This game is a harsh reminder that fans should never care more about a series’ plot more then the actual devs do, lest they end up setting themselves up for disappointment.

Not sure which parts of this game are actually symbolic and which parts are just bad but I’ve deluded myself into thinking they’re symbolically bad(and thus, good?) in order to cope with the fact I had to climb over 200 floors of a randomly generated dungeon.

Drankengard fans singing my praises after I beat them up and steal their wallets(I intended to give them a painful experience.)

Very thoughtful of the devs to have a weapon called the Rainbow Drill to go alongside Pratty/Sugar.

Instead of making a faithful remake of FE3, Intelligent Systems decided to make a good video game instead.

Roughly 80% of this game is spent doing meaningless filler before heading to Atlantis, where we learn about the main objective of our heroes, some 20 hours after we already learned about the main objective of our heroes in the beginning parts of the game.

It’s almost impressive how these games manage to have 5x the amount of dialogue of other games and yet have absolutely none of it be interesting in any way.

Even people who act like this game killed their grandmother can’t stop talking about it, so it(and maybe FE as a whole tbh) is kinda like a drug that slowly destroys your body, but it’s so addictive you can’t stop taking it.

The greatest Abyss fiction you’ve ever played.

Considered the greatest, most tear-inducing piece of media of all time by people who only consume Nintendo games.

Pretty good if you like the ‘game’ part of video games.

It’s like FE3 but the plot is a little less stupid.

It’s like that one arc in some Shonen anime where they bring back all the old villains, except it’s significantly less cool then you’d thought it would be.

9 out of 10 doctors recommend DQ7 as a treatment for insomnia.