This review was written before the game released

Austin Powers deserves to have a spot in this game's roster.

He would play similarly to Phoenix Wright in UMvC3 with a Mojo Meter being the center of his character. regular attacks and special attacks would fill it up slightly but the big way to fill it would be through taunting.

He would have the longest taunts in the game (obviously based on classic scenes from the trilogy, Austin on the bed, Austin as a photographer, etc) that leave him wide open to attacks but as a reward they massively boost the Mojo Meter.

in Mojo Mode, his attacks increase in damage, extending in range with fancy 60s era effects, while Soul Bossa Nova plays. Male characters also do .75 damage to Austin and Female characters do .50 percent damage to Austin when he is in Mojo Mode.

His alternate costumes would be easy, just give him recolours based on his suits like Snake in Brawl.

This is not a bit. I would main Austin Powers.

Jack is not the first Final Fantasy character to acknowledge the existence of the word Fuck (that would be Prompto in XV Episode Duscae).

But he is the first Final Fantasy character to audibly vocalise the word Fuck and that's the kind of representation I'm looking for in video games.

What I'm saying is they need to let Aerith say the Fuck word in VIIR2.

With the advent of the "metaverse" and so many companies buying into digital realms, PlayStation Home (2008) can now be placed among games such as Super Mario Brothers (1985), Doom (1993) and Resident Evil 4 (2005) as one of the most influential video games of all time.

They make your hands disappear anytime you go near Ashley to prevent you from being inappropriate

but you can still lovingly caress the merchant with your big meaty hands without hinderance, so get fucked Zuckerberg

They say if you love your job, you'll never work a day in your life.

So believe me when I say, I fucking love playing this game but levelling up the Battle Pass genuinely feels like a soul-crushing 9-5

This review contains spoilers

INT. NINTENDO OF AMERICA BOARDROOM

A group of men, all in suits, surround a table looking at a blank whiteboard labelled:

"METROID DREAD STORY IDEAS"

The men seem stressed, opening their mouths occasionally as if to present an idea but nothing comes out, they do not know how they could wrap up the decades spanning story of Samus Aran, a character beloved by many.

Suddenly, the door to the boardroom flies open. Yoshio Sakamoto waltzes in, pacing his way to the whiteboard, he picks up a pen and writes 3 simple words

"SAMUS. IS. METROID."

Everyone claps.

A single tear falls from Sakamoto's eye. He's finally done it.

Samus is Metroid.



This review contains spoilers

Holy fucking shit!

Did you know that if you take the "M" and switch it's place with "Other" the title becomes

Metroid Mother!?!?

Just wait until you read the initials.

look, I commend the effort but the Melee community literally reverse engineered a fucking gamecube game just so they could add rollback netcode to it, all while Nintendo have tried at multiple points to fucking eradicate their community.

I do not know why anyone would think Powdered Toast Man with no voicelines and royalty free Spongebob soundalike songs could stop them from playing Melee

I have never played a game I had felt so passionately about recommending to other people

until the ending which genuinely makes me wonder if I would recommend this to anyone


This review was written before the game released

Bold of EA to, after completely gutting Dead Space to turn it into a garbled action mess of predatory bullshit and then completely gutting the studio behind it after jobbing them onto a shitty battlefield spin-off, come back and act like I should give a shit that they are propping up it's corpse because horror is noticeably profitable now

Honestly, go fuck yourself

This review contains spoilers

This prequel, which for the last 2 hours is about magical necromancers raising the dead and BJ Blazkowics having to fight hordes of Zombies and a big video game final boss fight against a giant Zombie Monster, ends with your squadmate Fergus turning to BJ and saying, (and I quote)

"You sure killed that big fucking monster proper, BJ, But the biggest monster is still out there"

Referring to the very real threat of the Nazis in The New Order, the game that takes place literally right after this in a brutalist alternate timeline that has no mention of zombies or magic or necromancy anywhere.

This is all canon.

i ain't reading all that
i'm happy for u tho
or sorry that happened

Congratulations to this game for crossing the incredibly low bar of Non-Binary representation who isn't a robot or weird alien

I'm not even kidding

it's like Sonic Dreams Collection but with systemic silencing of self expression instead of vore