歌詞
Five Nights at Freddy's
The Living Tombstone
利用可能な翻訳　34利用可能な翻訳　34
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The Living Tombstone - Five Nights at Freddy's の歌詞は 34 か国に翻訳されています。
We′re waiting every night to finally roam and invite
Newcomers to play with us
For many years we've been all alone
We′re forced to be still
And play the same songs we've known since that day
An imposter took our life away
Now we're stuck here to decay

Please let us get in
Don′t lock us away
We′re not like what you're thinking
We are poor little souls
Who have lost all control
And we′re forced here to take that role

We've been all alone
Stuck in our little zone since 1987
Join us, be our friend
Or just be stuck and defend
After all you only got

Five Nights at Freddy′s
Is this where you wanna be?
I just don't get it
Why do you want to stay?
Five Nights at Freddy′s
Is this where you wanna be?
I just don't get it
Why do you want to stay?
Five Nights at Freddy's

We′re really quite surprised
That we get to see you another night
You should have looked for another job
You should have said to this place goodbye

It′s like there's so much more
Maybe you′ve been in this place before
We remember a face like yours
You seemed acquainted with those doors

Please let us get in
Don't lock us away
We′re not like what you're thinking
We are poor little souls
Who have lost all control
And we′re forced here to take that role

We've been all alone
Stuck in our little zone since 1987
Join us, be our friend
Or just be stuck and defend
After all you only got

Five Nights at Freddy's
Is this where you wanna be?
I just don′t get it
Why do you want to stay?
Five Nights at Freddy′s
Is this where you wanna be?
I just don't get it
Why do you want to stay?
Five Nights at Freddy′s

BAD BAD BAD BAD BAD BAD BAD

I had SO much hope for this game. It looked gorgeous. I bought a PS5 solely to play it. I fucking adore the first two games. But Deck Nine doesn't get these games at all, they don't understand the heart of Dontnod's writing, and this game authoritatively proves that it is a disastrously bad idea to give LiS to any other studio. This game represents the death of one of my favorite game series of all time. (Either that, or the game was just rushed as fuck, which I wouldn't be surprised by given the disastrous remaster situation.)

The Steph side content was pretty neat, at least.

It's a full 180 from the original, somehow. They made the story actually good this time (no more lazy audio file lore dumps, thank god, and the dialogue isn't the most stilted garbage ever this time around) but in the process, everything else became generic AAA filler content. The combat has declined sharply in quality from the perfect balance found in the Frozen Wilds DLC, the world is so much bigger and filled with so much bloated unnecessary content, and I just couldn't bring myself to care enough to binge the fuck out of this game like I did HZD. At least they got rid of the annoying inventory restrictions, I guess.

My least favorite moment was discovering Cauldron Kappa while at level 15 and realizing I needed an ability I didn't have to enter, something which would not have happened in HZD because the game wasn't fucking stupid enough to think that locking content away behind arbitrary walls in an open world game is a good idea. My favorite moment was returning at level 19, after making a beeline for Poseidon, and beating the whole Cauldron while severely underleveled and with mid as fuck gear. If only the game actually had the balls to be legitimately challenging in any other instance (instead, it opts to just throw hordes of damage sponge enemies at you and call that "difficulty" rather than "lame boring bullshit").

this is a very aesthetic indie game with a great concept which unfortunately falls prey to the trap of being severely underbaked. somewhere between the text messages and talking to the old lady i took a guess at what the plot of the game would be, and i was exactly correct beat for beat, twist and all.

i can imagine a world in which this game was a really compelling, well-written mystery in which we do tons of detective work and chase down dead ends due to our own desperate hubris and eventually reach the fateful ending of this game, and that hypothetical version of the game would be a masterpiece. as it stands, it's just a short point-and-click with a lot of heart and not a lot of substance. i look forward to what comes next from this team.

By far my favorite of the Ranger series, and in contention for my favorite spinoff. The dungeons are great, I love how difficult the one-line captures can be, sniffing out every little nook and cranny in the world to complete the Dex in post-game is a legitimate joy, and I have basically nothing bad to say about this game despite playing it perhaps a dozen times in my life. I wish that some of the nice improvements from Almia had made it in (a larger world, more bosses, more companions), but overall this game is just consistently really good in a way that other entries in the series fail to be. Also, the soundtrack fucks.

This game almost convinced me to not play any other FromSoft games because of how shit the balance is -- every boss is either trivial or an un-fun pain in the ass, and the optimal way of engaging with the world is to not. Just run past everything to the bosses. Great game design! Pretty much the only boss I enjoyed was the final boss, and even that was offset by the fact that in the like 9-10 attempts it took to beat him I had to either fully reset the game or sludge through an incredibly annoying sequence of enemies on the way back.

Thankfully, this game didn't convince me to not play any further, because Sekiro is incredible and I'm glad I didn't miss out on an actual good game because of this one.