134 reviews liked by Killbutt


"Whew," the enamored g@me play0r sighs out in reverence as the boss clearly designed by someone who thought they were on a job for a mediocre Platinum title did three SICKASS ANIMEY slow-mo front flips, each dealing 70% max health damage to the player with around 8 quintillion HP (which was only reasonable to invest a few points into after getting some from the eleventh Piss-And-Shit-Smeared Tree Spirit overworld boss fight that also netted a BAD. ASS. spirit ash to help you circumvent said bosses in the future except it's objectively worse than half the ones you already have) which they got to by trekking across seven hills, seven lands, seven seas and seven hells, each populated by more barren stretches of land than the last with s p o o k y copy-pasted caves and catacombs breaking up the monotony of running into small platoons of disinterested enemies you can't even be assed to to swing a sword on horseback at on your way to the next 𝓛𝓮𝓰𝓪𝓬𝔂 𝓓𝓾𝓷𝓰𝓮𝓸𝓷 (VERY important areas they put all their ACTUAL level design into! which is why half of them are directionless slogs where everything looks the same and with enemy placement done by the one only Mr Miyazaki'ˢ ⁸⁻ʸᵉᵃʳ⁻ᵒˡᵈ ˢᵒⁿ who really liked the funny jump battan) so that they can find an NPC which mysteriously vanished one Saturday night a few weeks into the playthrough but is crucial for the conditions of one of the many different-colored endings outlined by the Purposely Vague and not frequently Irritatingly Nebulous lore (which is totally okay because that's how they always did quests dude :P it's NOT comically archaic in contrast to the world design xP) but at least there's some World Essence and Snail Drippings to pick up on the way in case you ever find a cookbook that teaches you how to MacGuyver the two into a portable ICBM and then not land the shot because the Lands Between Olympic Champion you're chucking it at read your input had superior reflexes, "From the Software has done it again!"


I gotta be honest man I think this formula has the studio stuck spinning their wheels and given ER's astronomical success they're probably not gonna try reinventing it anytime soon. The game isn't bad. I'll still play the DLC. But seeing it heralded as the zenith of the genre let alone Fromsoft's masterwork gives me a fucking migraine.

Touhou if Zun locked the fuck in

"Yeah, I've been in love. Yeah, I've been in love... I've been in love, I mean.. that's what... yeah."
- The Hulk


This is one of these 10/10s where like, speaking as a game entirely, dunno if I'd give it a 10 but objectivity is for posers. I loved this shit for all its quirks and all, kind of like the rough headed dumbo boy at the core of this game. Game's got heart like our boy on his love quest as he grows into a young man from helping out the people in his town to prove he's a suitable boy for the girl of his dreams.

Real shit tho I would've gotten turbo filtered if I didn't fuckin use a guide so, shouts out GameFAQS.

Being young's about a lot of things y'know? Love being one of em, finding your happiness in the world and maturing into a headstrong individual in spite of all the unhappiness around you.

Also, lots and lots of hardships, especially when you're livin' in poverty like our lil guy up front. Shows up to town and just cause he's poor everyone thinks he's up to no good when he's just tryna make it. Accurate as fuck to the real world, but our main boy is idealistic in a frankly cynical world, going up and beyond to show his people that they deserve help, making bonds along the way with peeps of all walks of life.

The fact that all the Underground Residents are outsiders who are only allowed to be out at certain times despite keeping the entire infrastructure of the city going really hits home. Which is why doing the kisses is real sweet, like you’re indulging in someone else’s interest and showing them that it’s chill and people can actually like ‘em.

Game's got some heavy hittin' emotional beats too, I ended up kissing everyone (which was a cute lil way of showing the boy's solidarity with the people of his town) and for a lot of the important NPCs, their plots had lots of pretty resonant moments, shouts out to Leo and Zombie Mika especially. Bonding with the Girl's parents was cute too, also shouts out the Funny Bone City/Batayan's arc.

