Remains as fun as it's ever been with sometimes funny writing, creative boss encouters and a surprise appearance of Akira Yamaoka on the soundtrack (I keep forgetting he worked at Grasshopper)

If there's one thing I hope RePop adresses is the combat's game feel. The lack of fluidity between different inputs is painfully obvious and more times than 1 it makes some combat encounters atrocious to strut through

Also, playing this game on RPCS3 in 4K60 is eye opening, and with patches to remove the vignette and film grain, the image pops up so much more which makes it baffling why such a colourful game is surpressed by those two