The original Rain World was made as a sandbox with lots of creatures interacting with each other in an ecosystem. It has light story elements and lore that are SECRETS and INSIGNIFICANT to the core experience. Downpour unfortunately doubles down on the story and lore, so if you play the DLC first, which some might do, since you can activate a cheat to unlock all the campaigns, you're both playing a worse version of vanilla and getting dumb lore and drama dumped on you that you have no context for.

For example, let's say a a new player unlocks all the campaigns with a cheat and decides to play as Rivulet, not knowing some crucial paths and region layouts from the base game. They are going to get lost and have no idea where to go.

Artificer's campaign is extremely linear and is a pain in the ass to go to other regions because Artificer needs the karma from killed Scavengers to go anywhere. The intended route has only 2 gates that use this mechanic. Every other gate you can simply pass through. It's such a waste of a weird mechanic that does nothing but waste your time and gives you less freedom to explore the sandbox.

Out of all the campaigns, Gourmand is probably my favorite. It's not as lore heavy, adds the big tree from Survivor and Monk's intro as a playable region, and even adds slugpups, which were cut content, into the game if you finish the optional food quest.

The rest of the other campaigns are either too different from the base game's feel, has bad balancing issues, has awkward writing and confusing progression points, and makes the gameplay worse just to tell a "story". This is why you shouldn't mix modded content with official content.

It's still Rain World. It's still good content. Just with an extra coat of sparkledog OC donut steel vomit.

EDIT: Apparently there is a secret Nightcat campaign and it's a joke playthrough filled with memes. When you talk to Five Pebbles he talks about "five pebbsi" and that is somehow comedic. What the hell? Modders literally cannot resist the urge to add cringy jokes in whatever they make. Even more embarrassing since Rain World is suppose to be taken pretty seriously.

Downpour's biggest strength is its ability to recontextualize the environment of the world, showing how few changes to the movement system can present a completely new set of fun platforming challenges. The movement in the original game is superb as it was, but I would definitely argue that several of the campaigns here do it even better. The speedrun feel of Rivulet, the ability to move a lot more freely during combat as Artificer, the Gourmand slide, the Spider-saint (that momentum preservation is so sweet) and the Spear-climbing possilibites of Spearmaster (my greatest idea was throwing a spear underneath with a backflip and then one above as well to reach certain ceilings with dropwigs).

The lore elements are consistent, if one were to engage with the lore of the original game that is. I fully understand, however, that the pearl-reading process was a powerfully tedious task, and I wished there was a simpler way to find out the lore. There's the wikis of course, but that's always less exciting than finding stuff out for yourself. Well, now with the added dev-tools, you can experiment at your leisure! So I hope people go back to the main game and check out the lore to see that the Iterators always were emotionally unstable discord users, and slugcats always were purposed beings, even though they are also animals. The player may be able to realize these things better if they complete all three of the OG campaigns, but the pearls go into further detail.

I do understand if the sheer feeling of encountering certain things, and the mystery surrounding each creature or plant is lost when there is a dictionary that can explain everything to you, but it was always there, there were always some answers waiting for those who were interested in the "canon" explanations. If you aren't, Downpour's focus on story will lose you fast. I, however, think that all of them present fascinating ideas to an already fascinating world, one of my favorites, now only cemented as one of the coolest fictional universes of all time.

I think Spearmaster's campaign could be skipped, I believe the devs even pondered removing it, but I did enjoy the fact that playing it allowed me to defeat creatures I never could otherwise. It did have the single worst idea of removing one of this slugcat's key abilities as part of the progression, which I thought sucked. It is my least favorite one, it feels the most out of place. And while I do greatly enjoy this story, all the ideas and moments that reward the curious are there, nothing really comes close to the feeling of the original Survivor playthrough. I replayed parts of it before diving in, and the void sea segment sends shivers down my spine every time, same as meeting Pebbles. There are cool setpieces, but the feeling is different. Perhaps it's because I've gotten so much better through these campaigns that I gained excitement for new challenges and lost some of that fear of the unknown.

