When it comes to an RPG adventure, I don't think much beats Dragon Quest V. That's not an evaluation of the game overall but a specification of its journey.

The scope of the story starting from Hero's childhood, into his teen and adult years, and then fast-forwarding to when his kids are grown up is really special and done very well. The world map is tightly designed with each new country/continent a thrill to explore and there are plenty of mysteries to discover and secrets to fine, even into the game's more open-ended third act. The story builds it tension and crescendos.

Because of it's exciting adventure, I cherish DQ5 even if the gameplay, at least in this Super Famicom version, isn't great. It's the same traditional JRPG gameplay but not as tight as later editions of the franchise and lacking the customization of later titles too. It's cool that there's stuff like the monster collecting but I found that lacking potential with the three party member limit that this first version of DQ5 possesses.

I beat the main game and cheated my way through the bonus dungeon to close the book on this SFC version of Dragon Quest V, a game I played back when I got into emulation as a teen and fell in love with, enough to adore the DS remake that would come my way years later. I like the graphics in this version more than the DS version but that version has four party members so when I want to replay this game again, I'll likely go for that version.

I wanted to like this more than I did. It comes down that most of what you do in this game is not fun. Running around and dodging guards is not fun even if its in a very realized world– interconnected and gorgeously designed. The main plot wasn't very interesting even if the world-building and characters were pretty decent. Despite how cartoony some could be, they all felt like inhabitants of this world. The lore in this game is good.

There are other small things to praise, like the overall art is good but the profile graphics are very expressive and often quite cute. This game was mostly frustrating. The stealth is bad and doesn't evolve much past the first hour. This game might have my least favourite stamina system with a sprint that drains too fast and refills very slowly.

I don't know if this will ever get a sequel and I really want it to because I think a lot of the game's problems come from it being a developer's first try and a sequel would iron out the issues. It's been nearly six years, though.

Playing as Proto Man made me turn on this game. Taking double damage while not having the ability to buy more lives or E-tanks is too rough a challenge. The annoying boss in Wily's Stages really stood out with how hard the game is.

I used the Collection's save features to get through this game– saving up lives and E-tanks for the finale– and even then it was still rough. I wonder how tough it's going to be to finish MM10 with Proto Man?

EDIT: Looked it up and I already beat MM10 with Proto Man and I bet it wasn't nearly as difficult as this one!

FoxTail is an in-development point and click adventure and I've had a good time with it so far. The environments are pretty and the puzzles are engaging finding a balance between challenge without being too obvious.

The big downside of this game, and this is everywhere, is that the translation is very awkward. There are a lot of grammatical errors and it hurts the game's ability to convey personality and got me anxious about following clues to solve puzzles although I don't think the stilted prose ever misdirected me from a puzzle solution.

Characterization and theme still come across bits of the dialogue, though, so the game's story still has substance. My only problem beyond the awkwardness is that I don't think there's much depth to the narrative as of Chapter 3. The story feels like its setting up some deeper themes with the grandpa and various aspects of the world-building, but they've not come to light yet.

Chapter 3 is the highlight. The environment is enticing with its nighttime moods, the handful of characters you meet are cool and interesting, and the chapter crescendos on an open-ended puzzle that's a delight to break down and figure out. My playthrough ended on that chapter and I think it shone well over the whole project.

After nearly twenty years of playing this game, I finished the post-game of Final Fantasy XII! Both the vanilla superbosses and the Trial Mode The Zodiac Age added in. I left a review on the PS2 game’s page but figured I’ll add my thoughts on The Zodiac Age version.

The big sell here is the job system and it’s pretty cool! I like the dual-classing upgraded they added in this edition of FF12, but character being so focused creates a lot of small inconveniences. Only the Time Mage has Float, a very important spell if you are going through a place with traps. I had to keep my Fran out through most dungeons because I didn’t have a lot of Float Motes and mines were abound. You can unlock some extra abilities on everyone’s License Grids with Quickenings and Espers but there should have been more options available for late game conveniences. I was missing the absolute freedom of everyone sharing vanilla FF12’s maximalist License Grid.

While The Zodiac Age took away a lot of original’s need-guide BS like the whole thing with the Zodiac Spear, a lot of spells are stuck in normal-looking treasures that you can easily miss then go through the whole game never having that spell. It’s two steps-forward, one step back with this game.

The 2x and 4x speed settings were a great edition. Got a lot of use of them beating Hell Wyrm and Yiazmat. On the other hand, TZA could have improved the gambit system more. While the multiple gambit sets are a nice addition, I wished for more gambit types and additional complexity.

