65 reviews liked by DespicableCHUD


A hodgepodge of systems that don't really complement each other and gaslight you into thinking they make a difference. When people say Final Fantasy is confusing, this is the game they're talking about.

guys i’m a pole dancer in raccoon city and mr x always comes in and just stands in the corner… he always orders a lemon drop from the bar then stands against the wall staring, goes in the bathroom for 10 minutes, throws a roll of nickels at us then walks out

had the same experience here as i did with okami: this is a game that designed around its style first. the team has said that it was built to be how we remember the old jrpgs, not as they actually were; in practice this means the thing that is prioritized is the setpiece, the spectacle, the feeling, over the things that might lend the game internal coherence, like story and character.

that's not to say it's bad! style-first is a totally valid way to build a game, and it can work; games are audiovisual experiences. but the games that it's recalling are primarily remembered for their stories and characters - chrono trigger's narrative is rich and beloved, super mario rpg's characters are vividly drawn, golden sun's worldbuilding is beautiful and detailed. sea of stars' writing is just.... so bad, so empty. characters make dramatic pronouncements and never follow through; there's no payoff for the main conflict. (in the standard ending, anyway. i'm not going back to get the true ending. i shouldn't have to.) zale and valere get it the worst: they have the same bland personality, the same odd subservience to the needs of the plot (such as it is). they have no interiority at all. what do they really think about all this? about their lost childhoods? about their relationship to each other, and to their party members? we will never know; they are only surface-level. much like the rest of the game.

This game has so much love and passion put into it that giving it only 3 stars hurts me.
However, it also hurts me to know how the incredible talent of the team wasn't properly invested in this project.

The pixel art Is genuinely the best I've ever seen. Every single frame is so gorgeous to look at, and I can't Imagine the time it took to realize all this. The character designs are really creative and some of them look really cool, I especially like the Duffy Duck looking guy near the end. The plot is generally pretty interesting and there is lots of world building that help the world feel real.

However, there are some really big issues with the game. The gameplay is pretty good for the first hours, but it just... doesn't change. Like, ever. Sure, you get some extra characters, but the Zale and Valere (the main characters) BARELY learn any new skills, no new mechanics are added through the game, and the puzzles feel like they were made for toddlers. The dialogue Is written pretty awfully, and most of the characters have cool designs but their personality is just so stereotyped and bland that I just ended up hating all of them, or at least finding them annoying. The plot also has terrible pacing, going from absolutely nothing to info dumping you in a single cutscene, and it's a shame because it could have bene a really interesting story, which is ruined by pace, bland characters and just overall poor build up/writing.

I REALLY hope this studio will try somethimg similar in the future because they are just incredibly talented, and I'm sure with this experience they could come up with a game that would have actually deserved to win the indie award in the TGA.

(Didn't bother with the true ending because it felt like a chore, but I was actually decently satisfied by the normal ending.)

I will forget every character in this game in 1 week

I knew even before playing A God Who Lives In Your Head that it was going to be an intimate experience for me. Growing up queer and trans in the deep south, it’s inevitable that I’ll have religious trauma - a terrible thing that many other people, whether LGBT+ or not, have experienced as well. I was instantly drawn to the idea of a game discussing this difficult topic. A God Who… isn’t your average ‘game’ though; it’s instead a self-described interactive zine, made up of surreal collages and eerie audio, both equally beautiful and haunting.
I love ‘weird art’ like this so much. Abstract self-expression, a kaleidoscopic version of reality. A God Who… is a perfect example of this at its best. Its autobiographical story is told through a series of poems, the writing indescribably brilliant throughout. I appreciated that it never became too flowery or difficult to understand (this writer has autism) - yet the religious anecdotes were always so emotionally engaging and hard-hitting.
Although Yuen Hoang’s Baptist upbringing doesn’t relate exactly to my own, I understand firsthand how much this sort of shit can affect you. I strangely found a lot of comfort in A God Who…, being told by the creator that I wasn’t alone in what I’d been through. I’m sure many others who have played it feel the same way. I think that’s really powerful. I admire Hoang’s willingness to talk about these difficult things in an artistic setting - not to mention their incredible storytelling abilities and creativity.
Besides the amazing story, though, what makes this piece most captivating are its beautiful, bizarre visuals. Each page is crafted in an eccentric collage technique; all sorts of cut-outs, items, and patterns are fitted together in a perfectly messy way. I absolutely love when artists experiment with these real-world art styles in their games. Beeswing applies similar methods, and both it and A God Who… feel like living, breathing works of art to me.
The collage style isn’t just unique to look at, though; it’s the perfect format for the kind of simple interactivity present here. This extra layer of engagement makes the art and stories all the more impactful, as you directly play a small part in the narrative of each page. Small spoilers, but possibly my favorite example is the entire page dedicated to baptism. As opposed to the more chaotic style we’ve seen so far, this page is simply a single text box with a scuba diver as its scroll bar, set against a backdrop of water. As you scroll down to learn about the author’s discomfort with baptism, you must pull the scuba diver deeper into the water.
The artworks’ accompanying soundscapes are eerily beautiful as well - not only in a technical sense, but also in terms of the themes they represent. Their inclusion adds so much to the atmosphere and worldbuilding, to that point that it genuinely feels like they inform their own part of each page’s story. To go back to my previous spoilery example, the page about baptism is accompanied by the sound of an underwater current, which is interrupted by the occasional bell-like ding to temporarily pull your attention.
Everything about A God Who… just feels so intentional, down to the tiniest details like that. It's a handcrafted, personal experience with so much character, not to mention the unique subject matter. I found myself emotional multiple times throughout my ~ten minutes with it.
It may not be something that everyone can relate to as easily as I did - but I definitely think it’s worth trying either way, because you’ll still get to interact with a really fantastic art piece. The story it has to tell, and the ways in which it tells it, are worth seeing no matter who you are.
I will most definitely be checking out Yuen Hoang's other works in the future!

