Aunque habia algunas partes aburridas, el juego es precioso
El final me recuerda al de Evangelion. Muy bonito y emotivo todo.
Enjoyable but a bit too long journey. Platforming controls could be better. Great characters, fun dialogues, good time.
I expected Wandersong to be a simple light puzzle based platformer and that is just what I got. What I did not expect was the absolute heights the game would take me too emotionally. The game constantly innovates, lands the humour it attempts but most of all tells a compelling story with characters you can’t help but root for. I would go as far as to say the protagonist is the most likeable character I have ever played as. It’s use of music as a narrative tool is always enjoyable and the soundtrack is one that will stick with me for a long time. Wandersong is a beautiful and creative game that I could not recommend more highly.
There's the potential for a really great game in this one but it just falls a bit flat until the ending, which is great and made me cry
It does a lot with very little. The core singing mechanic isn't really used for any super hard puzzles, but is still really varied and just fun to mess around with. The story and characters are all fantastic, with lots of humor to round out the emotional moments. Overall just a very polished and charming experience.
This game was probably really good, I mean the art style is very nice at the least, but as I played a bit I got bored, it's a lot like an RPG with going town to town talking to people to progress and using singing to help do a bit of platforming and fighting bosses.
Doesn't seem like a bad game, I thought there was a bit more to it, it's just not the game for me.
Doesn't seem like a bad game, I thought there was a bit more to it, it's just not the game for me.
Incredibly charming
I cried a few times. At first, I thought the super positivity and cheesiness would get tiring, but it never did. There's power in hope and power in insisting that the world is good.
Absolutely incredible and creative musical adventure. There's a few bits of jank (spawning inside walls, follow characters getting stuck and jittering) and a few sections did drag on a little long, but that doesn't hold back the absolute creativity this world has. I can tell the inspirations from The Thousand Year Door here, yet it does so much of its own thing and charming personality that it shines in spades! An absolute must play!
Legitimately one of the best games I've ever played. It's so freaking amazing, please play this game.
Charming and fun 2D puzzle platformer. It kind of starts to drag near the end but it’s still worth playing.
What a fun game! One of the greatest strengths is how each level changes up what can be done for platforming and it's constantly engaging. The dialogue is also quite funny and sincere for when it needs to be. I think my biggest issues overall are with pacing. One act goes on for a bit too long and even the final "victory lap" felt a bit much. Otherwise, it was a solid game that's definitely worth looking into!
Una aventura muy bonita, divertida y llena de personajes carismáticos. Me encanta que las mecánicas principales sean sobre cantar y bailar.
Wandersong is a narrative driven puzzle platformer that is heavy on charm and light on mechanical depth. The writing, and the textual delivery of that writing, is exemplary. The overall story is incredibly hopeful but manages to just barely avoid becoming trite. And of course the music is very well composed, although the Bard's vocal patches can occasionally be a bit irritating.
Mechanically there's not a lot going on. Although the developers got a lot of mileage out of spinning the right joystick to sing, most of the game is very simple and easy. To counterbalance this low difficulty some sections are a bit repetitive, which slows the pacing down a bit too much. To really get the most out of this game you have to be prepared to stick through some mediocre gameplay sections for the sake of a masterfully crafted narrative.
Mechanically there's not a lot going on. Although the developers got a lot of mileage out of spinning the right joystick to sing, most of the game is very simple and easy. To counterbalance this low difficulty some sections are a bit repetitive, which slows the pacing down a bit too much. To really get the most out of this game you have to be prepared to stick through some mediocre gameplay sections for the sake of a masterfully crafted narrative.
I really loved this game for the first hour or so, but eventually the gameplay, the jokes, the story and everything just fell apart for me and I ended up really not liking it.
Clever use of steam achievements
Probably one of my favorite indie games. I highly recommend for anyone just looking for a good time, this game is absolutely great. Wish this got brought up more often
cute game with a really great story about what it means to be a hero. I love the way singing is implemented but I do wish they could occasionally bring some mechanics back more often
This is so damn sweet and has one of the best written friendships I've ever seen in a game. A bit too long and some sections are less fun than others, but this is a really good time.
A very cute and wholesome indie game about a bard, with a lovable cast of characters and good writing.