Overall, the speedup option and cool job system make this the definitive version of a game that I, despite my criticism, think it is pretty good and still love a lot. Maybe I don’t think it’s as good as I used to, but still something that is worth playing. A lot of my problems are things that became more obvious in the sidequest/post-game parts of Final Fantasy XII: The Zodiac Age so someone playing a casual playthrough probably wouldn’t butt heads with those annoyances.

Final Fantasy XII is one of my favourite games. Top 50 material, likely. But this latest exhaustive playthrough of The Zodiac Age has allowed me to deeply contemplate the problem with FF12’s systems– stuff that’s present in the original and TZA.

For example (and this is an obvious problem) the game’s dripfeed of reward for sidequests and hunts is really discouraging. Most of the benefit that comes from doing them is the EXP, LP and gil you obtain by travelling across the world and beating enemies along the way. The main path’s enemy strength grows pretty quickly so doing the bonus stuff is pretty mandatory but completing a single sidequest should have a bigger jump in strength. It’s just annoying how much stuff you get that’s trash. Even in the post-game I was opening treasure chests and getting Dark Motes or receiving Hi-Potions from the fishing minigame. Most of the gil payouts are pretty stingy, too.

The gambit system, although relatively functional and innovative for 2006, has a lot of holes in its command set, stuff like how you can’t program a character to steal only from enemies that haven’t been stolen from yet. It got pretty annoying to go back into the gambit menu again and again, too. There should have been more ways to copy and reuse gambits too. There’s a lot of things you do in menus and that’s especially exhaustive when the menus themselves have this sluggishness to them, adding a couple frames to every button click. Even if the original was held back by the hardware, that doesn’t make it less annoying nowadays.

It’s also a big problem how some items cannot be purchased (or in the case of the Serum consumable, purchasable only in one obscure place). I had millions of gil at the end of the game and although I wanted to spend on Elixirs and Megalixirs, you cannot.

Getting into presentation stuff, the story is a very streamlined political drama with some nuance especially around the character of Vayne. Special shoutout to Ivalice. Oh, Ivalice. What a beautiful world! It’s so rich and realized that I’ll read NPC dialogue just to get another detail of this world. Easily my favourite fictional setting. It’s helped by Sakimoto’s score which is perfect for this world.

The game is vast. There are so many details in the locations and enemies, giving these places more description than your usual RPG fare. Even if they don’t give the best rewards, I’ve always loved how many small sidequests that you can just miss. This playthrough was the first time I did anything with that fishing sidequest. I kinda love it. This was before JRPGs imported Elder Scrolls-style quest logs so the fact that those mini-quests don’t call out to you makes them feel less gamey and helps the world feel alive.

I guess that’s a good note to go out on. Even if this game has problems, the world of Ivalice, or specifically this incarnation of it, is astonishing and so easy to get lost in.

A really fun exploration/puzzle game that allows the player to express themself in completely arbitrary ways like how I would paint environments simply to give them some colour. Exploring this world and finding secrets was a joy and all the little critters you get to meet were wonderful!

I didn't care for the player character's arc (their name was 'Pizza' in my case). There isn't much substance to their problems with confidence. I don't think a lack of confidence is very fruitful grounds thematically no matter which story is being told, although I'd be happy to be proven wrong. Pizza walked around and complained about their insecurities and I never felt much for them.

Most of the story came from walking around, talking to people, meeting all sorts of cool personalities and having a lot of spontaneous character moments when I'd see locals gathering at a beach party I set up or them lining up outside a pizza shop I designed the logo for.

I guess that what makes the game special for me is that the world and its inhabitants are very alive. Although a very basic game primarily, there was a lot of dynamic interactions to be found.

I’ve never been a lesbian, nor have I been an animal, and a lesbian animal? Not even once. But video games allow us to experience different lives so I played Super Lesbian Animal RPG.

This is a turn-based RPG that feels inspired by the breadth of the Mario outings in the genre with SLARPG’s interlinking world in which character abilities are necessary to surpass some obstacles. It’s simple but it brings an interactive element that reminds me of Paper Mario or Mario & Luigi. It helps that the game’s aesthetics and music are realized in a way that a Nintendo game would do. These environments and characters are delightful to look at it and music is top-notch.

