This review is very long since I've edited it a bunch and wanted to get my thoughts together out somewhere, so really it's mostly for me. It's not really a review, it's divided to 3 different parts (review, me mumbling, analysis), and I'd say it's more of a character analysis than anything, a pretty messy one at that, pretty sure I repeat myself A LOT throughout this analysis, but at least it makes my points even more clear?
Well overall it did turn out pretty well though, so if you're reading this, enjoy.

(Review)

Went into this game after watching the first season of the TV show of the game, which I didn't really like. Thought it was really overrated, and still do. If the first game is the same as the first season I have no idea how people say the second ruined the first lol, but for that i'll have to play it of course. (Edit: I have, and it's mostly the same as the TV)

Anyways, I started playing this game only because I had nothing else to play, so I got in with some really bad expectations and negative bias. Especially knowing the incredible hate this game gets.
Turned out to be the best stories i've experienced, with Ellie being in my top 5 characters in media. But maybe that's part of the reason I did like it? I feel like most people who liked the first game just prefer a more simple and safe type of story telling with not much ambition or a lot to say, which this game is the opposite of, since this game focuses on themes and messages (the things I value most), mostly through the characters and their development, and without really being considerate of the audience's feelings. It has something(s) to say, and it says it with no hesitations, which I really appreciate. (switching to the antagonist in the middle of the climax is based as fuck)

The thing about "the ending ruined the game" is genuinely a lack of understanding in character motivations and themes or a lack of care for it. Just comes to show that most people only care about plain entertainment, which is fine and makes total sense, to each to their own obviously, but sometimes it gets annoying when they don't recognize that, like in this case. So yeah, the last 2-ish hours of the game are by far the best part of the game and Ellie moving on from Abby is just great, and without that the game wouldn't have been good, it would have no point, in that case all that buildup would actually be for nothing. The ending and especially the last scene, are so good, and take such a major part in Ellie's character and themes, and also in that of the game's.
Basically what i'm trying to say is that this game is amazing, an easy 10/10.

(Me mumbling mostly on the hate the game gets)

Sure, the game tackles themes like revenge, perspective, cycle of violence to a great degree. But as with most stories, the best aspects of it come from Ellie's development, her conflicts and resolves. If what you took away from this game is that revenge is bad and nothing more, you just ignored 90% of the game/Ellie. Ellie doesn't just show you "what not to do", she also shows/learns "what to do, what to look for, and why you should" in a very profound and impactful way.
Learning that her life IS valuable, that she can find meaning in her own life (specifically Dina) and not just in sacrificing herself for others (wanting to sacrifice her life for a cure, and self destruction through revenge because "this is what Joel would have wanted"), learning the wrong and the right path to heal from trauma and self loathing, learning to accept reality and move on instead of using an unhealthy defense mechanism as a distraction. These are just some themes/messages that came to mind, i'm sure there are plenty more, which i'll go over most of them in the next paragraphs anyways. It is true that the game tells you that you should avoid revenge, but what are you supposed to look for instead and why? What's the right path to healing, to find meaning, to live properly and feel better? Those are the actual more important points the game is trying to make. For every "you shouldn't do this", there is a "you should do this instead and here's why", protraied through Ellie's development and conflict solutions, which is what makes a message (or art as a whole) well written/valuable, at least in my eyes.
Basically what i'm saying is that ignoring all of these things would be the same as saying Kratos' entire character boils down to "revenge is bad", because in gow 3 that's what he learned (which is weird it's not getting criticism for even though it is actually it's message while tlou 2 does get shit for it for some weird reason but sure?), while actively ignoring everything else he learned throughout the games that come next. Or that his entire message in gow 2018 is just "you shouldn't lie to your child". That would be very dumb right? because while Kratos does learn that, he also more importantly learns through that what he should do instead and why, the "you shouldn't lie to your child" forced him to accept his past, which in turn made him feel better and his relationship with his son got a lot better because of that at the end of the day. He understood those things and the value in accepting those parts of him instead of ignoring them, which then helped him fully embrace his past and understand he is a different man now, fully embraces his quote "I am a monster, but you're monster no longer", mostly shown in the last scene of the game where his real development happens, that's what he learns, that's the part of his development that is actually really good, and not that "lying to you child is bad". Same goes to Ellie, focusing on the revenge is bad part is just ignoring everything else there is and focusing solely on the "what you shouldn't do" which here, just like with Kratos, is just a small part of the whole message that is mostly there for buildup, much like lying to Atreus, revenge is used as a device to add to the other themes more than anything. And frankly, it's probably the best portrayal of revenge's pointlessness and destruction in media, it's just built super well and is very detailed, but yeah it alone it would probably not have been worth that much, hence the rest of Ellie's themes/messages, because again, the revenge part is mostly there to enhance those. In fact, if the game was about revenge, the ending would be Ellie killing Abby and the game showing us why killing her was bad. But the ending, and the game itself, is so so much more than that. Which is also why the most ironic thing about the hate is that the hate for the ending comes from the same people who say they hate the game cuz revenge bad. Tbh, the whole hate to me just feels like one big echo chamber of people who have no clue what they're talking about. Like they hate the game and they don't know why so they make up reasons to hate it, which only makes it further nonsense. Just say you don't like it cuz you just didn't resonate with it. There's no need to make up weird/basically objectively (I don't use this word often but it's true here) wrong excuses as to why. (also sorry for that random GOW analysis, but it's just the best way I could think of explaining this kind of thing. Though even this probably doesn't do it justice, since the take is just really weird and dumb. Just play the game not on autopilot/autohater it should work).