But there is no way to ever make another campaign like the first one. Even replaying Survivor I was already much better and knew so much more about how to deal with threats. I have moved from observing the ecosystem and slipping past to engaging with the ecosystem, being a part of it. And in that way I think Downpour's approach is the correct one for a sequel aimed at players familiar with the systems, while also adding some more tutorial messages for the starter Slugcats while sleeping. To me it opens up Rain World to so many more new possibilities, and I'm so happy it truly rewards anyone who wants to engage with the movement system or combat or lore on a deeper level. Though I fully understand if there are people who do not wish for Rain World to be like that.

I've seen the sentiment blaming modders for such an approach, but that's not true. The devs specifically overviewed everything and worked with them on the lore. It was something they wanted to add to the game, something they worked on as well even if a lot of the work was done by the modders. To conclude that this DLC is something detached from their vision of the base game is weird. I've personally never felt that it is. And that's actually the best praise I can give it.

(huge spoilers for pretty much everything)

The original Rain World is a game i would consider more or less perfect. It is stunning in near every aspect and it is also one that feels like it specifically appeals to me in many many ways. While the magic of the initial impression isn't really comparable, it is also a game that i've played a lot of and at some point i inevitably started modding it. So going into this i am far from unfamiliar with modding. But while i'm used to it, it also feels a bit different to have one implemented into the main game as paid content like this as well as a mod having this kind of scale. As the release drew closer i got a bit worried about how it'd turn out, even though i was inevitably excited for it considering it is a follow up to a game i hold as highly as i do.

And well, while i do like it, it does suffer exactly from that issue, how the hell do you follow up a game like Rain World? Retreading the original survivor experience wouldn't capture the initial effect that the game has, and since this is an expansion and not a sequel, it does stick to the same general world. So i assume the natural stepping point was hunter, taking that base experience and making it more difficult as well as making the player more powerful to go up against the increased challenge. I think Hunter is a great gamemode for a variety of reasons, it switches up the ecosystem and your place in it in a way that fits perfectly and is quite engaging after playing as survivor, but it also requires a lot of knowledge about the game's systems and world to get through succesfully because of the cycle limit, so it fits as a gamemode to be unlocked. The step up the slugcats in this dlc take is one that feels less grounded both in abilities and in the ways they are placed in their world and stories and as such it has a different overall feel to it. Becoming a predator isnt really the same thing as having an explosive double jump. Another issue that became apparent for me after a while is that map knowledge makes these campaigns a lot more repetetive. The player knows where to go and as such exploration becomes a question of when the player feels like going to pebbles and/or moon which is an aspect i couldn't really get out of my head whenever starting a new campaign and one that i think drags the dlc down a bit, even if it's one that isn't easy to avoid, because yet again, it is building off the base game and set in the same general world.

Despite all this i do have to say that pretty often the new campaigns do highlight great things about the base game and expand on them in some very engaging ways. Each one focuses on a different aspect and takes it to its extreme, whether it be movement(rivulet and saint), combat(artificer and spearmaster) or the survival mechanics (gourmand, for lack of a better term to sum it up). And at its best, downpour did make me realize just how great a lot of these mechanics were and utilized them in a way that may not be entirely in line with what the original game set out to do, but is great nonetheless as a way to push their possibilities to the forefront. And some new changes are welcome, since the player isn't approaching the world with the same mindset they were before. Artificer is an absolute joy to play, with rain world's scrappy freeform combat being put to use in the best way possible. Even if i said that an explosive double jump may not be in line with the original game, it is still an explosive double jump and those tend to be pretty sick, and that's kind of how i feel about the whole campaign, it may be comparatively over the top at times, but it is so consistently engaging that i don't mind at all. Pretty much all combat that would be too risky in the base game is now on the table and it's an absolutely wonderful showcase of those mechanics. The story is fairly straightforward, but it fits in well as a clear driving motive and the downpitched dream jingles later on set a fittingly darker mood as artificer becomes more and more caught up in violence. The karma limitation works thematically and while it can get annoying in a few regions with limited scavenger populations or high karma requirements, it makes crossing a karma gate feel less like grinding up food and more a challenge of your hunting skills. Metropolis is a very obvious region addition, but it is still a stunning final locale (with amazing threat music) to go through and is overall very well executed, even if i have mixed thoughts on the inclusion of a final boss. Gourmand on the other hand excels in many different utilities and a different approach to gameplay which is generally slower paced as well as more item focused with crafting mechanics. Those can sometimes have pretty ridiculous results (being able to craft living creatures and some other more ridiculous items) but mostly feel fairly fitting and interesting to experiment with. I like the change the higher damage higher risk spear throws bring, it feels like a fresh twist on combat that requires a more careful approach. It's a campaign i appreciate a fair bit for its lesser narrative ambitions and for a lot of fun little mechanics which add new possibilities and encourage creativity, especially how a lot of region unique items can now be crafted on the spot with a bit of resourcefulness. I also appreciate the food quest as something to help with the problem about exploration i mentioned before. Outer Expanse is another really well made region and the entirety of gourmand's campaign was an enjoyable change of pace, a surprisingly lighthearted one centered on curiosity and experimentation, and i can appreciate that. The only thing i was worried about was that the existence of outer expanse would retrospectively undermine survivor's journey to ascension, but the alternative ending actually handles this very well, outer expanse now being seemingly empty with the question of where all the other slugcats disappeared left unanswered. The ending doesn't feel like just a simpler "good" alternative, but is instead a more bittersweet one.

