Very content dense and streamlined but lacks the atmosphere and charm of a game like Pikmin 3. Also thought the game was too easy.

Still happy with how this turned out after such a long wait though.

2017

This is the type of game that cynical people on twitter, reddit, youtube comments and the like are always asking for. Emphasis on gameplay over cinematics, strong environmental storytelling, dense atmosphere, highly systemic with many emergent possibilities, complex and varied level design, unique storytelling and aesthetics.

And here comes Prey, a very rare example of a western triple A game that checks all of the above and yet, nobody bought it lol.

The gameplay is unfortunately, quite bad, I'm sorry but Bethesda's shitty engine just does not mesh with survival horror well. A lot of people describe this section as difficult but I think it's just kinda tedious and repetitive. Pixel hunting for those radios especially sucked. Also get ready to fight the same enemies in extremely repetitive environments for 6 hours

Enjoyed the story, atmosphere, and characters for the most part, though the VA performances varied in quality quite a bit. Combat is unfortunately really monotonous and the game throws an insane amount of it at you, turning a forgettable combat system into something you strongly dislike by the end of it's 10ish hour long campaign.


Where this game loses me is narratively, this series is based of a book and is frequently praised for it's narrative. But as someone who didn't read the books I felt like I was missing a ton of context in the story. There's so many story beats where you meet a random character for 3 seconds and Artyom decides to then follow them and agree to their every order because? reasons? You're supposed to care about these characters but the game never really bothers fleshing them out. Doesn't help that all of the dialogue in the game is delivered with very poor voice acting, and the main character, who's internal thoughts I am interested in hearing, is the only one who never speaks (outside of loading screens, which makes it even more jarring). Overall I think the big picture story and themes are interesting, but the story presentation and delivery is a massive miss.


I wish more open world games during the 2010s took cues from this instead of Skyrim and Far Cry 3.

- A lot of open world games seem to completely neglect level design, but Arkham City puts so much of it's content in interior areas where it gets to make use of some more focused level design akin to the first game. It doesn't feel like the open world has replaced the game, but rather compliments it.
- The world isn't ridiculously big, but it's dense and full of interesting nooks and crannies to explore.
- Side content was very well done. Each sidequest line was distinct and made great use of Batman's rogue's gallery. Challenges were varied, fun and well paced. Even the collectibles, like Riddler trophies, were often accompanied by a decent little puzzle rather than the freebie that most open world collectibles end up being.
- The world seemed to be reactive to your game progress. Liked that thugs would frequently reference the state of the story.
- Traversal feels amazing. A lot of open world games are huge but feel like a slog to get around in, but you can tell making it fun to get around the map was a huge priority for Rocksteady with how good they made gliding and grappling feel. In many ways, this is a precursor to the highly praised traversal mechanics in the Insomniac Spiderman games, and I dare say that I actually prefer Arkham traversal in some ways.

Game definitely has some rough spots, like the boss fights are straight up not good, and the story feels like it's overstuffed. But damn even though this came out in 2011 it's still better than 95% of open world games today. Hoping the new Spiderman can give this a run for being the best comic book game. (Edit: It did not but it was still very good)

Story was pretty good and I liked the overarching themes. But I don't think they explored the alternate history angle enough and the romance was really badly written. But otherwise enjoyable and the voice actors all did a fantastic job. Cutscene cinematography and direction is far ahead of most shooters out there.

Gunplay felt a bit off to me, it felt good enough to control but the audiovisual experience was underwhelming. The game's pretty visually busy and often the enemies kinda blend in with the backgrounds. The enemies don't react enough to getting hit and I also felt like the gun sounds were mixed weridly and lacked punch. Definitely a game that could have used hitmarkers to enhance the shooting feedback.

League of Legends sucks so much dick that they somehow managed to get NewJeans to release bad music

Nintendo, this remake is awesome, but please make/publish new Mario RPGs where we have non-toad NPCs again 😭😭😭

If this game was just the Herald of Darkness level it would still be one of the best experiences of 2023.

With Dishonored, Arkane dares to ask the age old question:

"What if Bioshock was actually good?"

I was forced to play this game because I lost a bet

This is my "you had to be there" game.

I've warmed up to this game a lot over the years. Even if the single player campaign itself isn't amongst the series' best I have to give it additional points for streamlining the multiplayer experience and also having one of the most fun eras of competitive Pokemon. Also, Mega evolutions are an absolutely genius idea and easily the best gimmick in the series.

Conceptually one of the most interesting puzzle games I've ever played but it doesn't feel like it's ideas are fully fleshed out. Also wish it had more of a narrative hook.