(Analysis)

Ellie couldn't bear what happened to Joel. She hated and was angry at herself for how things have ended between them, was traumatized, and instead of actually dealing with those feelings and properly healing, she coped by blaming it all on Abby, a character that is a mirror to Ellie, Abby hurt Joel physically the same way Ellie hurt him mentally (even Abby's arc is very similar, about finding significance in relationships and how revenge doesn't give that), and so she projected all her self loathing onto her. Abby took Ellie's chance to forgive Joel, and for that Ellie hates her, but more than anything she really hates herself and is full of shame for not being able to do that in time, spending Joel's last few years avoiding him while actively telling him how much she hates him for what he did. She hates Abby the same way and for the same reasons she hates herself, and so Abby is an easy target for Ellie to project all her regrets and self loathing onto, because she can't face those feelings yet.

Throughout her journey to revenge, Ellie had killed many people, non of which provided her with any capacity relief, she deep down thought it would help her deal with her self loathing, remorse, trauma, (or partially subconsciously did this to herself, made herself suffer, because of how much remorse and self hatred she had) however all they did was further destroy her and just made her feel worse, to the point she almost can't recognize the person she become. And so, after Nora's torture only made her feel worse, she decided to tell herself: "Well all those people didn't make me feel any better, than it must be Abby who would, since she's behind everything, she is the one who killed Joel".

This convincing of herself that Abby is the problem was rooted so deep within her that in the farm section where she has the perfect life with Dina and JJ, but can't really live properly, it all feels wrong like she doesn't deserve this kind of life (survivor's guilt) and she suffers from trauma and PTSD. She thinks it's because of Abby, which again, is her mistake, instead of trying to heal, look into her real thoughts and feelings, let it all out, as she did in the end more on that later, she keeps looking away, locking them away, and just throws it all onto someone else to blame, instead of accepting them and Joel's death and how things have ended, because confronting all those thoughts is a lot harder then ignoring them, hence why she can't live properly, even now with Dina, because she was forced to that position, she didn't chose to let go of Abby out of her own will, she didn't get over survivor's guilt yet, which would only happen if she realizes her mistakes and what she has to do, which again are not easy things for her to do, to open up, to let go of revenge and fully embrace her relationship with Dina instead, find meaning in that and in herself. Just so you understand how hard it is for her, here's excerpt from her journal: "I don't know how Dina talks so easily about Jesse. She tells JJ all about him! She thinks it'd be good for me to talk about Joel. To get it out. When she says that it makes the memories sound like food poisoning. I don't want to talk about it. It's just gonna hurt. And I think once I'd start I wouldn't be able to stop." And so Ellie thinks, or makes herself believe, that going after Abby would fix her, she doesn't even seem to care or hate Abby anymore, she's not angry like before, she just wants her suffering to end. She put revenge on such a pedestal for so long that she thinks this is the only way to get better, which she eventually does go after it, out of pure desperation, or as she states in her journal, because she's afraid she'll "poison" JJ and Dina with her shame and regret, yet again ruining the thing that can actually give her life hope and meaning, her relationship with them. Again, from Ellie's Journal: "We saw a pack of wild horses today. Dina offered them some of the fruit we collected. They ended up following us for a bit. Wish I had a camera. I've never seen her smile so wide. For like half a day I wasn't thinking of the WLF or Joel. Feeling guilty about that now.", "I'm struggling to sleep. Keep seeing him with his head... Dina seems to be sick. Think she caught a cold. I feel calmer with her laying next to me. I want to do something nice for her..." Dina can truly help Ellie heal and feel better, their relationship could help Ellie move on, it always could have. Ellie just wasn't able to let go of her revenge, or more specifically, her guilt. She even to a certain degree, deep down, after leaving the farm, understands how dumb her quest to revenge is, how important JJ and Dina are for her, that they are the things that can help her, but she still isn't ready to face the reality of everything and letting her feelings out, and so she's still after revenge. From her journal: "I keep seeing him. Smelling Iron (Joel). I miss Dina. I miss Potato (JJ). What am I doing here." But she just can't let go of it. She has to find meaning in it, she has to find a closure, because she keeps seeing him and revenge is the only way she knows to deal with it.

