even if you get past the insidious and varied transmisogyny, the fact that the main character is a sexual predator and one of his close friends is The Pervert(tm), the infantilization of one of its female leads and the cardboard cutout tsundere archetype of the other one, the racism of having the only black men in the game be aggressive and violent thugs who do immoral things, the fact that this is a very loosely concealed harem game with a fast and loose interpretation of science and physics, the fact that the main character is braindead and cannot engage in basic rationalization to predict one of the most obvious plot twists in any video game ever...

even if you can get past all of that, this game is just fucking bad and sucks big shit lol

Have you ever wondered what would happen if you could change the past with a text? What if you discovered this power could lead to the greatest conspiracy in the world? What if you fell in love with someone who could have been destined to not exist in your timeline?

These are questions that Steins;Gate explores in its thrilling emotional roller-coaster of a story, which I can proudly say is the deepest and most intimate narrative I've seen in gaming.

The characters in Steins;Gate are one of its strongest qualities. They are all well-developed, realistic, and likable characters, each with their own personality, idiosyncrasies, and past. They become a close-knit group of friends who support each other through thick and thin, making the plot more fascinating and relatable. Okabe, the primary character, is a multifaceted and dynamic character who grows and develops throughout the story. He begins as an eccentric and egotistical individual who enjoys pretending to be a mad scientist and frequently upsets his pals with his delusions and jokes. As the story unfolds, however, he grows more serious and mature as he confronts the hard reality and repercussions of his actions. He also demonstrates great courage, commitment, and compassion by risking all to protect those he cares about.

One of the people he loves is Kurisu Makise, the main heroine of the story. In my opinion, she is one of the best female characters ever written. She is a clever and skilled scientist, as well as a kind, humorous, and charming person. She embraces the tsundere stereotype, but does it in such a lovable way that it's difficult not to admire her for it, especially when Okabe makes her aware of her cliches. She and Okabe have a lot of energy and banter, and their relationship is one of the most realistic and endearing I've ever witnessed. It's incredibly heartwarming and moving to see how she develops to care for Okabe during the game, and how she's always there for him. It's very cute how they peck each other's lips over and over like little lovebirds during their kiss moment. And the staircase scene... oh, that was such a wonderful and serene moment that I enjoy rewatching it. The slow burn romance is so brilliantly done that I found myself crying tears of joy for them at the conclusion.

I'd want to use this chance to boast about another character. Mayuri is the heart and spirit of Steins;Gate. Her "tutturu" greeting is adorable, and it always makes me grin when she sings it. I like how she always has an empty head, always thinking about what to eat or what cosplays to make for others. Then there's her very sensitive and brilliant side, revealing a hidden genius in her brain that works so well with her supportive nature. Throughout the game, I adored and grew in love with her character. Then there was Chapter 6. It was the most shocking thing I'd ever seen in a game, and I didn't care if I dropped my controller on the hard-wood floor. I was dumbfounded and felt lifeless and empty on the inside. It came out of nowhere and established the tone for the rest of the game, and I was still processing this awful fate at moments later on.

And this is the unavoidable conversation starter regarding Steins;Gate and its exquisite anguish. The numerous deaths that occur to her are a fantastic example of how manipulating the universe and time itself has absolutely no mercy, and how critical it is to keep the chronology moving steadily. The most heartbreaking aspect of this story is that it ultimately boils down to a choice between Mayuri and Kurisu, with the worldline implying that Okabe is doomed to lose a lady he adores. It's so awful, and when I recognized it, it felt like the game's writer stabbed me in the gut.

Of course, I can't leave out the other characters, who are all unique and vital to the plot. Daru, Okabe's best buddy and fellow hacka, is a perverse and amusing otaku who gives much comic relief and technical assistance. Moeka is a mysterious and silent woman who is preoccupied with her phone and has a horrible past. Luka is a bashful and feminine boy who has a crush on Okabe and wishes he could be a girl. Faris, a cute and lively maid who is the daughter of a wealthy family and has a secret identity, is also the best catgirl ever. Mr. Braun, the landlord of Okabe's laboratory and proprietor of a CRT TV store, is a gruff and strict man with a soft place for his daughter Nae and even Suzuha. And Suzuha, man, she's great.

