Reviews from

in the past


It was extremely buggy when I played it but it has a lot of heart and character in it. Great mechanics to be expected from Larian, pretty solid graphics and constant updates for content leading up to the full release. Can't complain, look forward to the full game to play with friends.

in a great spot, can't wait for more.

Picked up on EA ahead of full release in August.

Full versiyon geldi ama şimdide oynicak zaman bulamıyorum ama oynadığım kadarı ile hala en iyi rpg

a fun rpg with a very very solid foundation. i just wish it wasnt set in cringe forgotten realms bruh


Updated Having Completed the Game, 500+ hours across multiple playthroughs:
Narrative: 5.0
Gameplay: 5.0
Visuals: 5.0
X-Factor: 5.0
Overall: 5.0
This is unquestionably my favorite game now. It feels bad saying so as I ahve such nostalgia for other games, but this is close to perfection for me. I wish I had a better PC for performance, and the final third act of the game has some issues with reactivity and could be improved, but beyond that this game is perfect. I have spent 500 hours and will likely spend around 100-150 more to finish a second and third playthrough. Do yourself the favor and play if you are interested in the slightest.

Early Access:
Narrative: 4.5
Gameplay: 4.5
Visuals: 4.5
X-Factor: 4.5
Overall: 4.5

If this game continues the quality it shows in early access it may be my favorite game of all time

i can't even really play this for a few more days, and yet i am already losing sleep to swirling thoughts on how to roll my first character... perhaps a seldarine drow cleric of selune (could be interesting for a shadowheart romance, since she's sworn to shar), or an asmodean tiefling warlock in a pact with a fiend (hopefully a succubus?!), or maybe a draconic oath of ancients sorcadin (drow or tiefling are tough for me to resist, though i think a moon elf might be a good fit for this considering ooa paladin is almost more like a druid in that they get the moonbeam spell — and as a bonus they can talk to animals, unlocking a lot of additional rp). dark urge will be saved for later, possibly for the warlock — though i could try and subvert it instead, playing a tragic murder-bard or something. i'll be lucky if i even start the game itself the entire first day of its release (never mind the 122gb download)... my hype for it is almost unbearable!

Baldur's Gate 3 é simplesmente a obra de arte máxima do Rpg Ocidental.

Sim, é isso aí que você leu mesmo, é difícil pensar em pontos negativos de uma obra que não apenas é o Magnum Opus de um estúdio que sempre mostrou muito potencial, a Larian Studios, como também faz a proeza de melhorar uma das obras mais Espetaculares da história do Rpg, Baldur's Gate 2.

Sinceramente falando, eu não consigo descrever direito tudo o que esse jogo é, e tudo o que ele trás consigo também. Saiba apenas de uma coisa, se você Ama Rpgs Ocidentais, principalmente os de tabuleiro, e os eletrônicos com camera de cima, Saiba que esse jogo, pra você, é simplesmente INDISPENSAVÉL.

Ele está pra Rpgs ocidentais, nesse estilo em especifico, como Vampiro a mascara, e D&D estão pra Rpgs de tabuleiro. Assim como Tes V: Skyrim e Tes III: Morrowind estão pra Rpgs em primeira pessoa. Tipo Elden Ring pra Rpgs Souls Like, Ou FF VII e Dragon Quest estão para JRpgs, até como The Witcher 3 está para Rpgs simplificados.

Acho que deu pra entender o quanto eu recomendo esse jogo, o bixinho se tornou meu sexto jogo favorito (-_-).

Senhoras e Senhores, se vocês gostam de Rpgs, por favor, JOGUEM Baldur's Gate 3, ele é fantástico. 10/10 ou 5/5

feels monumental to get the first story achievement and see that only 0.1% of global players have unlocked it. it's like i was there for the building of the pyramids or something. for the start of something great and massive and infallible.

at the time of writing this i am still in act 1 (which, as an ea player, i am blazing through) and while there are certain elements i miss from ea, particularly how bitchy your companions were, most everything else perfectly nails what it attempts to do and beautifully captures the essence of what makes dungeons and dragons and the forgotten realms so mystical and enchanting. beautiful game larian. you've outdone yourself again.

DEEPLY absorbing. Would classify this as a Must Play as of the 1.0 release. Looking forward to digging in further.

I genuinely would question if you like video games as a medium at all if you dislike this game

Immediately one of the best RPG's I've ever played. Captures the indescribable magic of an in-person dnd session. Feels like everything I love about Dragon Age meshed with Larian's strengths as a developer--and it's sliiiiiightly more approachable than Divinity given the more intuitive engine of DnD 5e. I love this game.

the games master (or dungeon master) has long been one of the most fascinating roles one can play in any game - be it video, table, or sport. a blend of one-person theatre, moderation, improvisational comedy, and game design, with the emphasis on these roles and others besides shifting from person to person, from table to table, it's a truly unique position, and it's perhaps the key thing that makes computer role-playing fundamentally different from tabletop role-playing, even if you're still playing with friends. when a game is your dungeon master, it becomes non-negotiable, unwavering, utterly fastidious, and miserly in its rule-keeping. this is not always a problem if the rules are strong enough - i'm not especially interested in playing a game of Go with a referee who's cool with me eating the opponent's pieces when they aren't looking, except maybe as a one-off - but when the rules are not strong enough, it leaves me craving the human hand of a DM who will gently massage the systems behind the scenes to ensure everyone involved is having fun. and in Fifth Edition, the rules are, assuredly, not Strong Enough.