Only in the end did she finally let all those feelings she bear so deep within her out, in a cathartic moment, after finally realizing Abby is not the problem, nor will killing her be the resolve, since now she can kill her and is actively doing so, but that power over her makes her feel nothing, doesn't remove any negative feeling she had or give her any closure, so she can't keep hiding behind those walls she created anymore, in a way, she recognizes how much she had been lying to herself, using this coping mechanism in order to look away from the truth of her feelings.

And so now, after realizing that, trying to find a way to deal with those emotions in a proper way without being able to look away this time, because her defense mechanism against them just got destroyed, she looks into her last conversation with Joel she so much avoided thinking of, a conversation where Joel teaches Ellie what her life truly means, things she knows but can't fully accept yet. The conversation goes like this: Ellie just kissed Dina, Joel talks about it "Okay. Dina. Is she your girlfriend?", Ellie says it meant nothing "No! No. She-- That was just one kiss. It doesn’t mean anything. She just... I don’t know why she did that." but it did mean something, it meant a lot to her. Ellie is just having a hard time accepting that people love her and find value in her, as she can't find value in herself "You do like her" "I'm so stupid" Ellie doesn't feel worthy of Dina's love, because of her lack of self value, but it seems like she starts to understand how much her life is valuable to others, and so it probably starts changing her perspective, even if only a bit. (especially after the next and last few things Joel tells her). Joel says "Look, I have no idea what that girl’s intentions are, but… I do know that she would be lucky to have you.", Ellie's mad about him for that "You’re such an asshole!" she says, as he replied with "I’m not trying to--", because he justifies saving her, Ellie says: "I was supposed to die in that hospital. My life would’ve fucking mattered. But you took that from me.", the reason Ellie is so mad by those words is because Dina couldn't have been lucky to have her had Joel not saved her, because she would be dead and they both understand that, but then, Joel says something that deeply impacted her: "If somehow the Lord gave me a second chance at that moment... I would do it all over again.", he says that because he didn't do it for himself, he did it for her. Joel had always seen Ellie's life as meaningful and valuable, unlike her. Even if their relationship is broken, all he wanted was for her to find a real meaning to her own life. Now he can see she started finding that meaning, that she can live even without a purpose of self sacrifice where survivor's guilt controls her life. So those words, and this conversation as a whole, are helping Ellie understand that maybe he is right after all, since she did just find meaning in her own life, and she can to a degree see that her life has some value to it, that, even if only subconsciously, she wants to live happily with Dina. If her life is only worth if sacrificed, why would she have such feelings? Why would Joel and Dina find her life so meaningful? and so she manages to have the power to try to forgive him "Yeah... I just... I don’t think I can ever forgive you for that. But I would like to try." (As a side note, the conversation is also about forgiveness, how she found it to be better to at least try to forgive instead of being stuck on the past, move on, because hating Joel brought her nothing but more despair. Which at the end she did the same with Abby, let her hate go
and move on, and also remembering that she did try to forgive Joel in their last conversation, now after facing their last conversation instead of avoid thinking of it, probably helps her feel a little bit better with how things have ended between them), Ellie finally could have recognized to a certain degree that she does in fact have meaning and worth to her own life, that her immunity doesn't define her, that Joel's actions maybe not have been THAT bad after all, and so she's being able to try and forgive him because she did after all just kiss Dina and even enjoyed it, even after confronting Joel, even after hating him for years for saving her, (as she said in the quote, it was specifically for saving her, not for killing those people, the anger stemmed almost exclusively from him not letting her sacrifice herself, in other words, more than anything else she's basically mad at him for believing her life has worth to it) even after feeling as if her life would only be worth if she sacrifices herself and so now she feels like she doesn't have the right to live, that she shouldn't be alive, she still just let herself live her own life for the first time after knowing the truth of what Joel did, and found a reason of her own to live for her own sake, she deep down can see her life has value and Joel reinforces it in their last conversation, she even got into a full relationship with Dina shortly after. (She did have a girlfriend before knowing the truth of what really happened with the fireflies and the cure, but at that point she wasn't as guilty about her life, this guilt after discovering the truth, survivor's guilt kicking back in stronger than ever, feeling like she isn't supposed to be alive, probably is also what led to her the ending of her relationship with Cat. But this is also why this kiss with Dina, happening even while suffering from survivor's guilt to this degree, matters so much, and says so much about how she still has a will of her own to live, that deep down she knows she has worth that can be shared, share her life with someone else, even if it's only deep down and is hard for her to admit, she knows Dina finds her meaningful even if she says she's stupid for it and that the kiss didn't mean anything, and Joel bringing it to light only makes it stronger). However, that was all ruined by Joel's death, making her slide right back into her bad habits, her survivor's guilt striking yet again, she has to kill Abby because "that's what Joel would have wanted", because she can't forgive herself for living while Joel died after the way she treated him, it can't all be for nothing, she HAS to make up for it in some way, by killing Abby, that way maybe she'll feel better, have some closure, she thinks.