I like seeing her true nature as John Titor emerge, and how she had to cope with her loneliness and isolation before opening out to Okabe and company and finding inspiration along the road. I was heartbroken when she traveled to 1975 only to die of disease or to forget memories, remember them, and then murder herself. That was another moment that slammed me like a freight train and made me feel nauseous. But I can't say I didn't appreciate the writing. It was so daring and original that I couldn't help but respect it. All of these characters have their own story roles and arcs that, no matter how little, all contribute significantly to the main plot and theme of Steins;Gate.

Steins;Gate is not perfect in some cases, however. It has some flaws that might deter some readers, such as the slow and confusing start, the heavy use of scientific and otaku jargon, the occasional fan-service and cliches, and the multiple endings that require a lot of replaying and skipping without a proper guide beforehand. However, I think that these flaws are minor compared to the strengths of the visual novel, and that they do not diminish its overall quality and impact. Steins;Gate is a masterpiece that deserves all the praise and recognition it has received, and more.

Steins;Gate is a visual novel that will make you laugh, cry, think, and feel. It will test your thinking, touch your emotions, and transform your viewpoint. It will take you on a voyage that you will never forget and that you will desire to repeat with your memories erased. Steins;Gate is more than simply a game; it is a phenomenon. It is a timeless narrative that will stay with you forever. This game is a must-read for anyone who wants their brain tickled, or in this instance, thoroughly elevated to grasp that this is the most deserving of the term "peak fiction." It is my literary magnum opus. I can't see myself ever forgetting my time spent with this game, and I am grateful to those who pushed me to play it.

El Psy Kongroo.

Steins;Gate is a visual novel at its finest and tells one of the foremost and most complex time travel stories you could ever experience in all of media.

It features fascinatingly detailed and unique artworks, an atmospheric and playful soundtrack, well-written and relatable characters and interactive choices leading to different endings hitting your emotions in a different way. Critique of Japanese pop culture and society are merged with a dramatic, joyful and humorous narrative, science fiction adventure and love stories - all of it is excellently balanced.

The script is wonderfully translated and tips are explaining Japanese memes, cultural references and more, preventing you from getting confused. I personally recommend the original Steins;Gate visual novel, but ELITE is doing fine as well, if you have no access to the original.

Steins;Gate is one of the most cathartic experiences I've ever had.

This is it. The definitive narrative. Period.

One of the best creations of humankind, regardless of world lines.

El. Psy. Congroo

Um diamante um tanto qual mal lapidado, um restaurante 5 estrelas onde o prato de entrada sem gosto tem mais porções do que o prato principal que consiste de um fast food de excelente sabor. Uma VN com ótima dublagem, estética única que desvia bastante dos clichês esperados de um plot de viagem no tempo com um elenco de harem ao adicionar uma terceira dimensão para o que seriam arquétipos estereotipados cansativos de se ver (A única exceção sendo o Daru.)

Há problemas consideráveis no ritmo da história dado que nos primeiros 5 de 11 caps nada demais acontece além de introdução de personagens e Jojo References, sem contar que tudo sobre a plotline da Luka é extremamente Bruh Sound Effect #2. Mas depois disso tanto o ritmo quanto a caracterização dos personagens impulsionam a ponto de esquentar mais que o motor do Delorian a 88mph com um baseamento interessante na teoria da física numa fusão gratificante da cultura popular da época. Tem algumas coisas que se erram nos detalhes mas weebs não leem teoria da física então dá pra passar despercebido pela qualidade da narrativa nos atos subsequentes.

Um clássico que marca todas as listas de check para um sucesso narrativo por saber como integrar a história com a interatividade, com os extras dos finais alternativos e os baques emocionais com maior potência na escrita original servindo como um bom argumento de que há mais caracterização aqui do que no anime. O trabalho q dá fazer o True ending também é um porre então perdeu pontos comigo por isso.

Takes its sweet time to get going but god it doesn't fucking stop once it starts.

Very good time travel concepts and one of the most terrifying concepts of fate that I've seen.

I could go on, but it's just a really good traditional visual novel.

