The updated cutscenes make conversations way more dynamic now that it can go from person to person, rather than having to swap out PNGs. Though even then, the panels that show who's talking don't accurately reflect the conversation with size, sometimes giving the biggest panel to a character that's just standing there while two other characters talk from a smaller panel.
And of course the higher resolution is always nice.

I find it funny that people consider this game's ending to be out of left field, when they seem to be hinting at an even more bizarre situation than 2 early on.

V3's first case yet again brings up the discussion of how much the meta aspects of the media are allowed to lie to the audience. It could easily be argued that not showing us any of Kaede's crime devalues the mystery surrounding the murder.

The password to the facility being 11037 is so peak

I get that it's for the mystery, but I'm so sick of series playing the pronoun game just so they can keep something mysterious. Like dawg, it's possible to make people talk normally.

I vastly prefer the ending of the first game, since you put more work into uncovering the mysteries of why you're here. In DR2, you put in far less effort for the actual mysteries, just answering a question every now and then in between the game expositing.
Despite being more bombastic than the first game's ending, I found that one to be a more satisfying combination of gameplay and story, especially since the game doesn't put on the kiddie gloves for you.

Strangely, having more of a story is making it more boring, since I can't just go to places and get things, I have to sit there and be told exactly what places I have to go and what things to get and WHY I have to get these things and none of it is straightforward

I had no idea it was a roguelike. I have made a grave error.

Yo this music fucks

Finished TGAA 2

Leopard