New Horizons helped keep a sense of normality when the world went crazy four years ago, and coming back to it now on a different platform is like being sent back in time before my dad had the cheek to get sick and pass away. New Horizons doesn't have the same nostalgia factor as Wild World or even New Leaf for me - but my God I can smell our garden in April 2020, I can hear Tiger King on in the background, I can't see my friends but I can tend to a real garden and a virtual island at the same time.

New Horizons is laden with a crafting system that sort of outstays its welcome, an apparent step back in villager interaction where you can start seeing repeating dialogue far quicker than previous entries, and an aggravating Nintendo sense of not being allowed to take things at the pace you WANT to take them. I should be allowed to skip the ridiculously lengthy tutorial section of the game if I previously had a save file on the system. This tutorial legitimately takes about five real life days to complete. I understand the concept of a game you pick up and play for just a bit at a time, but this is a full priced release, not a mobile game.

There is not enough content to justify the absolutely glacial progression and gameplay, especially compared to the offerings from Pocket Camp, a free mobile game. Even simple actions take a small animation to get through and often text that you've read dozens of times before, leading to mashing buttons to skip through them. This is sort of comparable to something like Red Dead Redemption 2's lengthy skinning, looting and cleaning animations - but at least in RDR2 there's something intricate and detailed to look at, while ACNH has a far simpler art style.

All of that in mind, though - there's such a genuine charm and addictiveness to New Horizons that I can't help but really enjoy it, flaws and all. Musically it's bouncy and memorable, the graphics are lovely to look at and the weird mix of realistic bugs and fish contrasted against the cartoony environments and characters works surprisingly well. Once you get out of that first week and the game opens up? It's good. It's very good. Not quite great, but I'm enjoying it nevertheless.

The most terrifying, oppressive, claustrophobic experience I've had in the medium is no surprise a stalking disturbing message of an encroaching patriarchal faith. Heather wants nothing to do with it, and neither will I. Monsters of repressed memories and physical/sexual trauma stalk the corridors, but catharsis is found in making them all Burn. Aborting god is probably the rawest turn on killing god tbh. I personally got lost in the woods of the threads near the end but I think on just initial reflection that there's a large point in there about an incomprehensibly massive societal issue that makes it difficult to form into something tangible (e.g. male gaze and abuse). It's also like a crystalized end to everything the series culminated in before, tying everything back together. Genuinely super well crafted, and a crazy good final message. That cycle of disparaging hatred is still overturned by the real spark of sympathy, we just want love.