The other slugcats' campaigns are a lot more Lore Heavy, which comes with some mixed results. There's a fair few ideas i found interesting and enjoyable, but it gets more messy from here. Spearmaster's campaign feels like a slight retread, considering it covers known events leading up to the main game which i don't think adds much. What it's left with is a less interesting characterization of the iterators and a pearl fetch quest for most of the campaign. This feels especially strange given that spearmaster is the only character unable to store pearls in their stomach and because of this the whole campaign feels a lot more restrictive. It also nullifies the dual wielding ability which could've made for some engaging combat scenarios but instead makes them better to avoid. Rivulet has some similar trappings but pulls off most things better. Their movement capabilities are pushed to ridiculous extremes, which for a game with a movement system as in depth as rain world's leads to a very fun character. Their short cycles and periodical rain showers pair well with this for a tense campaign all about speed and finding enough food to satisfy your fittingly fast metabolism, all of which does a good job highlighting the traversal in the game, similarly to what artificer did for combat. The story has some compelling ideas, Pebbles' decision to help moon does make for an effective moment. I especially like the music pearl he has as the only thing to keep him company. Most of the campaign does also involve a fetch quest, but mechanically it is a better fit than spearmaster, as the energy cell rivulet carries enhances their already insane movement capabilities even further and riv is not really focused on combat anyway. I'm not completely aboard with everything that's done with the story here, the context of the fetch quest itself feels a lot more contrived than i'd like and again not always a fan of all the iterator characterization here. Along with this, they show another influence hunter had, that being the idea of closer iterator slugcat relations as well as ones specifically engineered by them. It took me a while to figure out what exactly bothers me here, but i think it comes down to spearmaster and rivulet's campaigns being entirely centered on the narrative surrounding iterators, the slugcats themselves have next to no motivations, they don't have their own plight, there's next to nothing to them besides existing to let the player see plot points/make the plot move along. And despite some good ideas and moments, i can't say i find the plot itself interesting enough to justify this change.

That leaves only saint's campaign, which i have very, VERY mixed thoughts on. It changes the world in the most significant way, and is often very beautiful and atmospheric. Saint's pacifism adds a certain sense of tranquility to it all and the altered echo monologues are mostly great. Undergrowth was one of the highlights, seeing a previously gray and seemingly dead area coming to life deep underground where the cold can't reach it. Seeing pebbles' barely alive puppet was also a very effective moment. All this was somewhat hampered by an excessive amount of predators in a world that seems to be on its final breath and yet has way too many predators, especially in some regions. The karma 10 ability was also a shift of tone i was mixed about, being a very drastic change from what so far has been one of the more understated campaigns, but i was willing to see where the game would go with such a major change. However any positive thoughts i had were shattered in rubicon. Saint's final area kills the tone in the worst way possible. It for some bizzare reason changes the most mysterious creatures and location in the game into means for locked arena combat? With the pacifist character who's "combat" mechanics are the least interesting out of the bunch??? The inclusion of rubicon in the game is completely bizzare to me, as it seems to go against every aspect of rain world i find interesting. It's an overlong uninteresting combat gauntlet that feels painfully grounded in very "gamey" design choices with some admittedly interesting visual work that leads to a cryptic ending which despite some potentially interesting aspects tries to do a bit too much and just can't quite make me overlook what preceeded it. Rubicon is my least favorite part of downpour and possibly one of my least favorite final areas in any game. Which is really quite a shame because of just how much potential saint had to be a favorite of mine and because it finished the dlc on quite possibly the worst note it could

