EU TE AMO PERSONA 3, TE AMO MAKOTO, TE AMO KOTOME, TE AMO TRILHA SONORA DE PERSONA 3
Uhhhhhh
wild to me that when atlus writes for a robot the first thing they have her do is question all these weird labels placed on her because of how she looks and yet they still can't seem to wrap their heads around the idea of a human doing the same thing
This review contains spoilers
a really fun game, tarturus can feel like a slog but is enjoyable, story is nice, great gameplay and more! Kotone is really nice and has the changes to make her different towards Makoto.
How pharos became ryoji after the final mission, chidoris death, all the characters resolutions and more!
9.5/10
My number 1 favorite game.
How pharos became ryoji after the final mission, chidoris death, all the characters resolutions and more!
9.5/10
My number 1 favorite game.
¿El juego? Una poronga pero al mismo tiempo tiene Living With Determination así que me la pela
Zerei com a protagonista feminina.
Pontos positivos: controle da party, protagonista feminina, voltar pro último andar do tartarus no qual você parou, os personagens só ficam cansados quando saem do tartarus, o que possibilita mais tempo de exploração, empregos de meio período, social link com os meninos da party e outros novos social links.
Pontos negativos: o jogo virou uma visual novel, exploração do cenário é feita através de um cursor e cenas de anime foram retiradas, o que na minha opinião tirou o impacto de certas cenas do jogo.
No geral gostei do portable, mas apesar das melhorias que ele trouxe eu ainda prefiro o fes.
Pontos positivos: controle da party, protagonista feminina, voltar pro último andar do tartarus no qual você parou, os personagens só ficam cansados quando saem do tartarus, o que possibilita mais tempo de exploração, empregos de meio período, social link com os meninos da party e outros novos social links.
Pontos negativos: o jogo virou uma visual novel, exploração do cenário é feita através de um cursor e cenas de anime foram retiradas, o que na minha opinião tirou o impacto de certas cenas do jogo.
No geral gostei do portable, mas apesar das melhorias que ele trouxe eu ainda prefiro o fes.
Persona 3 is one of my favorite games of all time, even though I never finished it. Life got in the way I guess. But I'm gonna start playing it again. The cool blue aesthetic, the amazing soundtrack, and the replayability of Tartarus make this a cozy comfort game for me. I know a lot of people hate Tartarus because it's so repetitive, but me personally, I love it. It's just something I wanna do while listening to a podcast or something.
Legar
hype pro reload, pretendia terminar antes dele chegar porém não sou um grande fã de JRPG, entretanto gostei demais desse
ITS STILL THE BEST VERSION BABY FEMC SWEEEEEP
La misma historia de persona 3, solo que con muchisimas limitaciones que hacen que la experiencia de juego sea menor, la ruta de la femc es casi lo mismo y no me llamo tanto la atencion, aun asi es un buen añadido
Parabéns, Atlus. Por conquistar um mundo inteiro com o RPG mais tematicamente desperdiçado e limitrofemente escrito de todos.
It gets very repetitive and boring after a while
molto bello
(I played the Switch version, it's not an option to select.) It's unfortunate to say the least that this game was re-released so close to the announcement of P3R. Still, I think it's a fine port and obviously the game itself is great. The story is phenomenal. My biggest wish is that Atlus will incorporate even one thing from this game and FES into the re-release, though it's doubtful. This is currently the best (legal) way you can play this game.
Favorite Atlus title. I really wish they didn't leave out the cutscenes from FES though.
a obra prima da indústria de videogame. o maior storytelling da história.
Definitely the worst out of the modern persona games but still amazing
cunt of the year
Possibly my favourite game ever, definitely my favourite person game. This story just has my heart, so poignant for me.
Parece aqueles jogos do click jogos que você era detetive e clicava nas coisas , mas é melhor que o 5 , to muito hipado pra versão remake dele.
Wow I love Femc, I sure hope she shows up again in future titles
Persona 3 Portable is the biggest "mixed bag" game I have played in a long time. There are obviously a lot of good elements here, I would not have played for nearly 90 hours if there was nothing redeeming this game. However, there are also a lot of things holding this game back and I hope that within this review, I can break down what works and what doesn't.
