its better than the zeebo port, i guess.

this remake is an exercise in futility. almost everything new is bad and everything good about it is from a 20 year old game that remains superior to this. part of what made the original special is that it was isolated from the rest of the franchise, and in every sense of the word this remake's number one priority is to homogenize it with everything else while still being "resident evil 4" in the most half-hearted, pathetic way possible.

the tone of this game wants so desperately to be melodramatic and self-serious in line with the other remakes but understands that it loses all appeal if it doesnt still portray RE4-isms, so in one scene nu-leon will say "Fuck... this has to be different... shit..." and in the very next he'll do The Bingo Line or go "Whoopsy daisy, looks like I just kicked you in the head" a million times during combat because otherwise it won't get a 4.6 average on Backloggd. it wants to be new but feels to obligated to be old because it is literally a remake so the entire thing feels wholly disingenuous.

resident evil 4 was also an action game and the modern RE remakes are more of an exercise in frustration than anything, so nu-4 tries to mix both worlds without really having the engine to back it up. the amount of times leon would be stunlocked by an enemy breathing on him is enough to make a man insane, and the enemy states in this game are also much more vague than the original. the idea is that if you should them in the head or leg you can perform a melee, but sometimes enemies just wont be affected by these things at all and the player is left entirely out of control.

there are plenty of new additions that fans of a PS2 action game are sure to love also, such as
- Cut content sold later as DLC
- Weapon degredation, and speaking of which
- Stealth Kills (who asked for this)
- Parries (but dont use them, because your knife will break. also the game makes it super unclear what you can and cannot parry besides having a brief parry prompt in the corner, so its as if the game still has quick time events)
- That thing where instead of mashing to get out of grabs, you just stab them. This is really pointless since it also breaks your knife but enemies grab you so much more here that fuck it, you can have my knife
- Iconic new Side Quests such as "kill 3 rats" and "kill 3 snakes"
- Unlockable charms that give wonderful bonuses like 5% higher chance of enemies dropping green herbs or shotgun bullets
- A crouch button(??)
- A new enemy thats practically the same as Salvador but more frequent and nearly unstaggerable so hes really just an ammo toll, thanks

this game is just so phony in so many ways. lots of little things are worse. the regenerator music is louder and they become a standard enemy instead of having their own special moments. characters talk more and have less to say. arguably every single boss encounter is more "cinematic" instead of being dynamic, like Mendez hiding in the background to pick up big red barrels for you to shoot instead of just being a boss fight. the game in general is more cinematic and even has one of those fucking sequences where you just hold up on the left stick while a psuedo-cutscene plays. in MY resident evil 4

i fail to see any way that this remake is trying to do anything besides rewrite history, let alone one of the most historically significant games ever made. i shudder to think of the amount of people who will say "resident evil 4" in reference to this and this alone. it does wimpily try to emulate the original, so it can still have its moments, but otherwise adds positively nothing to the industry and has effectively only harmed the reputation of the 2005 game. im glad people love it as much as they do, and i wish so dearly that they would be inspired to see what the original is all about too, but chances of that are low. this is new, and thats old. morir es vivir, morir es vivir

the threepeater is a plant in this game, which shoots in three lanes. the lane above, the lane its on, and the lane below, right? the threepeater has three heads, each one layered vertically in order to make them visible to the player. whenever a zombie is within one of the three lanes, it fires, and each of it's heads bob in order to show the action and give it a bit more life, as all the plants do. however, if you place the threepeater at the top or bottom lanes - lanes which it cant possible shoot all three - the top or bottom heads respectively wont bob when the threepeater fires, as it's not firing in those non-existant lanes, while the others still will. this game is 5 bucks on steam in case youre wondering

i am so fucking tired of every game being sekiro. please god can one acton game come out where you do something besides read animations and deflect on the right key frames. can one historical game about the tokugawa shogunate have some personality to it and not be more boring than reading a book about the actual events. can one open world game come out and have shit to do in it thats fun and beneficial for more than just clearing icons and getting bigger numbers. anyway, Like a Dragon: Ishin! is available now on digital storefronts everywhere

the "friction" in this game is hotly debated but i think a lot of it stems from this fact that this game is pretty fundamentally flawed on a structural level. the insanely stunted fast travel is done entirely on purpose not to instill a sense of adventure in the player, but because walking across dirt roads and fighting the same three enemies is literally the meat of the game. that is the gameplay, and if you don't REALLY fuck with it then you have my pass to give up on it without feeling like you're losing out on your gamer badge of honor. fighting guys does feel really good but its hard not to feel like -- yet again -- im just playing the demo for the actual dragons dogma.

cant say that i or anybody else should be disappointed because a lotta folks are gonna come to find out thats just what dragons dogma is, but if this game is going to continue that tradition then i gotta come to the same conclusion i think a lot of people come to: dragons dogma is really just ok

this is gonna be one people debate endlessly about

is it better than 2016, is it the right direction for doom, is that really the ending they went with, all these questions that may never get answered except for that last one

as im sure you know by now, this is very different from 2016 which is the absolute best thing for it. going from a game about being the autarch of destruction to a first person shooter with immense depth in its mechanics is a uncharacteristically subtle change that makes a world of difference, which is exactly what a sequel needs

doom eternal is hard as shit but its tacticality in how you "rip" and "tear" as one might say makes every shootout engaging as hell. some fights are a bit reliant on having enemies with too much health or just spawning a bunch of them, but despite that minority of lame fights the combat itself is inherently extremely engaging.

theres a lot more to this game that i could get into, but the core loop itself is so great that you have to play this game simply for that.

it cant be overstated how important kojima is to the game industry. like him or not, he's revolutionized the way we see game design more than once. with his newest game he may not change the way we look at games, but he still proves he knows how to make a new idea work perfectly well.

i went into this game expecting it to suck hard. i thought it would just be walking from point a to b with some face-level story on top. i was severely wrong.

the amount of nuance from just getting package x to point a is insane, with everything down to the terrain keeping your attention. hell will rise from the ground to keep you from delivering some packages. but deliver them you will god damn it, because youre Sam Porter Bridges.

there's so many things that keep gameplay from getting stale, down to the end of the game youre constantly unlocking new weapons and gadgets and modes of transport. on top of that youve got MULE camps which never stop being satisfying and the BT sections which never stop being tense. everything feeds into everything else and its impossible to look away from the screen once it starts, and i have never played anything like it.

but what truly elevates this game is the balls to the wall story. the horrifying symbolism of strands and hands and uterine glands makes for a visual experience unlike anything before it. it's a weird thing to say, but this might be the most well-shot game i've ever played. not to mention that every character is extremely well written and even more interesting than the last, the obvious highlight being Mads Mikkelsen.

death stranding's america is a world i wont forget and the tense package delivery along with it. theres truly nothing like this game and i applaud everyone involved for making such an interesting, dare i say bold game work so god damn well. just one more feather in kojima's cap.