Ok, on the one hand, I enjoyed myself. This comes from an older cloth of "let's throw in an optional skiing game... now a pirate song... alright, time management sim!", and you get a fun variety.
On the other hand, and maybe this is my fault for playing it back to back with Chicory, there's a pretty straightforward vibe of "I want to be the hero and I'm not". And it's warm and fuzzy and not meanspirited, which through one lens is refreshing, and through another lens (having just played Chicory), is a second teaspoon of pure sugar.
the musical nature of it is very forgiving, the platforming came right up against the edge of my very low skill bar but didn't push me too hard, and that's a neat challenge. the unlockable dances were hilarious. and the composed songs were great. However, the actual act of singing was.... not always the most pleasant thing to hear.
i finished this game a few days ago and I'm just reflecting on what it left me with. The answer isn't a lot, but it also isn't negative. So, you know.
On the other hand, and maybe this is my fault for playing it back to back with Chicory, there's a pretty straightforward vibe of "I want to be the hero and I'm not". And it's warm and fuzzy and not meanspirited, which through one lens is refreshing, and through another lens (having just played Chicory), is a second teaspoon of pure sugar.
the musical nature of it is very forgiving, the platforming came right up against the edge of my very low skill bar but didn't push me too hard, and that's a neat challenge. the unlockable dances were hilarious. and the composed songs were great. However, the actual act of singing was.... not always the most pleasant thing to hear.
i finished this game a few days ago and I'm just reflecting on what it left me with. The answer isn't a lot, but it also isn't negative. So, you know.
Didn't know much going in and was blown away by much more emotional storytelling and complex characters than expected.
This review contains spoilers
"A Brilliant Game About The Beauty Of Music, Cooperation, And Friendship"
Well I certainly didn't expect this game to evoke that much emotion from me! I wasn't even aware I owned this title, and will try and figure out exactly how it managed to fall into my lap. In this game, you play as The Bard, a lovable, positive, and sometimes naive little guy, who happens to figure out that the world is in danger and that it needs a hero. The game tricks any unaware players into thinking it is a generic adventure game following the typical "hero's quest" such as in games like The Legend Of Zelda , but it ends up being so much more than that. Music is central to this game's mechanics, and all interactions essentially involve some form of music, but it all involves a flick of the right stick in one of eight different directions. Throw in some puzzles, light platforming, and even some battles here and there, and you have a unique game full of charm, dedication, and something that many games lack nowadays - soul. There is so much that can be said about this game that is positive, that I figured we get the few "negatives" out of the way (more like neutral points if we're being honest here).
I didn't particularly enjoy the character of Eyala, though I get how she can be fun for some players. I found her to be on the irritable side of things, and I actually grew to dislike her arc throughout the story (and moreso The Bard's interactions with her). I felt that she deserved a bit of a "realization" moment where she figured out she was wrong, and could apologize to The Bard and Miriam. Instead, the story progresses with her being a quirky, yet manipulative character, and it didn't match the arc that other "unlikable" characters like Audrey and Markus had. In addition to issues with that particular character, I also felt a few sections, such as the mountain sequence and the war sequence, dragged on much too long. There seemed to be a lot of dialogue that was filler, and some side quests seemed unnecessarily long for the payoff, so that got a little tiring playing through each encounter. I do admire the work put into this title nonetheless, and this is just me bringing up parts that could've been ironed out in order to make this game essentially perfect.
Everything else about this game is brilliant. The general tone of positivity, while a bit on the cheesy side at times, grew on me throughout the game, and I felt the story suited it as well. Every major character has some flaws about themselves, and the game explores those flaws as well as their actions and "mindsets" very well. While not every character ends up with a "happily ever after", they definitely showed growth as the story progressed. My favorite was Miriam, and her journey throughout the game was very powerful. The themes of heartbreak, isolation, anger, and sadness surrounding her struck a chord with me - as a person who can have a negative view on the world, and who enjoys criticizing everything, it was a good look in the mirror. There were many moments in this title where I felt a surge of emotions, and this was absolutely influenced by the game's soundtrack. Just a masterful job, and I was shocked to realize that it was very flexible depending on the situation and emotion within the current scene. This is one of the best soundtracks I have ever experienced, right up there with Undertale , and that is amazing company to be in.