Visuals: 5.5/5
Audio: 5/5
Story: 5.5/5
Gameplay: 4/5
Worldbuilding: 5/5
Overall Game Score: 5/5

“no matter what you do
god still lives in your head
because to save your soul
they removed some part of you
and replaced it with the holy spirit”

Venba

2023

not too late to make sure your children aren't being indoctrinated by Canadians

This review contains spoilers

with longer games, after a first playthrough, it tends to be harder to retain everything that happened even just immediately afterwards. there's a lot of games where i'll remember some big moments and then go 'oh yeahhhhh' when i come back to them later

so what really struck me about earthbound was how i could more or less list its entire sequence of events in chronological order, the pacing is quite relaxed but none of it feels like filler, there's a lot put into making ever segment something that stands out, the definitive game about some scrunklies going on an adventure

mother 3 retains this quality and then some, now with marked chapters that have names, and perspectives from different playable characters, particularly at the start of the game, chapter 1 makes such an impression juxtaposing lucas' introduction being a calm and typical day playing with his brother, with his father and the people of tazmily village dealing with a forest fire in the middle of the night, it's such a unique way to introduce the game's characters and the tragedy that befalls flint afterwards is so unexpected given the way game started out just an hour before. deftly balancing all sorts of light and dark tones has always been one of my favourite qualities of the series, and mother 3 might be the very best at it. there are instances where the game's humour crops up at inappropriate times, such as the funeral near the start having a load of puns on the headstones there, and i generally don't find it as funny as the first two games, but it also evokes some of the most euphoric joy and deep sadness in me out of all three games, and also most other games for that matter

there are so many parts of this game i know will be etched into my mind forever, chapter 3 starring salsa the monkey would be an amazing short story on its own, my favourite part of it is how in the combat, you're very weak on your own, and rely upon your abusive owner to get by in a situation that he's put you in, the way that dynamic comes across organically through gameplay is just really cool. i also love the part where you have to deliver the boxes, you have to find the recipients' houses yourself, and everyone other than them that you talk to sort of turn their nose up and want nothing to do with you, you're promised a reward of a 'luxury banana' if you can deliver them in under 20 minutes or something, and whether you achieve that or not, you're denied it once you return, and fassad proceeds to take one bite out of it and throw it away, it's great stuff and serves as a microcosm of the kind of place tazmily village is about to become

lucas never quite fit in, and still doesn't after the town he grew up in becomes a dystopian hellhole. (you have to pay for stuff) after losing his mother and brother, and growing distant from his father as a result, he's completely reliant upon himself (and his dog) and isn't led astray like the rest of tazmily, which ends up making him the hero, along with the rest of his band of misfits, a tomboyish false princess, and a handicapped thief

this theme of outsiders saving the world continues with the characters known as the magypsies, but they aren't nearly as successful at supporting it and are definitely my least favourite aspect of the game, with their designs and personalities all being based on stereotypes of crossdressers, and quite a few poor taste jokes made at their expense which can also come across as transphobic. as a trans woman myself i wasn't terribly offended personally but i was rolling my eyes at quite a few parts and it's probably the only caveat i'd mention when recommending the game

you experience firsthand the horrible mundanity the residents of tazmily now endure, with a day of backbreaking labour, pushing people molded from clay to go get electrocuted back to life after effectively dying from exhaustion, then being sent right back to work, and going to club titiboo at the end of the day which the workers seem to be addicted to, and then you go on to break into various facilities belonging to the pigmasks and discover the horrible experiments that are being conducted, the ones you see most often are animals being taken apart and combined with parts of other animals or machinery to make chimeras, under the juvenile premise that animals are boring and they're being made much more AWESOME now, and once you eventually you meet the man at the very top, you'll find that he views people in the same way

after you take a 'break' with a more traditional video game quest of finding the seven needles, returning to the now abandoned tazmily village, and then later being chauffeured to the nightmare that is new pork city becomes even more of a whiplash, and you discover that the source of all this is an old man, with the mind of a small, spoilt child, with all the time in the world and everything he could ever want, now acting only out of nihilistic boredom, the way this is all built up to and paid off is absolutely incredible, the final chapter of this game is simply just one of the best in a video game

i won't spoil any more of the ending than that, mostly because it's 1am and i'm very tired and feel like i'm rambling, but also because it'd probably be pointless anyway; the experience of playing it is far beyond the scope of any words i could write, mother 3 is every bit the game i was always told it was, and i'm very glad to have finally played it and count it amongst some of my absolute favourites

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