The Dreamcast was a political statement.
The Dreamcast was a political statement.
The Dreamcast was a political statement.
The Dreamcast was a political statement.
The Dreamcast was a political statement.
The Dreamcast was a political statement.
Psychonauts found dead in a ditch.

i have not a speck of interest in the deepest pits of my soul to see how this game, this so intrinsically male-gazey game, handles the subject of rape. i feel like i'm watching a lars von trier movie. to be clear, i'm no prude! i don't mind - many times, i even enjoy - skimpy character designs and general titillation. i'm not rejecting this on some moral basis, either, as i enjoy plenty of exploitation media. look at a game like lollipop chainsaw. themes of SA and weird pedo shit? yes. sexualization of its main character? also yes. but the creators knew what they were making and set the tone accordingly. haunting ground's approach is the equivalent of putting jiggle physics in rule of rose. it's screaming "i have zero self-awareness" at the top of its lungs.

my belief in total artistic freedom doesn't mean i have to put up with jack shit. i see no reason to continue playing when i could be enjoying any of the 600 other video games in my backlog. i'm gonna go play silent hill 4.

Takes several pages out of the Silent Hill 3 playbook - it’s a story about a dual-identity teenage girl getting revenge on an unfair world (at the same time delving into a Keatsian bower realm of blood, shit and hair) with all the ambience to back it up…. for maybe the first 5 minutes? The enemy designs are really dumb, sorry. There’s a couple jumpscares that did get me (owed largely to some excellent sound design) but all tension evaporates like a fart in the wind when you see the first slug-thing enemy on the ground lol. Keeps narrative on a backfoot, all puzzles very intuitively designed, overall well-constructed and never overlong - by all measures, an excellent outing for the dev! Any RE/SH fan is gonna get a nice 10 hours out this one. Only complaint is there isn’t a nasty crow-man Mr. X chasing you throughout the game, but I guess if you want that, you can just play Fear & Hunger.

A lot of the reviews for this game focus mostly in the visuals, and while that's understandable given that they are both incredibly unique and give amazing feedback I'd hate to see the combat not get the praise it deserves.

Not only is the playable character's kit fluid but it also has very distinct functions for each attack, which make every action feel useful while keeping the controls from feeling bloated. A lot of 2D action games inspired by 3D character action end up struggling with this aspect and the movement, which made me really happy to see TraumaCore excel at both.

The shotgun did end up feeling excessively useful thanks to the short recharge time though, but I feel like this would be a far more relevant flaw if there were more bosses in the game, since mowing down the basic enemies with the weapon feels like part of the intended design of a game so focused in score attacking and speedrunning.

The sound design is also really underrated, even when the screen is completely covered in bullshit you can get a clear idea of what's going on because of the sound effects picked.

This is how you make a 2D hack n' slash game. I hope to see lots of devs get inspired by it.

a word of advice: if you love psychological horror, especially silent hill, YOU NEED TO READ CRIME & PUNISHMENT. i understand how a 600 page book released 150 years ago in a format that doesn't exist anymore can seem off-putting or intimidating; i promise you it hasn't aged a day. crime & punishment can suffocate you with tension and anxiety comparable to any horror movie or game using words alone. the characters are oceans of beauty and flaws that will stick with you forever. without dostoevsky, there would be no shining, there would be no subahibi, and there would be no silent hill. read it and thank me later.