I would like to start with the good, the best of the good being the characters and theming. There is some absolutely excellent writing being shown off here by the Persona team, and the introduction of social links to the series makes for compelling gameplay. Between Persona 5 and Persona 3, this game absolutely has P5 beat for social links. Akinari, Maiko, Mutatsu, President Tanaka, Saori, and Bunkichi are the greatest standouts of the side characters, each grappling with the theme of loss in their respective stories. In terms of the main cast, Akihiko, Shinjiro, Koromaru, and Mitsuru stand out as excellent examples of how to write believable high schoolers without making them feel like stereotypes or archetypes. There are very few characters I would really call bad in this game, although Ken is seriously wasted potential considering his place in the main story compared to his social link. I have to say that I could not completely get into Aigis' character the way others have, not to say that I disliked her character but I simply did not feel she resonated with me the way she did others. Meanwhile, the themes in this game are as strong as ever. The persona summoning is done through means of suicide, the music constantly mentions the coming destruction, and the arcana ends in the Death 13 card. I can see why some people consider this their favorite game of all time, because going purely off of themes, this is one of the best games ever.
However, I do not critique games purely on theme alone, so allow me to indulge my mixed feelings before heading directly into the territory of what I consider bad. First off, the story, which starts off very passively, gradually grows into a much larger narrative toward the middle, before entirely halting just before the climax. This makes the game's story feel really slow at one of the most important parts. The entire month of December lacks any social links, which means your daily life goes from hanging out with friends while the threat of the end of the world looms over everyone, to a boring month of doing absolutely nothing while the characters learn to accept the things that they already accepted months beforehand. I partially understand why this was done from a theming perspective, December is supposed to be an incredibly depressing month for the game's story. But from a storytelling perspective, giving the player nothing to do as the story reaches its peak really kills momentum and just had me going "Can this be over already?" by the time January rolled around. Secondly, menus and UI. The main system menu is decent but a little bland. The battle UI wheel is a little confusing, with left going right on the circle and right going left, as well as inconsistent UI memory in battle. The real struggle with UI comes in the Velvet Room. Because of the limitations of the PSP, I understand why menus had to be dulled in some places, but cutting manual selection for skill inheritance and being unable to sort by name in the Compendium really made me want to tear my hair out. The mechanic that the game gets its namesake from should not be unfun to interact with but so many times I found myself skipping out on a visit to the Velvet Room that would have been otherwise beneficial to my playthrough, simply because I did not feel like it. The lack of skill inheritance picking especially made me feel really unattached from my personas and I found myself not interacting with the card systems, simply because I knew I would be throwing my personas out during my next Velvet Room visit anyways. Finally, for my mixed feelings, I want to discuss the combat. At certain times, the combat feels really fun to go through. Balancing SP usage, using critical hits and co-ops to save SP where I could, and landing a powerful move exactly when you need it all made me feel very connected to my party members and really pushed me through the worst of Tartarus (don't worry, we'll get to it soon). On the other hand, there were times when combat felt like I would press three buttons and then mash A to get through the all-out attack cutscene as fast as I could. The lack of enemy diversity is more so a problem with Tartarus than it is the combat, but ultimately it is the combat that suffers because of this choice. On each block of Tartarus, there are, at most, 10 unique combat encounters. Combine this with the fact that each floor of Tartarus has you go through anywhere between 5 or 10 combat encounters and you tend to run out of unique problems to solve by about a third of the way through the block.
Now I really get to tear into this game's worst features. First off, the obvious, is Tartarus. It really is a marvel of modern game design that in the year 2009, P-Studio can look at 263 randomly generated hallways with no visually unique style separating one floor from another aside from a hue shift and the occasionally added decoration and go "yeah, change nothing." I really do not know how you would go about making this better but P-Studio sure did not do it. I would always reach my Tartarus day, put my headphones in, turn on some music or a podcast, and just accept that the next 5 hours of my playthrough would be mindless RPG grinding and walking down long hallways. Finally, my greatest critique of this game, exclusive to this version of the game, is the presentation. The presentation of this game cost it a full star in my mind. Almost everything else, even the mind-numbingness parts of Tartarus could be excused if the entire game were not presented in this disgusting visual novel style. I understand that the PSP was a very limited piece of hardware and I'm not asking for fully animated cutscenes for everything, but man they could at least let more than 2 PNGs on screen at a time. It's really hard for a scene to emotionally capture you when the scene consists of 2 still characters talking at each other over a crunchy jpg and sound effects convey each action the characters take. This is not a big deal for when two characters are talking in class, but a major death scene in this game is ruined because you can hardly even tell when the character has been killed because all that signifies their death is a gunshot sound effect, the character grunting, then the sound effect of the character falling to the ground while their sprite stays completely still. This is then followed up by every single character onlooking to gasp or interject with a scream, simply to remind you that the character is there. It shouldn't even be too much to ask to have the 3D models in the background of these cutscenes, even doing simple actions, since one of the final cutscenes has this happen for dramatic effect. This presentation takes away a lot of tension and emotion from scenes that would otherwise be the most emotional game of all time.