So when Ellie has this flashback while she's drowning Abby, she remembers that she lost the real thing that gives her a meaning to life. She lost it because of her ego, like she lost Joel because she was too hurt to forgive him sooner. But she also remembers that it's not what Joel would have wanted for her. She remembers that Joel always put the people he loved first, and how pointless this whole thing is, it was all a lie, to try and make herself find meaning/feel better, in something that only did the opposite of that. So remembering all of that and this moment with Joel, what she learned about herself back then, how she does have meaning and value of her own and where she could find that meaning, helps her understand it even more so now after everything she went through, and she uses that as means to move on from Abby, put revenge to rest and think of her own mental health for once, try and finally heal for real, Similarly to how after Ellie tortured Nora and was totally destroyed by what she just did, she turned to Dina, being vulnerable and sharing her feelings with her, and Dina helped her feel better, she quite literally helped clean her wounds, both physically and metaphorically. (This is not the only case where Ellie sought help from Dina, and Dina helped her, because Ellie always knew Dina can help her, however she still didn't realize it the same way she did in the ending, as she didn't develop like she did in the ending yet, because she still didn't let go of her hatred and let out her true feelings yet, facing the truth, facing her last conversation with Joel etc.) That actually could have even been a good start for Ellie to actually heal, but of course that didn't happen since Ellie couldn't let go of her revenge yet, she still wanted to get closure through it, which is why she didn't go through with healing and only kept "wounding" herself after that, thinking "if Nora didn't heal me Abby would, I need to kill Abby nothing more" instead of letting go of that and heal through her relationship with Dina, while accepting what happened to Joel and how things have ended between them instead of running away from it. Now however, after she did finally let go of it, and understood how she could actually heal, and how not to, she will get better.

Those same ideas are further established during the last and best scene of the game,
Ellie comes back to her house, after losing everything she had, yet this is the most hopeful scene in the entire game, because she regained herself.
Ellie tries playing Joel's guitar but can't, because she lost her 3 fingers. Then, again, she thinks about her conversation with Joel, now the full context is shown to us. After which she leaves Joel's guitar behind, symbolizing moving on from her regrets, self loathing, shame, anger. The guitar being used throughout the entire game by her trying so hard to play the song "future days" of which lyrics were "if I were to lose you i'd surely lose myself", because that's no longer the case, she had regained herself and now accepts the reality of her feelings and Joel's death. Instead of avoiding her feelings, not being able to open up, and so avoids their last conversation, cuz it's hard for her to face it, hard for her to forgive Joel and face how everything ended, all her regrets and remorse about how it ended, she now cherishes their last conversation, and Joel's last words would linger in her head, reminding her of what's important. Had she not dealt with her feelings, and faced reality, that couldn't have been the case.
Instead she's going out, wearing his jacket, in a way, wearing the good memories she had of him, the ones that helped her understand her own worth, and now physically is shown to move on to a better path, likely goes on to find Dina to fix what she broke, and by doing so, herself too. (Doesn't have to be Dina, maybe she's not ready yet, but it 100% is to a better, healthier and more meaningful path).To properly heal from Joel's death and everything it led to, and just as importantly, to find meaning in her own life and let herself live a proper life where she finds her own life to be meaningful, because now she understands what gives her meaning and how much meaning she could give others. She understands that she is meaningful, that her life is worth living, she found self worth despite suffering from survivor's guilt. And with that, she finally forgives Joel and can truly move on from everything.