Now for the miscellaneous things, the dlc also adds a few additional modes. Expedition appears to mostly have the same base i remember from when i played it as a non official mod, just now with extra unlocks and polish. It is a fine gamemode if what you're looking for is just playing more of the base gameplay loop the campaigns offered with some extra twists. Challenges provide shorter, well, challenges that mostly take after the arena mode. Their quality can vary a ton, from some being fun little tasks or puzzles that focus on some aspect of the base game or have some twist to them, to some pretty bad ones driven by rng. I think rng is barely ever a problem in campaigns, and generally strengthtens the game with variety and liveliness, but there your tasks of find food and shelter are very general and can be achieved with so many ways that rng rarely screws you over completely. In Challenges the arenas are small and the tasks specific, which can lead to a lot of frustration and inconsistent difficulty where some challenges can become near impossible one run and completely free on another, and some others rely on inconsistent mechanics. There are still some highlights here, but it's barely worth digging through it all unless you're a completionist, especially considering that the last challenge is a horribly misguided boss fight both in mechanics and theming and is similarly disappointing to rubicon. The last alternative gamemode is safari which is really cool as an idea, being able to play as any creature, but it also is left at just messing around as the various critters so it's largely just what you make of it. I tend to like having some kind of goal in games, so i can't say i got that much out of it.

Throughout my talk of the campaigns, i often mention a single region along with each slugcat and this brings me to another point that i'm a little disappointed by. Nearly each campaign now has an exclusive region or two, which is a cool idea, combined with the timeline making some regions change. The problem for me arises from these regions very often being dead ends that serve as just finales to the campaign. There is very little interconnectivity and while a lot of the regions by themselves are very solid and well made, it does worsen my problem with exploration even further, since almost all campaigns, even the ones i like, just involve going to moon or pebbles, seeing what's up with them and being directed towards where you need to be with a new region there where the campaign finishes. I previously played many custom regions, because i simply really liked exploring, but one limitation i always found was how most of the time, each region is self contained with a few exits to the vanilla regions and as such there wasnt really the same sense of being lost. This was one of the most exciting things for me about this dlc, being able to get lost in something new once more, but most of the new regions dont really improve upon this. This may have partially just been wishful thinking, but it does feel like a missed opportunity when there's only really one brand new region that is integrated more seamlessly rather than sticking out at the edges of the map. And that region is a good addition, Pipeyard connects a lot of far away edges of the map and makes for a route i used a few times to get to places as a fresh alternative and it worked very well, so i find it a shame that it's the only region of its kind. I do however like the addition of alternative paths and subregions, mainly in sky islands as well as the gutter in chimney canopy. The new creatures also feel a little lacking. Another aspect that i was hoping to see expanded upon was an addition of more passive critters or generally new creatures, but the majority of what was added just ended up being slight variations on existing predators. Yeeks and Mother Spiders are my favorites, yeeks being some of the more uniquely designed creatures as well as one of the only truly passive ones, while mother spiders are interesting both because they're presented as taking care of their young (noodleflies are one of my favorites in vanilla because of this), thus feeling more grounded as a living creature as well as being mechanically interesting with the danger of killing one way too close constantly having to be taken into account. Inspectors and Giant Jellyfish are more unusual and aren't as directly integrated into the world but both are really cool designs and discovering them was a memorable moment.