Ultimately, do I think Persona 3 Portable is a good game? Yes. Do I think it's a great game? Almost. There are a lot of pieces holding this back which really sucks since this seems to be the only way you can play a good amount of the content. But it also seems to be lacking content from other versions of this game. It ultimately feels like the game you play after you play Persona 3 or Persona 3: FES. This really sucks because for many people, myself included, this is the only way they can play Persona 3 at all. It seriously makes the news that the Persona 3 Remake will be excluding both FES and Portable content, only furthering the gap of content in this game. I would say, play Persona 3: FES first if you have the opportunity, but if you cannot, this is not the worst substitute.
I would like to start with the good, the best of the good being the characters and theming. There is some absolutely excellent writing being shown off here by the Persona team, and the introduction of social links to the series makes for compelling gameplay. Between Persona 5 and Persona 3, this game absolutely has P5 beat for social links. Akinari, Maiko, Mutatsu, President Tanaka, Saori, and Bunkichi are the greatest standouts of the side characters, each grappling with the theme of loss in their respective stories. In terms of the main cast, Akihiko, Shinjiro, Koromaru, and Mitsuru stand out as excellent examples of how to write believable high schoolers without making them feel like stereotypes or archetypes. There are very few characters I would really call bad in this game, although Ken is seriously wasted potential considering his place in the main story compared to his social link. I have to say that I could not completely get into Aigis' character the way others have, not to say that I disliked her character but I simply did not feel she resonated with me the way she did others. Meanwhile, the themes in this game are as strong as ever. The persona summoning is done through means of suicide, the music constantly mentions the coming destruction, and the arcana ends in the Death 13 card. I can see why some people consider this their favorite game of all time, because going purely off of themes, this is one of the best games ever.
However, I do not critique games purely on theme alone, so allow me to indulge my mixed feelings before heading directly into the territory of what I consider bad. First off, the story, which starts off very passively, gradually grows into a much larger narrative toward the middle, before entirely halting just before the climax. This makes the game's story feel really slow at one of the most important parts. The entire month of December lacks any social links, which means your daily life goes from hanging out with friends while the threat of the end of the world looms over everyone, to a boring month of doing absolutely nothing while the characters learn to accept the things that they already accepted months beforehand. I partially understand why this was done from a theming perspective, December is supposed to be an incredibly depressing month for the game's story. But from a storytelling perspective, giving the player nothing to do as the story reaches its peak really kills momentum and just had me going "Can this be over already?" by the time January rolled around. Secondly, menus and UI. The main system menu is decent but a little bland. The battle UI wheel is a little confusing, with left going right on the circle and right going left, as well as inconsistent UI memory in battle. The real struggle with UI comes in the Velvet Room. Because of the limitations of the PSP, I understand why menus had to be dulled in some places, but cutting manual selection for skill inheritance and being unable to sort by name in the Compendium really made me want to tear my hair out. The mechanic that the game gets its namesake from should not be unfun to interact with but so many times I found myself skipping out on a visit to the Velvet Room that would have been otherwise beneficial to my playthrough, simply because I did not feel like it. The lack of skill inheritance picking especially made me feel really unattached from my personas and I found myself not interacting with the card systems, simply because I knew I would be throwing my personas out during my next Velvet Room visit anyways. Finally, for my mixed feelings, I want to discuss the combat. At certain times, the combat feels really fun to go through. Balancing SP usage, using critical hits and co-ops to save SP where I could, and landing a powerful move exactly when you need it all made me feel very connected to my party members and really pushed me through the worst of Tartarus (don't worry, we'll get to it soon). On the other hand, there were times when combat felt like I would press three buttons and then mash A to get through the all-out attack cutscene as fast as I could. The lack of enemy diversity is more so a problem with Tartarus than it is the combat, but ultimately it is the combat that suffers because of this choice. On each block of Tartarus, there are, at most, 10 unique combat encounters. Combine this with the fact that each floor of Tartarus has you go through anywhere between 5 or 10 combat encounters and you tend to run out of unique problems to solve by about a third of the way through the block.
