2006
2011
2016
2010
Mid. There is no other word for it. This is mid. It's embarassing.
Xenoblade 1 fans will claim that their cynical product is a "masterpiece" because of its character deaths yet these same fans will have the audacity to mock Justian Roiland's seminal work of art, High on Life for brilliant and original deconstruction of the video game genre by allowing players to kill a child, something that no video game has ever done before. To any Xenoblade 1 fan reading this, go back to watching MCU movies and eating McDonalds before ever daring to insult true works of art like High on Life ever again.
Xenoblade 1 fans will claim that their cynical product is a "masterpiece" because of its character deaths yet these same fans will have the audacity to mock Justian Roiland's seminal work of art, High on Life for brilliant and original deconstruction of the video game genre by allowing players to kill a child, something that no video game has ever done before. To any Xenoblade 1 fan reading this, go back to watching MCU movies and eating McDonalds before ever daring to insult true works of art like High on Life ever again.
I've said before on my channel that Danganronpa is a series that is uniquely bad in terms of its grosser aspects, to the point where I refuse to financially support it anymore. I still believe that.
However, every time I hear another dumbass Danganronpa fan spew bad faith criticisms about the one ending in the series that actually does something semi-interesting and says something semi-meaningful, I get closer and closer to thinking that the Yiik creator might have had a point when he said that gamers hate the idea of games actually being art.
However, every time I hear another dumbass Danganronpa fan spew bad faith criticisms about the one ending in the series that actually does something semi-interesting and says something semi-meaningful, I get closer and closer to thinking that the Yiik creator might have had a point when he said that gamers hate the idea of games actually being art.
TBD
1980
Pac-Man is a truly nuanced commentary on capitalism. The objective of eating all the dots is a reference to the excessive consumption the system demands and the fact that the game never ends signifies how hollow this endless consumption really is. Not only that but the central conflict between Pac-Man and the ghosts represents the working class in-fighting that the bourgeoisie will orchestrate to distract us from our true enemy. Toru Iwatani could write Das Kapital but Karl Marx could never create the true anti-capitalist masterpiece that is Pac-Man.