In the end i do see that downpour has a lot of ambitious ideas and clearly a bunch of passion went into it, but not only is some of the execution mixed, i also find that some of the ideas it has arent what i was interested in seeing in rain world in the first place. What made the original game stick as much as it did for me was its massive, mysterious and inspired world that i find fascinating to this day. The quiet reflective moments contrasted with the skyscraping heights it would occasionally reach, both being equally important to the overall impression. The whole world felt alien and all the greater concepts hard to get a grasp on from the player's limited perspective as a lost animal, caught up in your own struggle and only barely ever managing to see beyond it, that perspective especially was what stuck with me. There are a lot of things left up to interpretation, so it is not surprising that this is what the community would focus on, but it's also something that i don't think will stick with me nearly as much. 6 of the new regions focus on or are related to those heights mentioned (mainly to iterators), and as stunning as those are initially, this fixation made me realize that what downpour does is just not really what i was looking for. There is a lot of ambition here, and it has a bunch of interesting iterations on the ideas present in the base game, but in its pursuit, it loses a bunch of the little things that i found most appealing in the original. But even with all this it is still pretty darn good generally! After all, i am inevitably comparing it to my favorite game and it isn't really easy to come up on top in that comparison. Rain world is an extremely hard act to follow. In a way i do appreciate downpour both for its flaws and its successes. Rain World is a game i've spent so much time with to the point where a lot of things are easy to overlook and may have gotten stale, and the dlc provided me with a fresh perspective on it and made me appreciate it more. Through its successes i remember why i fell in love with the game in the first place and in its shortcomings i can often see what made rw such a standout game to me. So despite some of my misgivings, i am glad downpour exists and i am also glad that with it, rain world is getting the attention it deserves.

if you're expecting an expansion of the original rain world experience, a survival game featuring dynamic ai and a world loaded with mystery -- you will be very disappointed. this expansion (or more aptly, a modpack) does not feature any new creatures outside of evolutions of other ones, or a single one in both of the iterators which is easily avoidable and not particularly notable in any way. what this expansion ~does~ do is focus on adding new lore for the game. heavy amounts of it. loaded with fanservice. big issue with this -- base rain world was very light on its lore originally, and, in a thematic sense, the lore didn't even matter to the game itself. this helped tremendously in setting the tone of the game, making you feel as though you are a powerless animal, who has no idea what's going on, in this dilapidated, alien world.

all of the campaigns feel as though they were made by completely different people who wanted totally different things out of the game. while this sounds good for mixing things up in theory, this raises another huge problem--the new lore has a tendency to contradict itself quite a bit. even with the things that are consistent, it characterizes the slugcats (which downpour itself acknowledged were just wild animals running amok) as these silly capeshit heroes, and the iterators as these hormonal teenagers having a bit of internet drama, instead of these intimidating mechanical demigods. what was once a giant supermachine becomes just another region to explore and find a task out of, and the iterators are effectively reduced to the puppets within their cans, begging these rodents to carry out their duties, which ultimately will not and will never matter in the end. hey, at least gourmand's campaign still feels like a natural survival game with a grungy dilapidated atmosphere, where yes, you CAN explore for fun and have choices in it, instead of literally all the other campaigns being another carbon-copy indie metroidvania with the same design philosophies of people who make deviantart oc fanfiction. it makes sense that most people in the rain world community are a mixture of hollow knight fans & h0rny furries. not to mention they literally added an actual boss fight to one of the campaigns.

might i add that communication was so bad amongst the team that made this, literally no one knew who was getting money and who wasn't. instead of asking the actual people who weren't paid why they were not paid once this information ~was~ found out, their first instinct was to try and cancel the publishers in the public rain world discord server for more money. then, as it turns out, some people deliberately did not want any form of compensation. either they wised up from their incident and deleted all messages of the attempted cancellation, leaving only the people who corrected this thought pattern (which, i will give them the benefit of the doubt of and believe this is the actual reason why messages were deleted,) or they were being slimy and trying to cover their tracks. after all, rain world apparently did have a more predatory publisher in the past. still -- it shows how poor communication was amongst the team that made this expansion. i guess it makes sense why the lore contradicts itself. thankfully none of it is canon anyways, but the fact that it's an official modpack with no clarification of whether or not its canon, not on steam or within the game, and no separation from the old lore in the collections menu, is definitely going to confuse some people.

at least the fez heartbreak secret is cool. could've been worse i guess