True ending route is admittedly a bit silly with the way you reach it though.

so damn good once it gets going - glad i held held on past the not-too-interesting opening act, as once the squad starts fucking with the microwave it's (mostly) just great... call me a gaijin but i was put off by both the fanservice/assault-adjacent stuff and the repeated focus on 2ch lingo. threads the technobabble needle perfectly, okabe's utsuge-style breakdown is surprisingly well-written and characterized, and there's a ton of emotional payoff in its final segments without it coming across as cheap. feels older than a 2009 vn somehow - maybe because of how influential it is?

steins gate is ultimately a coming of age story told with a very nontraditional framing. a lot of the reviews here are extremely critical of okabe... justifiably. i assume they didn't finish the game. and that's fine. he spends the vast majority of it shouting off escapist nonsense in every effort to deflect personal responsibility and avoid vulnerability. the latter half of the game forces him to evolve, and you are witness to it. it's completely understandable if you bounce off before you reach that point, given that my time with the game ended up passing 40 hours - that is a long ass time to read and watch anything. VN fans, please do not reply saying this is short for a VN, I legitimately don't care.

anyway, okabe isn't a perfect person. that's kind of the point. and a lot of the most aggressive reviews here brush up with it and bounce off it without broadening their scope enough to understand what it is getting at.

this game is targeted at the kind of people who know what an x68000 is without googling. the kind of people who don't even need to use the in-game glossary because the language is so ingrained in their brain. this game is aimed at - or at the very least, depicting accurately - people who are guilty of shitposting in the earlier sense - /b/ tier shit. this game is showing you how someone in the trenches of the internet can grow and develop - and i am sure that resonated with a lot of people who were less than perfect in that period of their life. i certainly am glad i didn't use a tripcode during that era.

i'm not in love with the game's characters or it's writing or even it's plot in general. but i think a lot of the "the game features characters who do bad things therefore the game is bad" comments are some of the most reductive shit i've ever seen in my life.

game is fine. wish it had more music variety.

i do kind of hate the whole faris chapter though ngl

Every bad thing you've heard about this VN is probably true. They play to tropes way too much with little payoff; what is an incredibly interesting character at times is too often used as the butt of a tsundere joke, another character makes perverted, unfunny comments, and the main character is too high on his own fumes for most of the game that he comes off as a pretentious jackass even when they're trying to not paint him as such. The dialogue is overly verbose, which could be a side effect of poor translation for all I know, but it makes for some exhausting conversations at times, and it takes an absurdly long time to get started, with the first two or three chapters being potentially grating to someone not willing to put up with the overly trope-y characters. And, while I wouldn't call it transphobic, the way it handles a certain character's gender identity is questionable at best. Now, all that aside, what's good about this game?

Literally everything else.

There's some of the most lovable and fun chemistry between all of the characters here, whether it be banter at thinking each other to be overdramatic or having to help someone understand quantum mechanics with strings of yarn. They all play an important role to the story, everyone is so essential in their own unique way, even ones you never expect. There's a certain pink-haired girl who I absolutely loathed in the beginning only to find myself having incredibly strong feelings towards her situation, and even relating myself to her story. No one feels like they're there just to move the plot along, they all feel like integral parts to the overarching narrative and it's just fantastic. However, the true gem of this game, without a doubt, is its examination of time travel. It does such an amazing job at introducing scientific theories and how things function in-universe at the perfect intervals in the story so that it makes sense when things start getting more and more complicated; by the end of the game, half of the dialogue is just science stuff, yet I was nodding along, not once thinking it didn't make sense. All the rules are crystal clear, there never feels like any huge contradictions or shoddy logic; even if something doesn't immediately make sense to you, the game will help you understand it and presents it to you in a way that will wrap your head around it. Beyond just the science, it's also an incredibly intriguing look at fatalism, changing the past, the butterfly effect, playing god, the dangers of losing our humanity, and so much else that makes the time traveling much, much more than just a plot device.

I was going to give this a 4/5 due to my aforementioned issues with pacing and tropes, but the final chapter really elevated my feelings for the game and left with a beautiful message that rendered some of my previous concerns completely obsolete. It's some of the most compelling sci-fi storytelling you'll get your hands on, and I really recommend it to anyone interested in a humanistic approach to the wonders of science.