To sum up, Ellie would find nothing by being stuck on the past and being hateful towards herself and others like she was. No matter how hard she'll try to convince herself, no closure and no meaning would be found on that path. Even if she killed Abby, it wouldn't make her self worth any better, what would happen is the opposite. However, what she could do, and what took her a long journey of pain to realize, is that she can find it somewhere else, in love, and that is the real way for her to heal and find meaning/self worth. Ellie's character arc is about finding a purpose in love, because you can't find a purpose in loss. Or even more specifically, finding meaning and value in her own life, and healing, overcoming grief and self loathing through that.

Ragnarök is Over.
God of War (2018) was not only the first game I got on my PlayStation 4, but also my introduction to the God of War series. I patiently waited for God of War Ragnarök to come out ever since I finished the first game the year it got released, and now after having played both games, sadly I have some mixed feelings.

Ragnarök isn't necessarily bigger and better than the previous game in my opinion, it's just bigger and more of the same, and it does some things better while other things worse.

The game starts off very strong with a lot of action and some very cool set-pieces.
Kratos' development shines in this game, he's a surprisingly complex character and I appreciate him more than ever before, and as for Atreus, he gets a lot of development as well, in a way he genuinely feels like the actual protagonist of the game, and I really like how he slowly grows and matures throughout the story.

To be completely honest, at first I was slightly worried because the gameplay felt similar to the previous game, but as you unlock more gear and progress through the game, the gameplay gets deeper. It really is a fun game, the new quality of life improvements and the enviromental mechanics help a lot, using the blades as grappling hooks or jumping from a ledge to smash enemies with the axe feels very satisfying.

What I enjoyed the most is definitely the exploration, there's an insane amount of stuff to do, so many side quests and countless side stories, I loved it and I wanted to explore more and more. As for the realms, they're bigger and better than before, every realm has something different to offer, overall this is a very big game full of content.

A decent amount of enemy variety too, instead of simple trolls and draugrs, there are actually new enemies with unique movesets and animations, also the boss fights are impressive and there are many of them, definitely an improvement over the previous game.

Unfortunately though, God of War Ragnarök is a game that ultimately disappointed me, and my biggest issue with it is the story, it's directionless and lacks focus, there is no clear goal and it feels like you are running around doing random fetch quests for the most part. The characters make so many weird and nonsensical decisions it's honestly frustrating, sometimes Kratos acts like a side character, in fact why is Kratos even part of the story if he disagrees with everything the other characters do, why does he help Atreus with starting a war if he doesn't want a war... why, why, whyyy... that's exactly how I felt throughout the entirety of the game, why are we doing this, why are we here, why are we focusing on random things that are very unnecessary to the plot instead of the actual Ragnarök.
Speaking of Ragnarök, the finale felt so rushed and anticlimactic, for something so important to the plot, something that I've been waiting to see for so long, I expected Ragnarök to last way longer and have a bigger scale, so much wasted potential, way to set the wrong expectations.

Another issue I have with the game is that the overall gameplay isn't an improvement from the previous game in my opinion, in fact it's a bit of a step-down, some new additions felt completely unnecessary, and the things that got removed were fun, such as the bare handed combat, or some runic attacks.

Also I wanna point out that some of the dialogue was more humorous and goofy for my liking, in a way, the game has a bit too much humor sometimes, which ruined the tone the previous game tried to set for the series.

In the end, God of War Ragnarök is a game I enjoyed even though it failed to meet my expectations, which is unfortunate. What we got here is still an exceptional videogame experience, albeit a disappointing sequel in my opinion.

Final Rating: "Good" ~ 7/10.

I, like Icarus, have flown too close to the sun and my ownership of this game is evidence of my hubris. The overwhelmingly bad reviews did not stop me from buying this for $5 at a Game Stop. "I have fun with bad games" I had thought "Surely it would be fun to at least rip on", Wrong. This game commits the greatest crime a videogame can commit. Not being poorly written, or buggy, or ugly, or anything of the sort. It commits the unforgivable crime of being boring. This game is so boring it's not even funny. Not only is the game play not stimulating in any way but there's not even anything to Joke about. The first time they dance is a little funny but after that you are nothing but a machine mindlessly completing tasks

A lot of the art is pretty tho ngl. Like the physical copy came with a little ticket thing and it is cute.