Overall, though, I liked this game but did not love it and I think that’s because I have trouble with the writing and storytelling. I didn’t resonate with Melody’s lack of confidence because I didn’t think there enough drama to be a compelling character arc. I also take issue with the scale of the main conflict compared to the smallness of the game world. There was a disconnect there.

Even if I don’t think it comes together well, I appreciate this game for having moments of emotional harshness because I’ve played a lot of indie games that felt afraid to hurt its characters. Characterization was strong in which most characters had a distinct personality that carries in all their interactions. There were also a lot of good individual moments in the writing and in general.

This is a game with a lot of ideas on display– most of them manifesting as jokes like a recurring enemy you can encounter in battles later on being an NPC in town. There’s a lot of neat tricks and this short game is packed with them which compensates for the game’s typical character building and combat, which is standard turn-based fare.

This game didn’t blow me away, but it did teach me a lot. It taught me that if, one day, I woke up as a lesbian animal maybe… I’d survive.

This was a pretty decent. There's a variety in the mechanics, the characters are fascinating, and the music is both solid and numerous touching onto multiple genres like lo-fi hip hop, metal, and RnB.

This game is not much more than the sum of its parts, unfortunately. While the game juggles multiple plots, they don't interact very dynamically. The writing was awkward (like the characters using the term 'legend' to describe a cover story), although I liked when the story mused about the trials of people chasing their dreams and how ambiguous that can be.

So as someone who doesn't play a lot of visual novels, I enjoyed this game. It was cozy with it's repair shop atmosphere. I am confused why only a few characters had tails though. Most don't have tails. Frankly, that's criminal.

After playing this one on and off across four years, I finally finished Horizon Zero Dawn. A robust array of weapons, a diverse & rich cast of enemy types, and a pretty cool story elevate a game that often veers too close to modern open world clichés.

This might be a game that gets better the more you master it and it feels like I didn’t hit the skill ceiling dealing with the game’s army of foes. I was playing this on and off over a long period of time so maybe the story didn’t hit me the way it should have, but I liked the background plot more than the actual story and I wish Aloy seemed more vulnerable. She didn’t have a lot of personality.

I guess, overall, this was a pretty good open world game. I don’t think it’s great but between the combat and the narrative, this is better than usual open world fare.

I coveted this game a lot when I was a kid and all I had was RCT vanilla. How does it live up after two decades of hype?

The bevy of new scenarios are welcome although it takes the second half of the campaign to shake it up with scenario objectives and level gimmicks like Thunderstorm Park's main pyramid landscape or Adrenaline Heights having guests that demand really intense rides.

Corkscrew Follies introduces a lot of new rides and a large number seem early-game friendly like a few of the new coasters. Hate how fragile Ghost Train is. I could never make a ride without the cars flying off.

There was a long stretch of this game that was pure bliss. I didn't know my goal and I didn't care. I went from one island to the next solving every puzzle that came my way. I didn't worry about completionism– like finishing every island in a cluster before moving on– I just... roamed and enjoyed.

A Monster's Expedition is a puzzle game with a simple verbset and only a few ideas to work with, but part of the fun is discovering the details to these scarce gameplay objects, like how you can flip one log over another. It seems very inspired by Stephen's Sausage Roll, which is right up my alley.

I've not completed all the bonus puzzles so we'll see if my opinion on this game changes but it's an incredibly solid puzzle experience.

So, after long last I have finished the official Baba Is You expansion, New Adventures. It's a great addition to the Baba Is You canon especially with all the new verbs and objects.

That said, I don't think the levels went as deep with the new verbs as the vanilla game did with its verbs like EMPTY and WEAK. That might be because the new verbs are a little more specific, like PHANTOM and YOU 2. Or maybe it's because if the developer made big hefty worlds for all of its new tricks, the expansion would be bigger than the original!

Still... getting to the end of this campaign– I wanted more. There's a whole lot of community-made levels and I'm ready to dive into what the fandom has to offer. I can't get enough! This is certainly one of my favourite games and my favourite puzzle game!

A lot of reviews say this is short and I think it's too short. It's a very brief game and while there are a lot of details in the story that help fill out the game's themes, these ideas felt somewhat incomplete.

I also wished that there was more game to this title. There's a number of very cool ideas on display– like how Venba is essentially a puzzle game where you are trying to cook around a cookbook that is incomplete or in a language the player character does not full understand. I could have done with a dozen more of these scenarios.

I'll ruminate on this game though. It's presentation is spotless and enjoyable and it's look into the quiet tragedy of a kid growing up uninterested in your culture is substantial and worth experiencing.