankfully very merciful with checkpoints, but there are still times I wish it were even a little more merciful with them. Had this been a Nintendo game that came out these days (well, for one, they probably wouldn't say "shit" in it), the game would probably have the option to just auto-complete an action segment you failed enough, and it'd be much easier to recommend. But this is a game from 2008, and it doesn't have that, and the experience suffers for it.

Verdict: Hesitantly Recommended. The campy presentation is fun and silly, but the game's runtime kinda outstays its welcome. The story is also so silly and fluffy that it makes it kinda difficult to get really invested in, and being invested in seeing the narrative to its conclusion is pretty important if you're gonna stick through the worst of the action sequences. This game is just as entertaining as it is frustrating, and it's something I'd only recommend to people who really like the Wii (i.e. motion controls) and have plenty of patience. Add on top of that that most people who read this would have to import the game to play it, and it's really difficult to justify recommending such a mixed experience with such a potentially high barrier to entry.

Disaster tries to cram every wii remote action into a minigame collection of saving people using gestures and shooting enemies in a rail shooter. It's a game that isn't even sure what it wants to be, so it tries to be everything, and its efforts are subpar. One good thing I can say is that it doesn't take itself too seriously.

The sound design of the game is questionable. First off, the sound of Ray's footsteps is laughably horrible. Secondly, the game wants you to have the tiny wii remote speaker on for most - if not all of the important sounds - as you need to listen in on the radio during the driving segments, as well as the gunshots in the shooting segments, because they're both actually inaudible in the game even with the speaker turned off.

I satiated my curiosity of the game by pirating it since it was never sold in the United States, and I think they made the right decision to not do so. It would have been sent straight into the bargain bin not even months later.