Was für ein Spiel. Keine Ahnung ob ein sonderlich gutes, aber was für ein Spiel.

Diese Spiele wurden schon zu Tode besprochen im Internet, nachdem ein paar Souls Fans herausgefunden haben, dass es das Moonlight Sword auch hier schon gab und ihnen nebenbei noch ein paar andere Ähnlichkeiten aufgefallen sind.
Wusstet ihr, dass
-die exploration in Spielen mit exploration sehr ähnlich ist?
-Rollenspielelemente in Rollenspielen sehr ähnlich sind?
-Geschichten über verfluchte Orte häufig an verfluchten Orten spielen?

Nicht selten hört man Begriffe wie "Proto Dark Souls" oder, dass hier viele Elemente ausprobiert wurden, die From viele Jahre später erst mit den Souls Spielen perfektionierte und hier der Stepping Stone gesetzt wurd.
Ich finde ja, dass From mehr oder minder das selbe Spiel wieder und wieder und wieder rausgebracht hat, bis es irgendwann mal funktionierte.
Aber so allgemein find ich es extrem unfair die Arbeit von diesem Entwickler darauf runterzubrechen, dass jedes Spiel nur so viel Wert ist, wie es meiner Analyse zu Dark Souls weiterhilft und ansonsten keinerlei eigene Qualitäten zu bieten hat.

So...
und nun, wo das gesagt ist... Kings Field.
Kein sonderlich gutes Spiel, aber ein sehr faszinierendes. Die Novelty eines Wizardry-Klones, aber in vollständigem 3D, mit flüssigen 360° Movement, Echtzeitkampfsystem und richtigen düsteren Höhlen die man erkunden kann, muss zu PS1 Release schon erstaunlich gewesen sein.
Ich kann mir vorstellen, wie das hier das erste 3D Spiel, vielleicht sogar das erste Spiel überhaupt einiger Leute war. Man läuft rum, bekommt Angst vor seltsam wiggelnden Kreaturen und ehe man sich versieht, Todesschrei, alles nochmal von vorn.
Das Spiel ist von Sekunde 1 an extrem unfreundlich. Nichts wird erklärt, nichts wirkt einladend. Es gibt NPCs die mit einem reden, doch deren fehlende Gesichter und steife Animationen erfüllen das Herz auch nicht gerade mit Freude.

Was ich an dem Spiel so faszinierend finde, ist, wie es wie absolut Arsch aussieht, sich furchtbar steuert, du jemanden bestimmt überzeugen könntest, dass dies das erste 3D Videospiel jemals war - und trotzdem ringen die Emotionen die man erwecken wollte durch.
Du hast Respekt vor jedem Encounter. Du hast Angst vor Feinden die du nicht kennst. Du freust dich richtig einen neuen Gegenstand zu bekommen und bist erleichtert sobald du den ersten Savepoint erreichst.
"Oh, was macht dieses Ding?" "Was ist dieses Item?" "Will ich hier wirklich lang?" "Oh wow, ich hab DIESEN ORT gefunden!". Das sind Gedanken die mir ständig durch den Kopf gingen beim spielen und auch wenn Kings Field definitiv nicht das einzige Spiel ist was diese Reize entlocken kann, find ich es trotzdem faszinierend wie wenig man manchmal dafür braucht.


Dazu muss ich auch sagen, dass ich mag wie der Kampf abläuft. Ja, er besteht eigentlich nur daraus Fehler der KI auszunutzen, was aber recht gut funktioniert und balanciert wirkt. Ich mag auch die Exploration... zu einem gewissen Punkt. Und die Höhlen und... noch mehr Höhlen dieser Insel zu erforschen, fühlt sich sehr belohnend an. Und auch die fieseren und kryptischen Elemente mag ich irgendwie sehr.

Ich wünschte nur es wäre kürzer gewesen weil ich irgendwann einfach nicht mehr konnte. Und sobald die novelty aufhört, dann wird jeder Trip zurück, jedes erneute suchen wo ich nochmal sein wollte, jedes eeeewig lange speichern, zur Tortur.

Oh und alles am Ende ist shit. Wie man an das eine Schwert kommt ist Shit, der Bossrush ist Shit, der Boss danach ist Shit, der Raum danach ist Shit, der letzte Boss ist richtig shit. Aber bis so 10 Stunden davor, hatte ich trotz allem eine recht gute Zeit damit