So in conclusion, play this game. I absolutely Recommend it to all gamers, music lovers, and anyone who is down to appreciate a truly great work of art. It doesn't have the most "gamey" mechanics, but it doesn't need those. All it requires is an open mind as it takes you on a journey.
Final Verdict: 8/10 (Great)
Well I certainly didn't expect this game to evoke that much emotion from me! I wasn't even aware I owned this title, and will try and figure out exactly how it managed to fall into my lap. In this game, you play as The Bard, a lovable, positive, and sometimes naive little guy, who happens to figure out that the world is in danger and that it needs a hero. The game tricks any unaware players into thinking it is a generic adventure game following the typical "hero's quest" such as in games like The Legend Of Zelda , but it ends up being so much more than that. Music is central to this game's mechanics, and all interactions essentially involve some form of music, but it all involves a flick of the right stick in one of eight different directions. Throw in some puzzles, light platforming, and even some battles here and there, and you have a unique game full of charm, dedication, and something that many games lack nowadays - soul. There is so much that can be said about this game that is positive, that I figured we get the few "negatives" out of the way (more like neutral points if we're being honest here).
I didn't particularly enjoy the character of Eyala, though I get how she can be fun for some players. I found her to be on the irritable side of things, and I actually grew to dislike her arc throughout the story (and moreso The Bard's interactions with her). I felt that she deserved a bit of a "realization" moment where she figured out she was wrong, and could apologize to The Bard and Miriam. Instead, the story progresses with her being a quirky, yet manipulative character, and it didn't match the arc that other "unlikable" characters like Audrey and Markus had. In addition to issues with that particular character, I also felt a few sections, such as the mountain sequence and the war sequence, dragged on much too long. There seemed to be a lot of dialogue that was filler, and some side quests seemed unnecessarily long for the payoff, so that got a little tiring playing through each encounter. I do admire the work put into this title nonetheless, and this is just me bringing up parts that could've been ironed out in order to make this game essentially perfect.
Everything else about this game is brilliant. The general tone of positivity, while a bit on the cheesy side at times, grew on me throughout the game, and I felt the story suited it as well. Every major character has some flaws about themselves, and the game explores those flaws as well as their actions and "mindsets" very well. While not every character ends up with a "happily ever after", they definitely showed growth as the story progressed. My favorite was Miriam, and her journey throughout the game was very powerful. The themes of heartbreak, isolation, anger, and sadness surrounding her struck a chord with me - as a person who can have a negative view on the world, and who enjoys criticizing everything, it was a good look in the mirror. There were many moments in this title where I felt a surge of emotions, and this was absolutely influenced by the game's soundtrack. Just a masterful job, and I was shocked to realize that it was very flexible depending on the situation and emotion within the current scene. This is one of the best soundtracks I have ever experienced, right up there with Undertale , and that is amazing company to be in.
So in conclusion, play this game. I absolutely Recommend it to all gamers, music lovers, and anyone who is down to appreciate a truly great work of art. It doesn't have the most "gamey" mechanics, but it doesn't need those. All it requires is an open mind as it takes you on a journey.
Final Verdict: 8/10 (Great)
What started as a simple little game kept getting better as I continued playing, and in the end I got surprisingly emotional and attached to these characters. I love the little bard and Miriam with all my heart and I wish more people played this game.
It’s Steven Universe without any of the filler
So it’s Steven Universe but good
So it’s Steven Universe but good
Some gameplay parts are a bit rough but man I didn't expect this game to be so moving
I don't normally play games like this but Wandersong is a sweet game that touches some heavy topics.
The way they go about these topics is considerate and I think is relatable in different ways. The ending to the game also felt satisfying.
Really the only bad thing I experienced when playing was a LOT of bugs, it was honestly annoying I'll admit. Regardless, I liked going around talking to npcs and singing my silly songs as the Bard. Their relationship with Miriam was also very sweet.This was a great game to end 2022 with.
The way they go about these topics is considerate and I think is relatable in different ways. The ending to the game also felt satisfying.
Really the only bad thing I experienced when playing was a LOT of bugs, it was honestly annoying I'll admit. Regardless, I liked going around talking to npcs and singing my silly songs as the Bard. Their relationship with Miriam was also very sweet.This was a great game to end 2022 with.
do you wanna feel what life without depression and and anxiety feels like? play this
Underrated game with a charming cast of characters. I liked it.