Other than that though, this game got vibes and chill moments for days, paying attention to everyone's schedules and catching them at different moments, bondin' over shit while you do their individual questlines. Discovering all the other weirdos living underground in squalor, reminded me of moments when I was younger having to figure out shit to do with my friends all while realizing we might've only had like 8 bucks between us, some real class solidarity goin on. Also a whole lotta real ass moments occurred like me setting my alarm an hour late and missing the bus multiple times which was a minor frustration but it totally made the goofy kid simulator even more realistic.

Totally cute talking with the Girl as the game went on, stargazing with her all while playing coy about how you gotta prove yourself to not be some dumb punk and actually a good guy, makes that ending sweet as fuck, pure lovey dovey cuteness. Would def make me cry on the right day.

Loved this lil game, all about having nothing in your life but the love in your heart as you keep goin' til you can finally find happiness.

a litmus test for gamer sentience

maybe also the all-time least interesting game to have a debate about? if you think this game is badly designed or that it controls poorly, then i'm genuinely not interested in hearing it. i strongly recommend running it back - without the bitch in your ear yapping out all those cookie-cutter tier arguments

My goldfish died while i was playing this game... Sorry bubbles.... Hope the sewers arent like tartarus.. I dont think they got social links down there...

This review contains spoilers

I joked to my friend about this game being the "Xenosaga Killer" and I'll be damned. They did it. And How. How did they do it? I love Xenosaga 3 to death, and this review is not about that game, this game is about Ar Tonelico 2. Also, I know the spoiler warning is here, but we're spoiling the whole game baby. DON'T READ IT UNLESS YOU'RE DONE. I AM BEGGING YOU.

------

This review will mainly be covering 2 things, Party Dynamics; and Music. As I think that is what this game does the best above all. I mean yeah, the story is great, makes sense thematically, all that good stuff, but a story is a canvas for characters to grow and to experiment with all sorts of crazy ideas.

-----

I personally love party members being honest. I think games thrive when the party members can sit down and talk to each other about their sincere feelings about each other, negative or positive. Because that's how a real human relationship is; we fight; we love; we hate; we argue; it's just part of reality.

Luca Trulyworth. That smiling little lady on the box art, I embarked on my journey. I checked both of the Phase 1 Route splits, because I wanted to learn. I ended up going with Luca's.

But why? Why did I go with Luca. Well. I sit down in the prison and she goes up to Cloche and calls her (paraphrased) a murdering bitch, who killed her sister, goes up to the main character Croix, and tells him that she's been using him the whole time.

What goes through my mind during scenes like this; first off; Holy shit. I am like 7 hours in. How did we even get here to begin with?

Second off; I realize the game is already up my alley. Why? Because it is willing to make a party member aggressive. My party member is allowed to think for themselves, they don't need to prevent to be likable. This expression is something that I love.

So Luca. I double down, I need to understand Luca. I am now fully drawn into the situation.

Before this; Luca also tells Cloche to her face that she's privilaged princess who has never had to worry about a penny, has always had people their to support her, and that she'll never understand.

Cloche of course, defends herself. Why wouldn't you? If someone shits all over you without a tiny bit of knowledge of you outside of your position of a princess, of course you would be mad.

We have created a rivalry. A route split, if you will.

Then in Phase 2, Luca's unfiltered feelings come in to Cloche to understand, Luca being casually s***lly harassed at work, her relationships being flimsy due to Dive Therapy and feeling like she always exposes herself to people, her strained relationship with her Mom due to lack of communication, all of these issues pile up before she explodes, all on top of this is Cloche; who if she denies it or not; is adjacent to the deaths of thousands of IPDS; and more importantly; Luca's sister.

I am left in shock. The first game has some good themes, but this game is feisty. The main conflict in this game; is it better to suffer through life; or dream on in our own minds forever; and the two leads live their life suffering; all they can do is release their rage on each other.

But there's a light. A light that progresses and gets brighter and brighter. The fight of humans is what makes us closer. The only way to evolve as people is to face these issues forward and learn, why did we do this? Why do we act like this?

