This game is a mess of spaghetti code and bugs and crashes, but despite that it's still one of the best games ever made.

In contrast to Bethesda's take on Fallout, this is a true role playing game. Most quests have multiple outcomes and solutions that account for several playstyles. They also all connect to the overall story and conflict in a very realistic way. While the open world kind of suffers and is less interesting to explore compared to Fallout 3, it makes up for it for the sheer amount of content and replayability it has. The fact that this was made in merely 18 months is insane to me, even with the reused assets.

The DLC is a mixed bag. Dead Money conceptually is great with a fantastic plot, but the gameplay is a chore, especially the speakers and radios you have to deal with. Honest Hearts is fun to explore, but its quests are basically just fetch quests and the story is completely carried by Joshua Graham. Old World Blues is funny, if a little too goofy at times, and fun to explore, but has similar issues with Honest Hearts where all the quests are fetch quests. You at least get crazy rewards from it.

Lonesome Road meanwhile is arguably the worst DLC in any Fallout game. The environments are cool, but Ulysses just sucks as a character and is the epitome of everything wrong with Chris Avellone's writing. Add in a linear area with obnoxious enemies and you get one slog of an add-on. Killing Ulysses is the best part of it.

Not 100% sure if New Vegas is still my favorite game, but it's definitely in the running. I just hope that Obsidian or some other decent developer can some day make another Fallout game instead of waiting for Bethesda-slop.

80s/early 90s anime is one of my favorite things, so a game trying to capture that look, combined with old-school shooter action, immediately caught my interest. Unfortunate, then, that it only half-commits to that aesthetic, while also being yet another Procedurally Generated Roguelike Slop-fest.

In Mullet Mad Jack, you run through floor after floor of the same rooms over and over, occasionally punctuated by a boss fight, while listening to some of the worst humor since High on Life. Do you like references? We've got Demolition Man, we've got Bane-posting, we've got RE4 Merchant lines that I forgot to screencap and I don't want to re-install the game!

The core concept is that you have 10 seconds to live, and killing enemies adds to your timer. This is because you're on a livestream and dopamine etc etc yadda yadda The Horrors of Capitalism because it's 2024 and everyone thinks they're fuckin Paul Verhoeven now by stomping this already well-trod ground into De Planet Corrrrre.

The time limit, however, means you have to always be moving forward. This also means the level "design", such as it is, can't be too complex. It's really just a series of hallways, some bigger than others, and they didn't even bother to make very many of them. You'll see the same very distinct rooms countless times, often several floors in a row. This, combined with how easy the game is on Normal (the Easy difficulty is named "I want a boomer shooter," as some weird dig at boomer shooters... But this game was easier than any boomer shooter I think I've ever played) mean you're just mindlessly blasting and holding Forward. Lasers are the most intimidating obstacle in the game, because they do a ton of damage, but you can also get an upgrade that halves that.

About the upgrades: You can pick from 3 every floor, and after 10 floors they reset except for your weapon (the weapons also appear in the upgrade screen). Just always make sure you get the shotgun, +max time, and increased chances for ricochets and enemies exploding. Those are really all you need, and you can cruise through. I never used any of the other weapons.

After yawning my way through 80 floors, I was surprised when the game just... Ended. I had assumed it would be 100, but I can't say I was sad that I wouldn't have to trudge through 20 more floors of rooms that I had already seen approximately 65 times so far. Then, to end things on a really great note, you have a final boss fight where your health is represented by a "badass-o-meter" and the last line is the same joke as the end of the Dan Aykroyd and Tom Hanks Dragnet movie.

2/10 - One grace point because sometimes there's stuff in here that looks pretty neat, even though other times it looks like art from a spinoff Meet N Fuck game.

PS: If you want something similar to this (as in, the game Mullet Mad Jack ripped off wholesale), I recommend checking out Post Void, which is 3 dollars at full price and also looks way cooler.