Now I really get to tear into this game's worst features. First off, the obvious, is Tartarus. It really is a marvel of modern game design that in the year 2009, P-Studio can look at 263 randomly generated hallways with no visually unique style separating one floor from another aside from a hue shift and the occasionally added decoration and go "yeah, change nothing." I really do not know how you would go about making this better but P-Studio sure did not do it. I would always reach my Tartarus day, put my headphones in, turn on some music or a podcast, and just accept that the next 5 hours of my playthrough would be mindless RPG grinding and walking down long hallways. Finally, my greatest critique of this game, exclusive to this version of the game, is the presentation. The presentation of this game cost it a full star in my mind. Almost everything else, even the mind-numbingness parts of Tartarus could be excused if the entire game were not presented in this disgusting visual novel style. I understand that the PSP was a very limited piece of hardware and I'm not asking for fully animated cutscenes for everything, but man they could at least let more than 2 PNGs on screen at a time. It's really hard for a scene to emotionally capture you when the scene consists of 2 still characters talking at each other over a crunchy jpg and sound effects convey each action the characters take. This is not a big deal for when two characters are talking in class, but a major death scene in this game is ruined because you can hardly even tell when the character has been killed because all that signifies their death is a gunshot sound effect, the character grunting, then the sound effect of the character falling to the ground while their sprite stays completely still. This is then followed up by every single character onlooking to gasp or interject with a scream, simply to remind you that the character is there. It shouldn't even be too much to ask to have the 3D models in the background of these cutscenes, even doing simple actions, since one of the final cutscenes has this happen for dramatic effect. This presentation takes away a lot of tension and emotion from scenes that would otherwise be the most emotional game of all time.
Ultimately, do I think Persona 3 Portable is a good game? Yes. Do I think it's a great game? Almost. There are a lot of pieces holding this back which really sucks since this seems to be the only way you can play a good amount of the content. But it also seems to be lacking content from other versions of this game. It ultimately feels like the game you play after you play Persona 3 or Persona 3: FES. This really sucks because for many people, myself included, this is the only way they can play Persona 3 at all. It seriously makes the news that the Persona 3 Remake will be excluding both FES and Portable content, only furthering the gap of content in this game. I would say, play Persona 3: FES first if you have the opportunity, but if you cannot, this is not the worst substitute.
Good.
This game made me more edgy
Aigis has my whole heart and soul
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Yeah!
Fear's awake, anger beats loud, face reality
Never beat charity
The enemy you're fighting covers all society
(Damn right)
Mommy's not here, gotta fight
(All night)
Right here, Shadow 10 o'clock direction
Seize the moment, destroy the nation
Your rhyme is slow motion, give me motivation
Freaked out now, and dead on arrival
(What?)
Round up around, spit out
All over
Rhyme like a rolling stone
Comin' a crowd
Watch out, they move, they diss you loud
Guess what this sound, it bombs whole ground
(So round up)
Don't ease your pace, 'cuz enemy's brutal
Moment of truth, There ain't no truce
You're the only one, one world, one love
But the battle goes on, Shadows of Mass Destruction
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Yeah!
Fear's awake, anger beats loud, face reality
Never beat charity
The enemy you're fighting covers all society
(Damn right)
Mommy's not here, gotta fight
(All night)
Right here, Shadow 10 o'clock direction
Seize the moment, destroy the nation
Your rhyme is slow motion, give me motivation
Freaked out now, and dead on arrival
(What?)
Round up around, spit out
All over
Rhyme like a rolling stone
Comin' a crowd
Watch out, they move, they diss you loud
Guess what this sound, it bombs whole ground
(So round up)
Don't ease your pace, 'cuz enemy's brutal
Moment of truth, There ain't no truce
You're the only one, one world, one love
But the battle goes on, Shadows of Mass Destruction
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Yeah!
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Yeah!
Fear's awake, anger beats loud, face reality
Never beat charity
The enemy you're fighting covers all society
(Damn right)
Mommy's not here, gotta fight
(All night)
Right here, Shadow 10 o'clock direction
Seize the moment, destroy the nation
Your rhyme is slow motion, give me motivation
Freaked out now, and dead on arrival
(What?)