Fifth Edition Dungeons & Dragons is, bluntly, a poor TTRPG that demands a level of simulationist interest that would bore a 40K player (quick question, has anyone who has ever played 5E ever gave a shit about the carry weight of currency? did you even know that the gold you're carrying around has a weight that you're supposed to manage?) as support to a tactical game that is as shallow as it is torturously prolonged, capped by a social game that is functionally nonexistent. D&D is content to coast by on its cultural ubiquity and the fact that almost all of its player base barely even really knows that other TTRPGs exist, sailing the seas of mediocrity on a boat that starts to sink if you set foot in it for more than a few minutes. it is possible to play wonderful games in D&D, but I have yet to hear of - or be part of - one that was wonderful because it was D&D - rather, they are invariably good in spite of D&D, and always require some degree of selective memory or active rejection over many of the game's outrageously numerous rules.

given this perspective, it's perhaps not surprising that i am not enormously enthused by larian studios' Baldur's Gate III, a game that attempts to faithfully adapt the 5E rules to the broad framework of the studio's last game, Divinity: Original Sin II. but even with that in mind, i find myself genuinely shocked at how unbelievably boring BG3 is.

as the soothsayers on the mount foretold would occur the instant Larian proudly announced their design intentions, marrying 5th Edition Dungeons & Dragons to Divinity Original Sin 2's combat completely hamstrings the latter: the genuinely expressive and reactive toolkit of that game is filtered through a dull interpretation of the most stock spells of 5E, making this less a game of setting up a simple rube goldberg machine to defeat an encounter, and more about tediously playing out the motions of early-game dnd in a world your imagination cannot penetrate.

here's the trick to being a DM: let the players do the hard work. if they come up with a crazy scheme that you never imagined that just might work... who's to say it can't? you and the players are telling this story together, after all. if they want to say what happens next, let them. if they ask if there is a chandelier to swing on, say yes. constraining yourself to a number of set solutions you devise and hope the players find is only making the game less interesting for everyone involved. when the world exists only in your heads, it expands at the speed of thought. anything is possible.

while baldur's gate 3 is a more permissible dungeon master than some games, it remains a prisoner of the imaginations of it's designer. and this is hardly a fair critique to make of a video game, i know...except when it's playing with a ruleset explicitly designed with a lackadaisical, easygoing dungeon master in mind. damning as it might be to say, the easiest way to see the failings of 5E as a set of rules is to play by them, and BG3 offers you no choice but to do so, but without even some crucial features like Ready Actions that narrow it's tactical space even more. original sin 2 nobly wrestled with this thanks to an expansive spell set mostly based on reactions and creating situations, and one wherein you could be doing powerful things very quickly. 5E has so little of this, by comparison, especially in the miserable early levels. all you have is some of the weakest tactical combat in table gaming. and explosive red barrels, of course.

the designers are clearly aware of the reduced capability for the player to interact with the environment, and have accordingly given most major encounters one big object to interact with and defeat enemies with, be it one of the aforementioned red barrels, or a giant rock suspended by a rope above where two men are standing, etcetera. this is, definitionally, reactivity in action, i suppose, but is about as intellectually engaging as putting square pegs in square holes: there's a reason we don't hold a party for every first-person shooter with an explosive barrel in it, why are we holding a party for this one?

it certainly can't be the early-game writing. while certainly I'm gratified that BG3 is less outwardly annoying and in-poor-taste as Divinity 2's edgelord parade, it's seemingly forgotten to replace it with much of anything. BG3's player character must surely be one of the most boring in the entire genre, with nary a hint of personality escaping their suffocatingly matter-of-fact dialogue options, that only on occasion dare to be so bold as to allow the player to be...slightly rude or sarcastic. there's never going to be a CRPG that allows for as much reactivity and input as a dungeon master of flesh and blood, but even within those expectations, BG3 falls utterly flat. so much of the appeal of this genre, to me, is in creating a guy that you can rotate around in your head. but baldur's gate 3 is the kind of DM that is only interested in a PC for the Numbers on their character sheet: the actual Character of the Player Character ceases to be once you complete their creation, and let them loose from your imagination into the confining reality of BG3's world.

