Pure, unfiltered, unadulterated fun. Full motion video games and Visual Novels have fused together to unleash their full potential. Absolute clusterfuck of a story coupled with unrivaled cheese and unforgettable characters, everyone really looked like they were having the time of their lives behind the scenes.

It loses a few points for how cryptic and tedious it might be to progress the story if you get one of the very funny bad endings and don't know which character caused it and the whole thing about the true ending having you spare a bioterrorist because killing people is wrong somewhat irks me but aside from that, it's a must read for sure.

I wish this was more talked about in the VN circle but VN nerds are too busy praising anime tits mcgee spouting high-school tier philosophy lessons while getting fucked by dogs or something.

Achi Endo is the most based character in all of fiction. Don't forget to recycle.

Um diamante um tanto qual mal lapidado, um restaurante 5 estrelas onde o prato de entrada sem gosto tem mais porções do que o prato principal que consiste de um fast food de excelente sabor. Uma VN com ótima dublagem, estética única que desvia bastante dos clichês esperados de um plot de viagem no tempo com um elenco de harem ao adicionar uma terceira dimensão para o que seriam arquétipos estereotipados cansativos de se ver (A única exceção sendo o Daru.)

Há problemas consideráveis no ritmo da história dado que nos primeiros 5 de 11 caps nada demais acontece além de introdução de personagens e Jojo References, sem contar que tudo sobre a plotline da Luka é extremamente Bruh Sound Effect #2. Mas depois disso tanto o ritmo quanto a caracterização dos personagens impulsionam a ponto de esquentar mais que o motor do Delorian a 88mph com um baseamento interessante na teoria da física numa fusão gratificante da cultura popular da época. Tem algumas coisas que se erram nos detalhes mas weebs não leem teoria da física então dá pra passar despercebido pela qualidade da narrativa nos atos subsequentes.

Um clássico que marca todas as listas de check para um sucesso narrativo por saber como integrar a história com a interatividade, com os extras dos finais alternativos e os baques emocionais com maior potência na escrita original servindo como um bom argumento de que há mais caracterização aqui do que no anime. O trabalho q dá fazer o True ending também é um porre então perdeu pontos comigo por isso.

This cutscene in particular boggles my mind on so many levels Ok, so Mario goes to Roy Koopa's hotel to look for Peach and the gimmick for the stage is that lights turn on and off (very fun idea btw) and when you clear it, it shows Mario finding a room solely dedicated to making toasters. Why? Who needs that much toast? Can't you just use a microwave or an oven if you need that many toasters?

"Aha, Here's the problem, too many toasters!" Mario says, like it's a common household occurrence to have a toaster room like it's a bitcoin mine. Why does Bowser have his own patented sourpuss bread? Who tf would eat sourpuss bread? Is this what he feeds his kids? Why does Mario look so smug when he says "You know what they say, all toasters toast toast"? No one has ever said that. Is this some sort of Mushroom Kingdom Haiku? An inside joke from the devs? Because if you take it literally it sounds stupid, you can make plenty of things with toasters, and toast is only toast after it's been in a toaster, if you toast a toast you'll be left with burnt bread. Why does the outlet look different than before? Why did the unplugged toasters shoot the toast at 20 mph? Where did they go? Are they stuck on the ceiling? How does anyone frequent this hotel if Roy prioritizes making toast over having decent lighting?

You know what they say, where there's smoke, they pitch back.