El Psy Kongroo.

Spoilers in the review because who even cares anymore

Steins;Gate is one of the most successful mess ever written. It is a confused, overlong slog devoid of characters, pacing and meaning. A walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more. It is a tale told by an idiot, full of sound and fury, signifying nothing.

It presents itself as a comedic, thriller-themed, sci-fi-ish slice of life piece about a group of wacky nerdy friends, as aware and believable in their roles as the big bang theory’s cast, which spends the first half of the game concluding nothing of relevance and the latter half of the game undoing the former. There is a significant attempt to deliver a message about the importance of free will in humanity, about our own limits, to face and accept the choices and consequences of our own free will and actions, establishing that we cannot have an ideal, easy, cotton-candy life because there is always a part of the world beyond our control, that we do have an impact on the world, and then the message is sent down the flush because we need an happy ending so here’s the resolution done off-screen for the main characters and believe in yourself, coincidence and improvisation will solve every conflict. Hours after reading through the misery of characters you are supposed to like, the game just gives you the comfortable solution that none of that matters, people will still be happy and you have to pretend those conflict never existed.

The protagonist, okabe, is a useless slab of wasted air, he fancies himself a science genius when he has no theoretical expertise aside from googling and reading stuff on Wikipedia and online boards, no technical skill, if it were not for the clear instructions others give him. Every major important concept in the story is introduced, theorized, discussed, solved and then engineered by someone else, he just uses them with barely knowing how any of those work. He also behaves like a daft twat for half of the game toward anyone, yet people still stick around him and act like he’s a dear friend despite being showered in his chauvinism, arrogance and terrible, terrible manners. When at the midpoint of the story he’s supposed to grow and start act like a caring individual, as said before he just undoes and forgets gradually every conflict his ‘friends’ have, and when he has to face the consequences of his actions, once again someone else hands him the deus ex machina, without him having to do any effort except crying and be sad about it for a bit. You aren’t even given the time to assimilate and feel the weight of the events, as you already expect a convenient solution to be on the way by that point.

The pacing is all over the place: many chapters that should be focused on progressing the story just digress and forget any sense of urgency despite time being the central idea of the story. A whole chapter is dedicated to having someone win a yu-gi-oh tournament, which isn’t even the main conflict of the arc’s protagonist, and then the real issue is presented and quickly dealt with in ten minutes before undoing it again and moving on to someone else’s life to ruin. This is gorilla-tier writing, how do you spend over half of your chapters’ length like this, with no editor to cut out the unnecessary bits, is beyond me.

The side cast is a mix of unfunny, clichéd anime tropes, with the major actors being a dumb happy-go-lucky girl whose major defining traits are being dumb and happy-go-lucky, a supposedly genius engineer and hacker constantly acting like a dangerous sexual molester, a psychotic super soldier so stupid she’d forget to eat or breath if you didn’t tell her to, another psychotic super soldier which should solve all the plot within minutes of playing start but there’s another idiot I guess, the genius tough but shy girl that should sound conflicted but actually has an emotional disorder and is just made fun of by everyone else, writer included. I didn’t even touch upon the token moe stereotype with no growth because, let’s face it, all the female characters can easily apply for the role.

The CGI and character design are hideous, poorly drawn, with terrible proportions and depth, weird colouring, unnatural and unhuman faces, body proportions and expressions (those eyes will hunt me in my sleep), that make the story seem like it takes place in alternate universe where everyone is the creature from the movie ‘the fly’. Credit where credit is due, the voice acting work and sound is pretty impressive, there are some really powerful tracks in the background music and most of the voice actors, from miyano mamoru to seki tomokazu, from tamura yukari to googling imai asami, each of them play their roles and the emotions they should convey very well.

That being said, even as a sound novel steins;gate is still overlong and riddled with dumb twists and nonsense to serve shock value rather than compelling, meaningful progression and satisfying conclusions based on its own terms, development and themes. If you want a visual novel dealing with sci-fi and thriller there’s plenty of dumb fun to be had with the nonary games, as bad as those can get, or just read chaos;child and experience the better sci;adv novel.