Round up around, spit out
All over
Rhyme like a rolling stone
Comin' a crowd
Watch out, they move, they diss you loud
Guess what this sound, it bombs whole ground
(So round up)
Don't ease your pace, 'cuz enemy's brutal
Moment of truth, There ain't no truce
You're the only one, one world, one love
But the battle goes on, Shadows of Mass Destruction
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Yeah!
Fear's awake, anger beats loud, face reality
Never beat charity
The enemy you're fighting covers all society
(Damn right)
Mommy's not here, gotta fight
(All night)
Right here, Shadow 10 o'clock direction
Seize the moment, destroy the nation
Your rhyme is slow motion, give me motivation
Freaked out now, and dead on arrival
(What?)
Round up around, spit out
All over
Rhyme like a rolling stone
Comin' a crowd
Watch out, they move, they diss you loud
Guess what this sound, it bombs whole ground
(So round up)
Don't ease your pace, 'cuz enemy's brutal
Moment of truth, There ain't no truce
You're the only one, one world, one love
But the battle goes on, Shadows of Mass Destruction
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Ooh yeah,
Dada-dada, dada-dada,
Baby, baby,
Da-dada-dada, dada-dada
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Yeah!
I think the fact that this game was mostly a dungeon crawler with a visual novel attached made it a lot less daunting for me to get through than the other persona games. I'm not sure why I like Tartarus more than the personalized dungeons in P4. I'm not sure why the menus of Iwatodai are as memorable to me as P5's Tokyo or P4's Inaba. Despite it's less technically impressive exterior, this little game still oozes so much charm.
I think part of the reason why I love this game so much despite its flaws, is that I played it at the perfect time in my life and it spoke to me. I saw myself in a lot of the characters, and the messaging hit me really hard when I was in the midst of struggling to figure out how to navigate through depression and anxiety, while also questioning the meaning of my life and why I even live in the first place. It was cathartic to have a piece of media that felt like it came to my level on issues that I was struggling with. I think being able to play as the FemC really helped the message hit me. The way she interacts with the other characters made it easier for me to step into her shoes than the Male MC. Sure, the casual sexism really grated against me, but I think I had a lot more of a tolerance to it back then. I was able to ignore it and glean the actual worthwhile messaging that the game wanted to get across.
On top of that, I think the gameplay loop is really simple and fun. It's easy to backtrack and grab old personas you need for fusion crafting or the compendium. Some of the bosses can really surprise you and give you a run for your money on lower difficulties, but if you're used to the persona gameplay loop, it might be better to play on hard mode if you want more of a challenge.
I think it's easy to fall into a rhythm with this game where you progress your social links and social skills, and then grind for a little in Tartarus. It's kind of relaxing to me, although I'm sure for other people it can get a bit boring. Different strokes for different folks, I guess!
I think part of the reason why I love this game so much despite its flaws, is that I played it at the perfect time in my life and it spoke to me. I saw myself in a lot of the characters, and the messaging hit me really hard when I was in the midst of struggling to figure out how to navigate through depression and anxiety, while also questioning the meaning of my life and why I even live in the first place. It was cathartic to have a piece of media that felt like it came to my level on issues that I was struggling with. I think being able to play as the FemC really helped the message hit me. The way she interacts with the other characters made it easier for me to step into her shoes than the Male MC. Sure, the casual sexism really grated against me, but I think I had a lot more of a tolerance to it back then. I was able to ignore it and glean the actual worthwhile messaging that the game wanted to get across.
On top of that, I think the gameplay loop is really simple and fun. It's easy to backtrack and grab old personas you need for fusion crafting or the compendium. Some of the bosses can really surprise you and give you a run for your money on lower difficulties, but if you're used to the persona gameplay loop, it might be better to play on hard mode if you want more of a challenge.
I think it's easy to fall into a rhythm with this game where you progress your social links and social skills, and then grind for a little in Tartarus. It's kind of relaxing to me, although I'm sure for other people it can get a bit boring. Different strokes for different folks, I guess!
Very good game. Follows the same base structure as Persona 5 (which honestly is far better than P4's imo) and has probably my favourite story of any Persona game.
This version of Shuffle Time kinda sucks though, I hope Persona 3 Reload uses P4's system.
This version of Shuffle Time kinda sucks though, I hope Persona 3 Reload uses P4's system.
the best game ever made i will never experience a story that has affected me more than this i genuinely do not have the words to describe how good it is