(incidentally, BG3 joins CyberPunk 2077 in the prestigious world of 'Games With Character Creators That Give Me Chaser Vibes' with their insistence on embodying transness exclusively via mixing-and-matching voice and genitals on a series of binary traditionally attractive male or female body types. i genuinely appreciate the ability to play as a non-binary character: i don't appreciate the unavoidably fetishistic nature of prioritizing genital customization over any actual input on everyday trans presentation, like binders, top surgery, or even an androgynous voice or two)

with only a solid day's of gameplay under my belt, i can't in good conscience claim to have the full scope of the game's companions, i can at least say that the first impressions they make fall within tiresome cliches we've all had our fill of, i think. or have we? have you?

this is my conundrum with baldur's gate 3. i truly do not think the game is remarkable in any meaningful way: it is not awful but it is a very bog-standard CRPG with a little more messing with the set dressing than is typical for the genre. it is narratively, and mechanically, rote. i have only spent a few hours with it, and already, i am tired of it. just as i am tired of dungeons & dragons.

but maybe you aren't. maybe you haven't played baldur's gate 1 or 2, maybe you haven't played darklands or torment, maybe you haven't played arcanum or underrail. maybe you haven't played pillars of eternity or tyranny. maybe you're someone who got into D&D via Critical Role's explosion, someone who has never played a CRPG quite like this before, and are being introduced to an entire sub-genre with the first true 5E-based CRPG. maybe you still think jokes about Bards fucking Dragons are really funny. i say this with true sincerity (well, maybe not the last one, which was a little mean, and for which i apologize): i am genuinely delighted, on some level, to see a CRPG get this popular. while i truly cannot explain the swathes of industry veterans giving into astonishment on a scale undreamed of with this game, i also know that d&d is much, much bigger than it was when i was first enthralled by dragon age: origins, a game with a similarly rote plot, and still captured by heart and imagination, and that if this is your introduction to the magic of CRPGs, i can see why you give into astonishment. because crpgs can be astonishing.

but i would like for it, and D&D as a whole, to remain an introduction, to not consume the entire conception of the hobby, as D&D has. i am sincerely and genuinely disappointed with the total lack of apprehension the wider critical scene of games has for BG3, given its connection to Wizards of the Coast, a deeply evil company that, just today, admitted to using AI art in the latest D&D sourcebook. i am uninterested in contributing to the breathless hype of an IP owned by a company uninterested in the basic humanity of art and it's creation. not when there are so many other games out there.

you can stay in plato's cave, for a while. you can stay there forever if you want, dungeon crawling up and down the sword coast. but you can also leave that cave, and come into my other cave, slightly next door, where i can tell you about blades in the dark and pentiment. they're really very very cool.

as for me? i turned the game off when i reached a point whereupon, after noticing an obvious trap, i snuck around the skeletons lying in wait to attack and reached the treasure...whereupon the treasure chest spoke to me and told me to fuck off until i had killed the skeletons. fuck off, BG3. why should i bother trying to navigate your encounters creatively when you're going to just say that it doesn't work like that? I've played with dungeon masters like this before, and they aren't good ones. they're the kind of ones who wonder why they can't seem to hold a group together for more than a couple of sessions.

maybe i'll return to BG3, but if i do, it'll only be in multiplayer. with friends, and possibly a drink or two. but if me and three friends are committing to a possible 120-hour RPG...why not just take it a little bit further and just play some actual Tabletop? Why not play something that isn't Dungeons & Dragons? Why not play with a dungeon master that won't be such a spoilsport?

This game is dope, I enjoy the character design and the story hooks, this is what I would expect from Larian working on D&D core 5e content but I suppose I do hope they can raise the bar a bit more by the definitive end.

this is what happens when you let millenials write a video game

Act 1 is already a masterpiece in my opinion, cant wait for the full release and the amount of contrarian seething it will generate lol.

Enjoying the early access so far, a little buggy!
Will come back to it when it's fully released.

i love dnd, i love CRPG games, i love Larian Studios, i liked D:OS 2, so i love this early access. this will be CRPG of the decade

Praying that Shadow of the Demon Lord or Pathfinder 2nd Edition gets a CRPG on this or Owlcat's level, jesus fucking CHRIST I'm having to work hard to find any build in this game with some sauce. I've never loved 5e, but having to commit to it for however long this game is has made me a full-on hater. I will probably do a second review later when I've played the actual game but my inner munchkin is going to be stimming her ass off the entire time to try and stay sane.


Oh fuck yes it's DND in a can

Pretty good if you like retro-styled old school WRPG like Baldur's Gate, Planetscape, and Divinity Original Sin or if you don't have friends to just play D&D with. Personally this game is not for me as I think it is really boring and the art style is bland.

edit: Lowering score because glitches make the game unplayable. This should have been early access imo

im being honest I have no idea why this game has so many high ratings. It feels clunky as hell to play, the character creation is extremely limiting despite what they made it sound like. Pretty much the only good thing about this game to me are the graphics. Other than that, it's literally just a bad version of Divinity 2. Please go play Divinity: Original Sin 2. That game is a masterpiece and is much better than this