Reviews from

in the past


"omori is cringe" stfu. people have no vulnerability nowadays...

A lot of heart thats totally overshadowed by its prenentious and predictable writing, and overflow of bloated filler. But what here is good, is really good.

Como um grande fã de undertale, esse jogo é bem foda e me lembra bons momentos de 2016. O foda é que eu só fiz um final, sendo o pior possível e o que você menos descobre coisas da história. Esse foi o único jogo que o fato de eu gostar de entrar no personagem em tudo que eu jogo me fez ficar fudido, a vontade do personagem que controlo nem sempre é o correto. Preciso rejogar pra talvez até dar uma nota maior depois de conhecer a história toda


One Of The Most Emotional Games I Have Ever Played

Omori is probably the deepest an RPG Maker game will ever be. It takes what was so special about those early 2000s horror games creates something so unique, yet polarizing. This game has main two tones that are constantly clashing and taking over. One side is whimsical, quirky, and admittedly less interesting. The other is dark, depressing, and genuinely scary at points. What stops me from making this a fault of the game is that its on purpose. The game uses these clashing tones to characterize and develop your main character. It all feels deliberate, which is why I never really felt all that bored by the headspace segments. You're playing through the delusions of a fucked up kid. After a certain point, you can literally kill yourself in your bedroom if you want to.

Blackspace is fucking peak and Redspace made me shit myself.

Okay, so, this game is kind of weird.

On one hand: You have this game, with INSANELY good art, music, etc. There is a REASON all of these kids on Discord and Twitter have OMORI PFPs despite not playing it: the art direction of this game is just absolutely amazing.

On the other hand: oh my GOD, have I not had a worse time playing the actual game than I had playing OMORI. Playing the Headspace sections of OMORI is like walking through fucking molasses, and it doesn't help at all the combat itself isn't really that fun outside of the bossfights, where even then you don't really have to think TOO hard.

This is the same problem OneShot has, where everything BUT the gameplay is really good, except OMORI is 25 hours long instead of 4-6. However, if you can manage to get past the Headspace sections, the rest of the game is actually really good. Even after knowing the ENTIRE game's story before playing it for the first time, the ending still kinda got me.

Fuck Humphrey.

If you like Omori you should be on the sex offender registry

"oh well this game seems fun my girlfriend really wants me to play it might as well ah shit this is my favorite game ever now isnt it"

a good game with a few things that get on my nerves. the horror isn't too scary, but that's psychological horror for you. that's not a bad thing, either, as someone weak to horror. it's the perfect option for someone who wants to get a little spooked without sacrificing their comfort. original playthrough on mac, replayed on switch.

If you think this game is peak you have severe mental illness

bloated as fuck
i still think about the ending

Solid turn based combat, cute art style, fantastic soundtrack, but the overall package is held back greatly by the story because the big plot twist at the end that the whole game was building towards was kind of doodoo faeces. The idea is there, the execution just isn't. Has some pretty interesting secrets to discover if you're into that kind of thing.

This game made me think a lot about what was going on in my own life. I'm not gonna lie it made me depressed, because it really made me realize how the people who I thought were my close friends really saw me, but at the same time it also made me realize that there were people around me that I never realized cared for me so much, be it other friends or my own family. It was hard to come to terms with, but I think I'll end up happier as a result.