Are any of these people's issues invalid? Of course not. They should be mad, they should be frustrated, These struggles build us up, and break us down. When Luca looks at Cloche, all she sees for a while is class, and the blood that has stained Cloche's hands.

But Cloche has her own trauma. A caged bird, not able to spread wings, while also watching all of her fellow birds burn around here. She watches, that's all she can do. And the princess is not even what she is; Luca ends up being the one holding the Crown. So what is Cloche? A puppet to the government? Is she any better than any other person in the world?

Alice. Alice is part of Cloche. Luca is part of Luca, Cloche is part of Luca; and Luca is part of Cloche.

The puzzle starts adding up. The tension is at an all time high, but the Infel wants Luca and Cloche to learn something before all of it boils over. The sister that Luca has been fighting for; basically her whole life; is Cloche.

The fog has lifted, and the perspective has changed. Cloche who has never had any sort of family, and has been chained to the ground, Luca who's mom; who she already has a strained relationship with; had her real child right in front of her eyes. This fixes some issues, but it can not fix the IPDS, it can not fix Luca manipulating Croix's emotions, there are things that can not be fixed.

But they can be forgiven. Cloche can atone for her sins, make a real Metafalica where there is no need for warfare, where the IPDS can be cured with Dive Therapy. Luca needs to communicate; make real friends; craft real relationships with her family; including Cloche as a start to creating the perfect world.

And they do. They understand humanity at it's core; people contradict, people make terrible decisions they can't even comprehend, but do they understand them? Can they recover from them?

Jakuri; The last of the singers; feels that Humans can not recover from them.

Another caged bird, stuck to human will, demanded to do anything that people demand. If she cannot preform for warfare, why does she exist?

She cannot give people hope, the people have given her no hope to begin with; the one song that she created; has been thrown away because; it's just useless. Why would humans need to do anything other than win the fight?

She cannot fully accept humans, but she watches as Luca and Cloche create this world, this new world. She knows that it is possible for humans to work together, but she's also seen what they've done to Reyvateils, in the first Ar Tonelico, they're basically slaves to human will, they are created for power. At some point, this paradise has a chance of ending.

But paradise even for a limited time, is still a eutopia, we can be human. We can still fight, and argue, and still live in a world that we want to live in. A full life is one full of conflict and reflecting on that conflict. Croix realizes the only way he can truly reach Jakuri's heart and it is through Song. "The Heart Talks"

---------

Music is the secret backbone to any RPG. Sometimes I wonder if games like Xenoblade would be nearly as good without the score. And Music, music is the thing that gives Ar Tonelico 2 a real identity.

The Hymmos is something that has never really been replicated to me; They can show any emotion; Fear; Anger; Sadness; Happiness; Calm; Serene; Destruction; Death. This is all within human range. These are something that humans go through everyday. The lyrics perfectly reflect this, the composition is all beautiful. The flexability within these songs is something that I don't know will ever be matched. It's hard for me to really articulate why it is so special without just listening to it.

-------

I apologize if this has been worded a little clunky, or a little scattershot at time, but when I feel passionate about something it just comes in waves. I just hope I portrayed how I felt about this game in a way that is easy enough to understand. It is a game that makes me love being human, and love being in this world.

"We must appreciate that the world allowed us to exist"

Really fun time if you're a fan of those mazes they have on kids menus at restaurants

Never played but obligated to give it a 10/10 because of how much enjoyment I get from joining a new MegaTen server, making a joke about how Persona 3 was the first Persona game, turning notifications on my phone, and then shoving it up my ass

three minutes into super dodge ball: "heh, yeah this is pretty cool. damn i didn't know i could do that. oh shit you totally just died. wait you can still control everyone? yooo this is cracked. matches are kinda long tho"

twenty minutes into super dodge ball: "i'm going to fucking kill myself"

Is Super Dodge Ball the WORST game of all time? Discuss:

BREAKING: Guy Does Not Take Into Account Positioning And Visibility In Combat, Blames "Dated Control Scheme," Turned Into Swiss Cheese By Firing Squad